Conversations About Art

Registration for the Delaware Art Museum’s spring 2026 studio art classes and workshops is now open

By Steven Brodsky

… Classes and workshops for a wide range of subjects have been scheduled.

Yes, DelArt is offering writing classes and workshops.

Visit Classes – Delaware Art Museum for information.

Posted 3-5-26

A Conversation With Victoria Browning Wyeth

By Steven Brodsky

Victoria  Browning Wyeth is the granddaughter of Andrew Wyeth and the niece of Jamie Wyeth. She is the great-granddaughter of N.C. Wyeth. Victoria is widely known for her dynamic gallery talks and lectures on the life and art of Andrew Wyeth. Victoria is a gifted photographer; her photos have been exhibited at a number of museums.

What are some of your fondest memories of your grandmother?

One of my fondest memories of my grandmother were our nicknames for each other. I always called my grandmother by two names: “Betsy” or “Mamma Sheep Turd.” I realize the second name might raise a few eyebrows so let me explain. I grew up in New York City, but would spend every summer in Cushing Maine with my grandparents. As a young girl, and as a grown woman, I have always detested sand, dirt and bugs. When I was about nine or so, my grandparents purchased Allen Island (near Port Clyde, Maine), and, in addition, a very large flock of sheep to help with the lawn “maintenance.  Along with the sheep came sheep turds…. EVERYWHERE. So, she called me “City Slicker” and I called her “Mamma Sheep Turd.” When I was in college and we wrote each other letters, the post office at my college would giggle when they handed me a letter because of the return address. I always smile when I think of the looks people gave us when we used these names for each other.

My second fondest memory was when she taught me to put on makeup and put my hair in a French twist. I can still feel her hands in my hair helping me pin it up. When it came to applying makeup she would always say, “Vic… less is more.” To this day I am not much of a makeup person.

Finally, my most recent favorite memory involved cooking for my grandmother (and my uncle Jamie) on Sunday nights. Betsy was the chef in the family – her meals were simply out of this world yummy. Mashed potatoes, cookies, creamed eggs, popovers, etc. You name it and she could make it. After my grandfather died she scaled back her cooking quite a bit. Around six or seven years ago I started cooking Sunday dinners for my family. I wasn’t the best chef at first; I burned fish more than I would like to admit. One of the things that still brings a smile to my face was watching her gobble up every last morsel. She would look at Jamie and me and say, “mmmmm this is good.”

Betsy handled much of the business affairs of her husband Andrew. What prepared her for this?

She always had such a powerful business sense. I’m not quite sure where this came from, but she handled Andy’s business affairs with such grace and intelligence. She was quite the inspiration.

Please describe how Betsy furthered the career of Andrew?

My grandmother helped further his career by supporting him in numerous ways. The most important was through her love: she loved him with all of her heart. She would always tell him what she thought of his newest painting – if he needed to simplify something, if the color was too intense, etc. She was also very instrumental in titling many of his paintings.

What was the extent of Betsy’s involvement in titling the paintings of her husband?

She had a huge role in the titles. Take the painting Wind from the Sea. When my grandparents were discussing the piece Betsy said, “It looks like a wind is coming in from the sea.” Andy replied, “That’s it!! Wind from the Sea.” Her vocabulary was most impressive. For example, she would do the New York Times crossword puzzles in ink. This gave her an incredible bank of words to choose from when she helped to title the work.

Her ability to title wasn’t limited to paintings: when I was in graduate school and writing long research papers, I would call her and tell her my paper topic. She would then call me back with a title. For example, I wrote a paper on shell shock in British troops during World War I. She came up with the title “Over the Top.”

Were you able to observe Andrew while he was painting? If you were, did he discuss what he was working on?

Andy HATED having people watch him paint. He felt that having you watch him paint was an invasion. The only times I watched him paint were: (1) outside my window in the summer. He would work on watercolors or drawings outside my parent’s house in Cushing, Maine. He didn’t know I was looking, but I was. I couldn’t help myself. This is when I was a young girl (under 13). (2) When I would accidentally walk into the house when he was working on something. I would apologize and he would smile and say, “Hi darlin’. I’m just finishing up.” (3) When I posed. This was my favorite because we got to discuss everything. I would barrage him with all sorts of questions about his work, his life, his friends, etc. The last time I posed (back in 2005) I was giving lectures at the Brandywine River Museum. It was so cool because I would incorporate what we talked about into my gallery talk that day. 

How sensitive was Andrew to what critics wrote about him?

He couldn’t have cared less what the critics thought.

Which paintings of his do you believe he remained most attached to? 

He was almost always most attached to the painting that he was working on.

To your knowledge, were there times in Andrew’s life when he was without artistic inspiration? If there were, how did he reacquire inspiration?

To the best of my knowledge this never happened. Even when he was in the hospital (for a hip replacement) he drew his hospital room and the view out the window. He was inspired by everything and everyone.

 Of the photos that you took of Andrew Wyeth, is there one that especially evokes cherished memories? Can you share those memories with us?

The one I took of him painting outside my window in Cushing, Maine. He was painting me and we would start working very early in the morning – 6:45 a.m. I overslept one morning and rushed downstairs. As I looked out of the living room window, I found him sitting out there with his watercolor pad on his lap, tissues everywhere (to blot the paper) and his watercolor box by his side. Whenever I get sad and miss him, this is what I think of and it always makes me smile. 

You’ve given many pro bono talks. Which of those talks have been most gratifying to you? Please tell us why.

My favorite talks, pro bono and paid, have been the ones I have done at the state and local prisons. I feel that those who are incarcerated should be exposed to art as much as possible. Since they can’t go to a museum, I bring a museum to them. For example, this past January I lectured on the work of my grandfather to the gentlemen at the Maine State Prison in Maine. I went on January 16th – which is a very special day for me – the anniversary of my grandfather’s death. It was a beautiful snowy day and I packed my car up with a bunch of my uncle’s and grandfather’s watercolors and drawings and headed to the prison. I thought it would be fun to create a pop-up gallery in the prison and even more interesting to bring one of my grandfather’s models with me. It was a very special day for all of us. I will never forget looking at the reactions on the guys faces as they looked at the art.

The Brandywine River Museum of Art is currently closed to the public (as are other museums) because of the COVID-19 crisis. Is there a painting in the Museum’s collection by Andrew Wyeth that, at this moment, you are especially looking forward to seeing when the doors reopen?

I love seeing my grandmother’s portrait – Maga’s Daughter. I’m very excited to go visit her and say hi.

Posted 6-8-20

Conversations About Faith

Daylight saving time begins on Sunday, March 8, 2026

By Steven Brodsky

… at 2 a.m. local time in most areas of the United States. It is then that clocks and watches should be adjusted, if necessary, to indicate a springing forward of time by one hour.

Time confusion will result in some people arriving an hour late for church services on March 8, 2026.

There’ll be joy in Bible-believing, Bible-teaching houses of the Lord!

Romans 15:13: Now the God of hope fill you with all joy and peace in believing, that ye may abound in hope, through the power of the Holy Ghost.”

Posted 3-4-26

God’s perfect love

By Steven Brodsky

… is the subject of the song “Perfectly Loved.”

Accepting God’s perfect love makes perfect sense!

Posted 2-24-26

Praying Psalm 143:8 in the evening

By Steven Brodsky

Perhaps you have considered, or will consider, including the words and/or sentiment of King David’s Psalm 143:8 in your evening prayers.

Psalm 143:8 KJV: “Cause me to hear thy lovingkindness in the morning; for in thee do I trust: cause me to know the way wherein I should walk; for I lift up my soul unto thee.”

https://www.blueletterbible.org/comm/guzik_david/study-guide/psalm/psalm-143.cfm

May we hear God’s lovingkindness in the morning and know the way that we should walk.

Posted 2-20-26

O, to have the kind of inner fire for the Lord

By Steven Brodsky

… that’s spotlighted in Pat Barrett’s song “I’ve Got A Fire.”

God forbid, to be or remain lukewarm towards the Lord.

Revelation 3:16: “So then because thou art lukewarm, and neither cold nor hot, I will spue thee out of my mouth.”

Have questions about Revelation 3:16? See: Why did Jesus speak so strongly against lukewarm faith? | GotQuestions.org.

Posted 2-19-26

Knowledge and love

By Steven Brodsky

Knowledge puffs up.

Love builds up.

May post-Valentine’s Day weekend reflection on 1 Corinthians 8:1 be a blessing to the readers of the Entertainment, Culture and More column.

You’ll find 1 Corinthians 8:1 at: https://www.blueletterbible.org/nasb20/1co/8/1/s_1070001.

The greatest love is that of the Lord!

Posted 2-16-26

Frost and thaw

By Steven Brodsky

Many millions of Americans have been greatly impacted by frost and thaw in recent weeks.

Photo by Steven Brodsky

On January 14, 1866, congregants of the Metropolitan Tabernacle church in London, England were reflecting on frost and thaw, and God, as Charles Haddon Spurgeon (who was known as the “Prince of Preachers”) was delivering his sermon “Frost and Thaw.”

Be blessed by “Frost and Thaw”: The Spurgeon Library | Frost and Thaw.

Photo by Steven Brodsky

Posted 2-13-26

An abundance of snow

By Steven Brodsky

… that recently fell on a large area of the United States begets the pairing of this photo with a verse from Isaiah:

Photo by Steven Brodsky

Isaiah 1:18: “Come now, and let us reason together, saith the LORD: though your sins be as scarlet, they shall be as white as snow; though they be red like crimson, they shall be as wool.”

Posted 2-10-26

Listening to these two soul-themed songs

By Steven Brodsky

… will lead some of this column’s readers to reflect upon the current state of their souls:

 

Of course, matters related to the state of one’s soul can be addressed in prayers to God.

Posted 2-9-26

‘Jesus is for everybody’

By Steven Brodsky

… said Jelly Roll in his acceptance speech at the 2026 GRAMMYs after winning the GRAMMY in the category of Best Contemporary Country Album for Beautifully Broken.

Yes, Jesus is for everybody!

Congratulations to Jelly Roll on winning this GRAMMY, and thanks to him for reminding us that Jesus is for everybody:

https://www.gotquestions.org/whoever-calls-name-Lord-saved.html

Posted 2-2-26

God loves lost sheep

By Steven Brodsky

… Those who have been found by Him, know this firsthand!

See Luke 15:1-7: https://www.blueletterbible.org/nasb20/luk/15/1/s_988001.

Why would God leave the 99 to find 1? | GotQuestions.org

Posted 1-29-26

Jesus loves black sheep 

By Steven Brodsky

… and all of the people who were present when this video was filmed, including Ben Fuller:

And Jesus loves us!

Posted 1-26-26

A brother or sister can be close or not close

By Steven Brodsky

… Thank God, though, that God is closer than the greatest brother or sister can ever be for those who are God’s friends!

John 15:15: “Henceforth I call you not servants; for the servant knoweth not what his lord doeth: but I have called you friends; for all things that I have heard of my Father I have made known unto you.”

Photo by Steven Brodsky

Proverbs 18:24: “A man that hath friends must shew himself friendly: and there is a friend that sticketh closer than a brother.”

Posted 1-16-26

Everyone needs the Savior

By Steven Brodsky

… Everyone includes all of us.

Romans 3:23: “For all have sinned, and come short of the glory of God;”

Praise the Lord for the Savior whose birth many people will celebrate on Christmas Day!

Posted 12-6-25

The song that these dudes are performing while gathered around a fire pit

By Steven Brodsky

… will inspire readers of this column to sing like they (those readers) have already won:

Psalm 96:1-3: O sing unto the Lord a new song: sing unto the Lord, all the earth. Sing unto the Lord, bless his name; shew forth his salvation from day to day. Declare his glory among the heathen, his wonders among all people.”

Posted 11-14-25

God is near to the heartbroken

By Steven Brodsky

… See Psalm 34:18.

Hallelujah when the heartbroken express heartbroken hallelujahs!

And hallelujah for “Heartbroken Hallelujah,” by MercyMe!

Posted 10-26-25

A story of kindness and faith

By Steven Brodsky

… is told in “A Man Called Norman.”

“A Man Called Norman” was originally broadcast on September 5, 1984.

Links to a “Man Called Norman” first appeared here in 2020.

Relinking to “A Man Called Norman” will be a blessing to readers of this column and others!

Here are the links:

https://www.focusonthefamily.com/episodes/broadcast/a-man-called-norman-part-1-of-2/

https://www.focusonthefamily.com/episodes/broadcast/a-man-called-norman-part-2-of-2/

Posted 10-11-25

From outer space

By Steven Brodsky

… on Christmas Eve, 1968, the crew of Apollo 8 (William Anders, Jim Lovell, and Frank Borman) transmitted a reading of Genesis 1:1-10 KJV.

Many millions of earthlings watched this on Christmas Eve, 1968:

Genesis 1 (KJV) – In the beginning God created

Questions about Genesis/creation? See: Creation | Answers in Genesis.

Posted 10-4-25

Choices

By Steven Brodsky

… We too are “living and dying” with consequences of choices.

Godly wisdom (and the Holy Spirit) can enable those who are His own to make choices that lead to most desirable consequences.

Psalm 111:10 reveals where godly wisdom begins.

Psalm 111:10: “The fear of the Lord is the beginning of wisdom: a good understanding have all they that do his commandments: his praise endureth for ever.”

God’s way is better (best!).

Posted 8-23-25

After listening to Keith Green’s recording of ‘Create In Me A Clean Heart’ 

By Steven Brodsky

… some column readers will be drawn to pray Psalm 51:10-12: “Create in me a clean heart, O God; and renew a right spirit within me. Cast me not away from thy presence; and take not thy holy spirit from me. Restore unto me the joy of thy salvation; and uphold me with thy free spirit.”

Column readers will be singing the lyrics of “Create In Me A Clean Heart” while listening to the embedded recording!

About praying Scripture: https://www.gotquestions.org/praying-Scripture.html.

Posted 7-29-25

To be in fellowship with God

By Steven Brodsky

… is to be in a promised land.

Directions to this promised land include: praying to the God of the Bible, reading His Word (the Bible), and turning away from sin.

What is fellowship with God? | GotQuestions.org

Posted 6-20-25

Will you be going to ‘where the wicked shall cease their troubling’?

By Steven Brodsky

… That place: heaven.

Hopefully, we’ll meet there some day!

https://www.youtube.com/watch?v=09sWkMK4uY4

The above linked performance video of “The Wicked Shall Cease Their Troubling” featuring Jessy Dixon was previously linked in this section of the Entertainment, Culture and More column.

It came to mind as I was writing an article today that included an embed of “April Come She Will,” a Simon & Garfunkel song that was written by Paul Simon. That article appears at: Conversations With Writers And More delcoculturevultures.com.

It was then that I recalled that Paul Simon had seen Jessy Dixon in concert at Radio City Music Hall in 1972, and that Paul Simon invited Jessy Dixon to sing with him on Saturday Night Live, and that the two would go on to tour together in the U.S. and overseas for eight years.

Jessy Dixon passed away on September 26, 2011 at age 73.

Posted 3-14-25

One of the blessings of the godly in more advanced years

By Steven Brodsky

… is the capacity to continue to bear (wonderful/prime) fruit.

What a blessing that is, as the psalmist no doubt had observed prior to penning Psalm 92!

Take special note of Psalm 92:14: https://www.blueletterbible.org/nlt/psa/92/1/s_570001.

Posted 1-22-25

Aaron Wilburn’s ‘The People That God Gives You’

By Steven  Brodsky

… was referenced here in the summer of 2020.

Circumstances of life have affirmed the value of the song’s message for me and many others.

I first heard “The People That God Gives You” on the syndicated radio show that Paul Heil hosted for many decades.

The song has continued to be a blessing to me (and I believe to some of the people that God has given me).

Be blessed.

1 John 4:7-8:

Beloved, let us love one another: for love is of God; and every one that loveth is born of God, and knoweth God.

He that loveth not knoweth not God; for God is love.

Paul Heil was interviewed for this column in 2018 and 2016. The interviews are accessible at: https://delcoculturevultures.com/2017/03/14/a-conversation-with-paul-heil-host-of-the-gospel-greats-syndicated-radio-show/.

Posted 9-5-24

‘Sweeter than honey’

By Steven Brodsky

… was the taste of God’s words to the psalmist.

Psalm 119:103: How sweet are thy words unto my taste! yea, sweeter than honey to my mouth!”

This verse came to my mind while I was enjoying a spoonful of wildflower honey a few minutes ago.

Some of this column’s readers will recall the verse the next time they taste honey.

And some will recall the verse when they next taste the sweetness of the Bible.

Posted 8-27-24

Conversations With Writers And More

Attention parents and guardians of kids: the Railroad Museum of Pennsylvania’s next Reading on the Rails event will take place on Saturday, March 7, 2026

By Steven Brodsky

This announcement was posted at: Entertainment, Culture and More – delcoculturevultures.com.

From a news release that was issued today, February 23, 2026, by the Friends of the Railroad Museum of Pennsylvania:

Strasburg, Lancaster County, PA — You’re right on track for reading and railroading as guest readers share stories about trains, railroads and other amazing people, places and things during the family-friendly Reading On The Rails event at the Railroad Museum of Pennsylvania on Saturday, March 7. Reading On The Rails is sponsored by Smilebuilderz For Kidz.

Kids will receive their very own “suitcase” and use it to travel from story to story throughout the day. They can collect a sticker after each story and create their own suitcase design with stickers, crayons and other trimmings. Smilebuilderz For Kidz has supplied toothbrushes and travel-sized toothpastes and AAA Central Penn has supplied colorful luggage tags for the suitcases.

Currently scheduled readers include

  • Barry Kornhauser, assistant director, arts campus and community engagement, Millersville University.
  • Bryan Cutler,representative, Pennsylvania State House of Representatives.
  • Regina Ahn,morning traffic and breaking news anchor, WGAL TV.
  • Esther McBride, librarian, Strasburg-Heisler Library.
  • Fran Rodriguez,senior program officer, Lancaster County Community Foundation.
  • Patrick Morrison, director, Railroad Museum of Pennsylvania

Reading On The Rails story times are 10:30 a.m., 11:15 a.m., 11:45 a.m., 1:15 p.m., 2:00 p.m., and 2:30 p.m. and will be held among the historic trains in the Museum’s climate-controlled Rolling Stock Hall.

KPETS, Keystone Pet Enhanced Therapy Services, and Operation Lifesaver will be on hand throughout the day.

RRMuseumPA.org 

Posted 2-23-26, Reposted and revised 3-3-26

March, actualized as a character

By Steven Brodsky

… appears in Emily Dickinson’s poem “Dear March—Come in—(1320).”

The poem will appear on your screen upon visiting this page: https://poets.org/poem/dear-march-come-1320.

March draws nigh, opportune for some readers of the Entertainment, Culture and More column to pen a March-related poem, short story, or song.

Readers who are sufficiently prompted by the Emily Dickinson poem (or their calendars) can soon be seeing new March-related writing of their own on their screens and/or writing pads.

Posted 2-25-26

Blizzards and blizzard warnings

 By Steven Brodsky

… currently impacting millions of Americans prompt the writing of this brief article, and my wish that “wild solitude” after the current and future storm systems will be associated with satisfying and valuable writing by readers of this column.

Meteorological storms have a way of altering internal and external landscapes, sometimes to the betterment of one’s writing.

“Blizzard,” by William Carlos Williams: Blizzard | The Poetry Foundation.

Be safe.

Posted 2-22-26

If geographically situated to be able to ‘listen’ to the sounds of winter

By Steven Brodsky

… attentively “listening” to those sounds can be valuable.

Walt Whitman was a great listener of the sounds of winter: Sounds of the Winter by Walt Whitman – Poems | Academy of American Poets.

The linked poem will encourage some readers/writers to listen to the sounds of winter.

Posted 1-31-26

Writers who will be ‘stopping by woods on a snowy evening’

By Steven Brodsky

Stopping by Woods on a Snowy Evening | The Poetry Foundation             

… may wish that they could stay in those woods longer, and some of them will regret not bringing a pen and pencil to write while inspiration will still be warm.

Ink in a pen and inspiration can freeze on a snowy evening.

I’d better move on!

There are “promises to keep” and “miles to go before I sleep.”

Posted 1-18-26

The Jersey Shore

By Steven Brodsky

… is the setting for this poem by Walt Whitman: Patroling Barnegat by Walt Whitman | Poetry Foundation.

The Jersey Shore was accessible to Walt Whitman; he resided in Camden, New Jersey.

Accessible to us is the speaker of the poem’s unencumbered narrative centered on a stormy beach scene.

The narrative seems to reflect the poet’s having been in a heightened state of awareness at a beach during a storm. Mindfulness meditators might recognize that state as “choiceless awareness.”

The poem was originally published in 1880. Thankfully, we’re able to enjoy “Patroling Barnegat” in 2026.

Referencing and reading about the Jersey Shore brings Southside Johnny (John Lyon) to mind.

My best wishes go out to Southside Johnny on his retirement.

Posted 1-9-26

Profound communion with an animal

By Steven Brodsky

Photo by Steven Brodsky

… can compel rewrites, indeed: https://www.poetryfoundation.org/poetrymagazine/browse?volume=169&issue=5&page=4.

For ourselves and others, we want to capture such communion to whatever extent is possible in writing, don’t we?

Photo by Steven Brodsky

Posted 1-3-26

Resolute writers will ‘again’ be responding to ‘triple winds’ with defiance in January 2026.

By Steven Brodsky

… Take notice of the first word of “January,” by William Carlos Williams, and the entire 11-line poem: https://poets.org/poem/january-3.

I know writers who find it especially gratifying to write effectively every month despite (and sometimes because of) prevailing winds!

Posted 12-28-25

The speaker of Christina Rossetti’s poem ‘A Christmas Carol’ asks what she (the poem’s speaker) can give to Jesus

By Steven Brodsky

… The writing of this poem was an expression of Christina Rossetti’s having given her heart to Jesus.

And this Victorian Era poem is a gift to us.

Enjoy: A Christmas Carol | The Poetry Foundation.

Posted 12-25-25

At year’s end: three things that can serve writers well

By Steven Brodsky

… Listed here:

  1. Capture impressionable experiences on paper or screen while those experiences are still fresh.
  2. Mine conversations for potential writing prompts.
  3. Balance time participating in end-of-year social activities with time observing others engaging in those activities. (This can be problematic for writers who don’t want to risk being perceived as wallflowers.)

And a bonus: read writing that may prime your creativity pump by others.

Richard Wilbur’s poem “Year’s End”: https://www.poetryfoundation.org/poems/43052/years-end-56d221b9e6bd8.

Posted 12-20-25

A song character imprisoned on Christmas

By Steven Brodsky

… pens a letter in John Prine’s song “Christmas In Prison”:

If that song character experiences God-enabled breaking of shackles of sin (perhaps he already has experienced this), you may be able to envision what a letter about that might describe.

You probably can, if you have had that experience.

John 8:36: “If the Son therefore shall make you free, ye shall be free indeed.”

(Did you know that Paul wrote four epistles while imprisoned? Ephesians, Philippians, Colossians, and Philemon are Paul’s prison epistles.)

https://unshackled.org/on-demand/browse-all-programs/

Posted 12-13-25

On the ninth anniversary of the 2016 Nobel Prize ceremony wherein Bob Dylan (who wasn’t present at the ceremony) was honored as the 2016 Nobel Prize in Literature recipient

By Steven Brodsky

… That ceremony took place on December 10, 2016.

It is especially opportune enjoy:

 

 

Posted 12-10-25

A delivery of writing prompts

By Steven Brodsky

… can arrive in the form of Christmas cards (those with and those without handwritten messages).

Potentially valuable writing prompts go unnoticed when holiday cards are mindlessly discarded with used gift wrapping paper, boxes, etc.

Writers/readers: will you apprehend those prompts or will they and the cards that contain them get away?

I’m pleased to deliver this link to Ted Kooser’s poem “Christmas Mail” to this page before December 25, 2025: https://www.poetryfoundation.org/poems/55886/christmas-mail.

Ted Kooser served as the U.S. Poet Laureate from 2004-2006. He was awarded the Pulitzer Prize for poetry in 2005.

Posted 12-6-25

Writers encountering snow

By Steven Brodsky

Photo by Steven Brodsky

… may find the encounter to be serendipitous.

It seems quite possible that a particular encounter with snow served as a writing prompt for the well-known poet Frost. (Yes, it was fun to write snow and Frost in the preceding sentence.)

Dust of Snow | The Poetry Foundation

Posted 12-2-25

Epistolary writing 

By Steven Brodsky

Dear readers/writers,

Have you considered epistolary writing as a form for your own work?

I’m thankful that Leonard Cohen had.

Had he not, we’d not have “Famous Blue Raincoat” (one of my favorite Leonard Cohen songs) as an example of very fine epistolary writing.

The song prompts me to fill screen and paper with epistolary writing of my own.

Perhaps it will similarly encourage you.

Sincerely,

S.Brodsky

Posted 11-21-25

This old bench

By Steven Brodsky

… had frequently been occupied by new and old friends (when it was much newer):

Photo by Steven Brodsky

The photo appears here as a writing prompt.

An old song about old friends:

The Simon & Garfunkel song is an old friend to some of this column’s readers.

Posted 11-6-25

 

Conversations About Nature

Romanticized notions about nature

By Steven Brodsky 

… pass away for the speaker of Seamus Heaney’s poem “Death of a Naturalist.”

Many “naturalists” have had a similar experience.

And most would, with sufficient exposure to realities of the natural world.

May we all acquire and retain a sense of wonder in regard to the natural world.

Posted 3-3-26

Avian influenza viruses circulating in wild birds across Pennsylvania

By Steven Brodsky

Photo by Steven Brodsky

… are the subject of this news release that was issued today, February 23, 2026, by the Pennsylvania Game Commission:

GAME COMMISSION MONITORING AVIAN INFLUENZA IN WILD BIRDS

This winter, avian influenza viruses have continued to circulate in wild birds across Pennsylvania, and more birds will be migrating to and through the state in the coming weeks. Strains of highly pathogenic avian influenza virus have been present in Pennsylvania’s wild birds since early 2022.

As migration unfolds, the Pennsylvania Game Commission continues to respond to the outbreak, and is asking the public to report any wild birds observed sick or found dead.

Reports can be phoned in to 1-833-PGC-WILD (1-833-742-9453). Submitting reports allows the Game Commission the opportunity to step in with wildlife-management actions including dispatching sick wild birds, recovering and removing carcasses, pursuing diagnostic testing, and conducting stakeholder outreach. The agency continues to work with the Wildlife Futures Program, the U.S. Department of Agriculture and other partners when deploying these strategies. The most substantial activity this winter involved the removal of an estimated 2,000 wild bird carcasses, predominantly snow geese, from a quarry in Northampton County in December and January.

“Over the past five years, Game Commission dispatchers and field personnel, along with our dedicated partners, have worked tirelessly to respond to and investigate suspected highly pathogenic avian influenza events across the Commonwealth,” said the agency’s wildlife veterinarian, Dr. Andrew Di Salvo. “Responding to every report received from the public is neither logistically possible nor in the best interest of the wildlife, so incidents are prioritized to ensure our actions will have the most impact. High-priority incidents include cases with clear human or domestic animal exposure, a public site, such as a park or playground, that could pose an exposure risk to humans or domestic animals, or a large number of sick or dead wildlife on the landscape that could pose an exposure risk to scavenging wildlife.”

Waterfowl – from wood ducks and pintails to snow geese and tundra swans – have been bottled up farther south by cold weather and frozen conditions here. Timing is important for these and other birds returning to their breeding grounds because arriving late means delayed nesting. But they also can’t make the demanding journey if food and resting areas along their route are too hard to come by, as happens when conditions are harsh. As Pennsylvania continues to thaw out, though, migrating birds will begin showing up.

Snow geese often come to mind when talking about migration because they flock in large numbers and attract much attention when they come through Pennsylvania on their way to the Arctic. The Game Commission’s Middle Creek Wildlife Management Area, on the border of Lebanon and Lancaster counties, is a key stop for migrating snow geese, in some years hosting more than 100,000 of them. Snow geese have just begun showing up at Middle Creek, and more will follow.

Wild birds are natural carriers of avian influenza viruses and bird migration enables the disease to be spread over vast distances. The disease also can be spread by legal and illegal movement of infected birds, poultry products, contaminated materials, equipment and vehicles if appropriate biosecurity precautions are not taken.

Aside from waterfowl and shorebirds, avian influenza viruses can significantly impact wild poultry such as turkeys and grouse, raptors such as hawks and eagles, and other avian scavengers, such as crows and ravens. Birds infected with highly pathogenic avian influenza can exhibit neurologic signs, such as swimming or walking in circles, tilting their heads in an unnatural position, tremoring, seizing or having difficulty flying.

Infected birds shed the virus in their feces and saliva, and the disease can impact other mammals, including humans. The public should avoid contacting wild birds or their feces. The Game Commission does not advise that the public handle any abnormal, injured, sick or dead wildlife unless authorized to do so.

Waterfowl and upland bird hunters are encouraged to continue participating in open seasons, but should take precautions while handling and dressing birds. These include wearing nitrile gloves, protective eye wear, and a mask. Following any hunt, make it a point to practice good hygiene, including washing hands and any clothing used in the process of dressing game that may contain blood or feces. Also never handle wildlife that is sick or displaying signs of sickness. Instead, report it to the Game Commission. Hunting dogs can also be protected from the virus by preventing them from contracting or consuming wild bird feces or environmental water that may contain bird feces, and preventing them from contacting sick or found dead wild birds (i.e., non-harvested).

Good hygiene is also recommended in maintaining backyard birdfeeders. While avian influenza typically does not affect bird species that frequent birdfeeders – and there’s no prohibition on feeding birds during the outbreak  – birdfeeders and bird baths should be emptied every couple of weeks, washed with soapy water, rinsed, then disinfected with a 10% household bleach solution before refilling (either allow a 10-minute contact time before rinsing or allow to air dry). Any spilled seed should also be cleaned up to mitigate disease spread.

If noticing multiple sick or dead birds over a short period of time, taking feeders down and emptying bird baths helps ensure a potential outbreak is not made worse.

Pennsylvanians who raise captive wild birds, domestic backyard poultry, or are involved in commercial poultry operations, meanwhile, should review their biosecurity plans to protect their flocks. The USDA offers free biosecurity information on its website.

Any sick or dead domestic birds should be reported to Pennsylvania Department of Agriculture at 717-772-2852. If you have had contact with sick or dead birds and are not feeling well, contact your primary care physician or the Pennsylvania Department of Health at 877-724-3258.

And everyone should always observe wildlife from a safe distance, avoid contacting surfaces that may be contaminated with feces from wild or domestic birds, and refrain from handling wildlife unless you are hunting, trapping, or otherwise authorized to do so.

More information about avian influenza is available through the Game Commission’s website.

Posted 2-23-26

The Pennsylvania Fish and Boat Commission (PFBC) has begun stocking 3.2 million adult trout ahead of Pennsylvania’s 2026 spring fishing season

By Steven Brodsky

… Video footage from today’s trout stocking at Opossum Lake, Cumberland County, Pennsylvania:

From a Pennsylvania Fish and Boat Commission (PFBC) news release:

February 17, 2026

PFBC Begins Annual Trout Stocking Operations Ahead of Spring Fishing Season

If you love trout fishing, there was a sure sign of spring today, as annual trout stocking operations got underway ahead of Pennsylvania’s spring trout season!  Opossum Lake in Cumberland County received the first stocking of the year, which included cutting a hole into the ice with a chainsaw.  This year, the Fish and Boat Commission, with the help of volunteers, will stock 3.2 million trout into 684 streams and 130 lakes.  Trout stocking occurs in all 67 counties.

The most common species being stocked is Rainbow Trout, but anglers will also have the chance to catch Brown Trout, Brook Trout, and golden Rainbow Trout.

All waters managed as Stocked Trout Waters are now closed until 8 a.m. on the Opening Day of Trout Season on Saturday, April 4, with the exception of Mentored Youth Trout Day on Saturday, March 28th.

For the 2026 trout stocking schedule, regulations, and more information on trout fishing, visit Fishandboat.com.

Posted 2-17-26

A perennial truth about the Bible

By Steven Brodsky

Photo by Steven Brodsky

… is stated in Isaiah 40:8: “The grass withereth, the flower fadeth: but the word of our God shall stand for ever.”

Posted 2-11-26

Congratulations to the 24 graduates from the 37th Class of the Pennsylvania Game Commission’s Ross Leffler School of Conservation

By Steven Brodsky

… Graduation was on January 31, 2026.

The graduates completed 44 weeks of intensive training, including 10 weeks of field training. They are now working as Pennsylvania State Game Wardens in their newly assigned districts.

From a February 9, 2026 Pennsylvania Game Commission news release about the 37th Class of the Pennsylvania Game Commission’s Ross Leffler School of Conservation:

“Every one of these graduates is embarking on a demanding journey and the beginning of a lifelong commitment to service, conservation and duty,” said Col. Richard Danley, Director of the Game Commission’s Bureau of Wildlife Protection. “Becoming a Pennsylvania Game Warden is a calling to protect wildlife and to serve the people of Pennsylvania, even when the work is unseen, difficult, or dangerous.”

Training School Director Kyle Jury praised graduates for their dedication and demonstrated commitment to our natural resources.

“These 24 new graduates now embark on their careers as State Game Wardens by serving in geographical districts across the Commonwealth,” Jury said. “By pursuing this career path, they fulfill an instrumental part of the agency’s continued and dedicated effort to wildlife conservation. Having these individuals join the ranks of game wardens will strengthen the agency’s efforts to safeguard the hunting heritage the Game Commission was founded on so that it can be passed on to future generations.”

In 1930, Ross Leffler, then president of the Pennsylvania Board of Game Commissioners, proposed the establishment of a training school for game protectors, as game wardens then were called. When the training school opened its doors in 1932, in Brockway, Jefferson County, it was the first such conservation officer training school in the world and served as a model for other states.

From 1932 until 1935, the Ross Leffler School of Conservation offered in-service training for game protectors. The school became a permanent facility until 1986, when it was moved to the agency’s Harrisburg headquarters.

Posted 2-11-26

If you love birds

By Steven Brodsky

… you’ll probably very much enjoy the Cornell Lab of Ornithology’s “Best Bird Cams Highlights of 2025” video.

Entertainment, Culture and More readers will find themselves saying “ooh” as they watch the 4:59 video from the comfort of their nests (homes).

Nests are featured in a 12-line poem that you can read at: Choices | The Poetry Foundation.

Posted 1-19-26

The Pennsylvania Game Commission asks the public to report locations of sightings of wild turkey flocks in Pennsylvania to them via the Game Commission’s online Turkey Sighting Survey form; this survey period is December 31, 2025 – March 15, 2026

By Steven Brodsky

The Pennsylvania Game Commission issued this news release on January 6, 2026:

REPORT WILD TURKEY FLOCKS THROUGH MACH 15

The Game Commission is asking for the public’s help finding turkey flocks for ongoing research.

Pennsylvanians are encouraged to report the location of any turkey flocks they see across the state. Information is being collected online at https://pgcforms.pa.gov/TurkeySightingSurvey now through March 15.

Among other things, visitors to that webpage are asked to provide the date of the sighting, the location and the type of land (public, private or unknown) where birds are seen.

Game Commission crews will assess sites for the potential to trap turkeys. Just like the last six winters, the Game Commission will put leg bands on male turkeys statewide. Turkeys will not be moved; they’ll simply be leg-banded and released on site.

Trapping turkeys during winter is part of the Game Commission’s ongoing population monitoring.

Hunters who harvest these banded turkeys, or people who find one dead, are asked to report the band number, either by calling toll-free or reporting it online.

“By reporting banded turkeys, hunters provide us with important information on harvest rates for our population model,” said Reina Tyl, the Game Commission’s wild turkey biologist. “In return, the hunter gets to learn when and approximately where the turkey was banded. If the turkey was banded the first winter after it hatched, we can also provide the hunter with an exact age of the turkey they harvested.”

While no turkeys will be fitted with transmitters this winter, as the research projects that were tracking turkeys to get an in-depth look into their survival, productivity and movement are coming to an end, males will continue to be banded in the winter to monitor harvest rates.

Finding birds to trap is key to accomplishing the work. That’s where the public comes in. Fortunately, Pennsylvanians have a history of helping in this way.

Tyl said participation in the Winter Turkey Sighting Survey has been extremely useful for locating trappable flocks over the past four winters.

“The public has been so helpful. Some landowners who reported flocks on their property have also helped with monitoring flock activity and have participated in trapping,” Tyl said. “We look forward to continuing this collaboration this winter.”

Posted 1-8-26

Did you know that King Solomon was extraordinarily knowledgeable about the natural world?

By Steven Brodsky6

… He was and his knowledge was renowned, as revealed in 1 Kings 4:29-34.

You’ll find those Bible verses on this page: 1 Kings 4 (KJV) – So king Solomon was king.

Photo by Steven Brodsky

Posted 1-6-26

The 95th running of the Radnor Run Races that will take place on May 16, 2025 will be the final year for the Brandywine Conservancy to be the sole operator and sole beneficiary of the Radnor Hunt Races event

By Steven Brodsky

… as was announced today in this news release from the Brandywine Conservancy:

Chadds Ford, PA, December 3, 2025 — The Brandywine Conservancy announced today that the 95th running of the Radnor Hunt Races, taking place on May 16, 2026, will mark the organization’s final year as the sole operator and beneficiary of this event, which the Brandywine has led for the past 45 years. The Brandywine is committed to working closely with the leadership of the Radnor Hunt to help them identify a new operator and work on a transition plan to ensure that the Races continue to thrive for decades to come.

“The Radnor Hunt Races have been a beloved springtime tradition on the Main Line for nearly a century—long before the Brandywine became the sole operator and beneficiary of the Races in 1980—and one that we hope will continue long after Brandywine’s involvement,” said Virginia Logan, the Frolic Weymouth Executive Director & C.E.O. of the Brandywine Conservancy & Museum of Art. “For the last 45 years, the Brandywine has been proud to play a leadership role in this storied event, which has benefited the Conservancy’s open space and clean water initiatives. With the centennial running of the Races approaching in a few years, it is now time for the Brandywine to pass the baton on to a new operator to continue the tradition of the Radnor Hunt Races into the event’s next century. While the 95th anniversary of the Races will mark the Brandywine’s final operation of the event in May 2026, we remain proud of the role we have played in stewarding this event for more than four decades and the lasting legacy of ‘Racing for Open Space’ that we will carry forward. We are deeply grateful for the leadership team and all members of the Radnor Hunt, the National Steeplechase Association, our committee members, sponsors, partners, race staff and officials, volunteers, thoroughbred owners and trainers, jockeys, and spectators who have supported this event over the years. We look to make our last year operating the Races the best one yet, and we hope to see this event continue to grow in its next chapter.”

Built on a rich history of horse racing that has been cultivated in this region for nearly 100 years, the Radnor Hunt Races have been supported by the legacy of protecting the stunning open spaces that make this region such a beautiful place to call home. With the help of the Races and many likeminded partners, the Conservancy has protected over 70,700 acres of open space to date—including the Radnor Hunt racecourse itself and surrounding lands—and continues to improve and safeguard water quality, land protection, outdoor recreation and historic preservation in southeastern Pennsylvania and northern Delaware.

“We were saddened to learn that 2026 will be the last year with Brandywine Conservancy as operator and sole beneficiary of the Radnor Hunt Races, and it will be our honor to partner with them for their 45th and final year,” said Jodi Spragins, Radnor Hunt President. “We recognize that this was a challenging decision, and we want to express our profound gratitude for the incredible effort Brandywine has dedicated to nurturing the Radnor Hunt Races into the prestigious event it is today. Our two organizations share a strong partnership and a mutual passion for the role of equestrian sport in land conservation. In light of this transition, Radnor Hunt leadership will begin exploring ways to reimagine and continue this historic springtime event.”

“The Brandywine Conservancy has been proud to play a leading role in the Radnor Hunt Races for the past 45 years of the event’s nearly 100-year history, and we look forward to making this last year our best one yet,” said George Strawbridge Jr., chair of the Radnor Hunt Races committee. “On behalf of the Radnor Hunt Races committee, we wish the event continued success in its next chapter and remain committed to working with the Radnor Hunt leadership team over this next year to help provide a smooth transition to the successor of the Races.”

The Radnor Hunt Races are traditionally held annually on the third Saturday of May each year. With nearly 18 months of advanced notice prior to the 96th running of the Races in 2027, the Brandywine is hopeful that there will be ample time for the leadership of the Radnor Hunt to identify an alternative operator. Brandywine remains committed to helping the Radnor Hunt and any new operator for the event with a successful transition plan. Those interested in taking over the operation of the Races can contact the Radnor Hunt directly at gm@radnorhunt.org.

Planning efforts for the 95th running of the Radnor Hunt Races are underway, with corporate sponsorship and advertising opportunities now available. Held on May 16, 2026, this year’s event will celebrate both the remarkable history of the Races and Brandywine’s 45 years of partnership. Tickets will go on sale beginning March 3, 2026, with proceeds benefiting the Brandywine Conservancy. To date, the event has raised more than $5.5 million to date for the Conservancy’s open space and clean water initiatives. In addition to the jump races sanctioned by the National Steeplechase Association, special events throughout the day will include the annual Katherine W. Illoway Invitational Sidesaddle Race, pony races, a spectacular antique carriage parade, and the much-loved parade of foxhounds. Those interested in learning more about sponsorship and advertising opportunities can visit www.radnorhuntraces.org, or contact the Brandywine at radnorhuntraces@brandywine.org or 610.388.8104.

About the Brandywine Conservancy:

The Brandywine Conservancy protects water, conserves land, and engages communities. The Conservancy uses a multi-faceted approach to conservation. Staff work with private landowners who wish to see their lands protected forever and provide innovative community planning services to municipalities and other governmental agencies. The Conservancy currently holds more than 510 conservation and agricultural easements and has facilitated the permanent preservation of over 70,700 acres of land. The Conservancy is a program of the Brandywine Conservancy & Museum of Art.

About the Brandywine Conservancy & Museum of Art:

The Brandywine Conservancy & Museum of Art preserves and promotes the natural and cultural connections between the area’s beautiful landscape, historic sites, and important artists. The Conservancy protects the lands and waters throughout the Brandywine Valley and other priority conservation areas, developing sustainable approaches to emerging needs and assuring preservation of majestic open spaces and protection of natural resources for generations to come. The Museum of Art presents and collects historic and contemporary works of American art, engaging and exciting visitors of all ages through an array of exhibitions and programs. The Brandywine unites the inspiring experiences of art and nature, enhancing the quality of life in its community and among its diverse audiences.

Posted 12-3-25

The phrase ‘oaks of righteousness’

By Steven Brodsky

A spectacular oak tree
Photo by Steven Brodsky

… might come to mind when seeing oak trees in the great outdoors.

The phrase is from Isaiah 61:3.

You’ll find Isaiah 61:3 at: https://biblehub.com/nasb/isaiah/61.htm.

https://www.gotquestions.org/imputed-righteousness.html

Posted 8-31-25

Day and night in the great outdoors

By Steven Brodsky

… readers of this column can look at the sky and be reminded of this Bible verse: https://biblehub.com/daniel/12-3.htm.

Proverbs 9:10: “The fear of the Lord is the beginning of wisdom: and the knowledge of the holy is understanding.”

Why does Christ’s righteousness need to be imputed to us? | GotQuestions.org

The Bible and spending time in the great outdoors, perfect together.

Posted 6-15-25

A Conversation With Katie Fallon, Author of ‘Vulture: The Private Life of an Unloved Bird’

By Steven Brodsky

Katie Fallon is a co-founder of the Avian Conservation Center of Appalachia. She’s worked with many species of raptors and other kinds of birds. Katie’s books include Cerulean Blues (2011) and the recently released Vulture: The Private Life of an Unloved Bird. Her essays have appeared in a number of literary journals. She has a lifelong love of nature. I’ve heard that the first word she ever spoke was “bird.”

Your new book gives vultures, particularly turkey vultures, the positive attention these non-predator raptors deserve. What brought about your interest in these maligned birds?

I’ve been fascinated by vultures for at least fifteen years. There was a roost near where I lived in West Virginia; every day I’d drive by this big, old dead tree with ten or so turkey vultures hunched in it. They became a familiar sight, and I looked forward to seeing them. Vultures are big and kind of dramatic, and in flight, there’s nothing more beautiful. In addition, they’re the ultimate recyclers—they turn death into life.

Many people in the U.S. have an aversion to vultures. Speak about this.

I think vultures remind people of their own mortality. It can be a little creepy to think about a large, dark bird waiting to consume your body when you die. In general, I don’t think people in the US are comfortable with thinking of our bodies as food. Vultures remind us that life will continue after we die, and that some life will continue because we die. They remind us of our animal bodies. Which can be unnerving!

In the absence of vultures, we’d have major health issues to contend with. Tell us why.

Vultures clean up our ecosystems by removing animal carcasses that could potentially contaminate soil and water. They can eat animals that have died of anthrax and botulism. In the absence of vultures, mammalian scavengers could increase in number, and many mammalian scavengers such as raccoons, skunks, feral dogs and cats can spread rabies; vultures do not. Several vulture species in India have suffered catastrophic population crashes in the last twenty years, and public health has suffered. India leads the world in human rabies cases, and the number of cases has increased as the number of feral dogs increased in the absence of vultures.

People get close to vultures by attending your presentations that feature non-releasable birds. How are these birds acquired? How are they trained?

The nonprofit I co-founded, the Avian Conservation Center of Appalachia, keeps eight non-releasable raptors for educational purposes (you need permits from the US Fish & Wildlife Service to do this, of course – the birds aren’t pets or personal property). All of our birds were injured wild birds that cannot return to the wild. We have three vultures. Lew the turkey vulture was hit by a car and suffered an injury to his shoulder that prevents flight. His “girlfriend,” Boris, was shot in the wing, and by the time she reached us the bone had already healed incorrectly. Our black vulture is Maverick, and he was hit by a car, which resulted in a shoulder injury that prevents adequate flight.

Our birds are all trained using positive reinforcement. We avoid negative reinforcement and punishment, and we try to empower the birds to have some control over their environments. We condition behaviors by offering food rewards when the birds perform the behaviors. Vultures (especially our black vulture!) learn quickly, and they are a lot of fun to work with.

What myths and misunderstandings about vultures do these presentations help to dispel?

People are surprised at how clean and charismatic the vultures are – and how beautiful they are up close, despite their featherless heads.

What vulture behaviors do people find to be most interesting?

People often ask if vultures throw up on us; our education vultures usually don’t (unless they get scared). Vultures also expel liquid waste on their legs and feet, probably to clean them as well as to keep cool. This often fascinates people as well.

Which species of vulture are found in Pennsylvania and neighboring states?

We have turkey vultures and black vultures. During the last Ice Age we may have had California condors, too, and possibly some other now-extinct vultures.

What has been learned about migration of these species?

Hawk Mountain has taken the lead on turkey vulture migration research. Dr. Keith Bildstein and his team have placed transmitters and wing tags on turkey vultures all over the Americas. They’ve learned that our eastern turkey vultures are partial migrants—some spend the winters in Florida, some on the New Jersey shore, some in Virginia, and in many places in between. Many western turkey vultures are complete migrants, leaving their breeding ranges in Canada and heading all the way to South America. And still others in the American southwest migrate into Central America and return. It’s fascinating how the different subspecies have different migratory strategies. Dr. Bildstein and his colleagues have ongoing research projects about turkey vulture migration, and are discovering more all the time.

Vultures have spectacular flying ability. What makes this possible?

Turkey vultures are very light – they have almost the same wingspan as a bald eagle but weigh less than half what an eagle weighs. Their wings are long and broad, and are made for soaring.

How high can they fly?

The Ruppell’s vulture holds the record for the highest-flying bird. Unfortunately for that individual, it was hit and killed by a jet flying over Africa at 37,000 feet.

Vulture: The Private Life of an Unloved Bird informs readers about lead toxicity in vultures. What is the extent of the problem? How do vultures ingest lead?

Vultures (and eagles, hawks, crows, ravens, and owls) can ingest small pieces of spent lead ammunition in animal carcasses or “gut piles” left by hunters. When someone shoots a white-tailed deer, for example, the deer is usually field-dressed, and many of the organs are left. This can be a delight for vultures and other scavengers! In ecosystems, scavengers often follow the big predators to clean up the leftovers; here, the same thing is happening—a human is the big predator, a gut pile is the leftover, and a vulture or eagle is the scavenger. However, if small lead fragments are still in the gut piles, avian scavengers can inadvertently ingest the lead and become sick. Lead toxicity from spent ammunition is the biggest obstacle in the way of California condor recovery.

The Avian Conservation Center of Appalachia provides rehabilitation for injured birds. What kind of care do vultures receive?

We’ve treated vultures with a wide variety of injuries and ailments—broken bones, head trauma, lead toxicity, soft tissue injuries. Every bird we admit receives an immediate comprehensive examination by an avian veterinarian, and is then treated as necessary with antibiotics, antifungals, anti-inflammatories, fluid therapy, or chelation therapy. They also receive orthopedic surgery if necessary. We do our best to get the birds back out in the wild if possible.

It must be very joyful to enable an injured bird to regain flight ability. Please tell us about a memorable release.

Two and a half years ago we released a female turkey vulture that had been shot with a shotgun—she had three pellets embedded in soft tissue. We had to leave the pellets in her body because removing them would cause damage. Once she was nursed back to health, we released her wearing a transmitter to track her movements. We learned that she travels to northern Georgia in the winters and comes back to West Virginia in the breeding season. We are thrilled that this vulture was able to return to the wild—and thrive!

Vulture watching is growing in popularity. Turkey vultures are very widespread. Where are some of the best places and times to observe them?

In many parts of the southeastern United States, you can see turkey vultures any day of the year in a variety of habitats. In the winter, vultures can be observed roosting together in and near many cities: in Virginia, check out Leesburg, Staunton, Radford, Pulaski, and Charlottesville; in West Virginia, many vultures can be observed migrating in the fall over Hanging Rock Tower in Monroe County and over Harper’s Ferry in the eastern panhandle. During the summer and fall, the overlook at Cooper’s Rock State Forest near Morgantown, WV, is a sure place to see turkey vultures. Hawk Mountain in Pennsylvania, of course, is an excellent place to watch turkey vultures and birds of prey during migration, especially in September and October.

What stimulated your interest in nature?

I’ve always been an outdoors person. I grew up in northeastern Pennsylvania, and I had horses as a kid. I spent a great deal of time with my horses, trail riding and competing, and when I got a bit older I often went hiking and camping with friends and family. One of my favorite childhood hiking spots was Ricketts Glen State Park—it’s filled with hemlock trees and many gorgeous waterfalls. It’s definitely worth checking out if you visit northeastern PA.

Was “bird” your first word?

Yes! My parents had bird feeders in their yard when I was a baby (well, they still do) and my mother says she used to hold me in front of the window to show me the birds at the feeder. One day, she said, “Look at the birds! Look at the birds outside.” And I nodded and said, “Bird.” I haven’t stopped talking about them since.

Katie Fallon’s website address is: www.katiefallon.com.

Posted 4-6-17, Reposted 10-29-19

 

Conversations And Articles About Music

Janis Joplin’s album ‘Pearl’ was at the top of the Billboard 200 chart 55 years ago, on February 27, 1971

By Steven Brodsky

… The album, released on January 11, 1971, would go on to be in the number one position on that chart for a total of nine weeks.

From Pearl, Janis Joplin’s recording of the Kris Kristofferson-penned “Me and Bobby McGee”:

Janis Joplin passed away on October 4, 1970 at age 27.

Posted 2-27-26

One doesn’t need to be a grammarian

By Steven Brodsky

… to recognize the verity indicated by the double negative in this song’s title, and by the inclusion of the title’s words in the dialogue of the song’s speaker/character:

Though “I Don’t Think Much About Her No More” has no connection to Valentine’s Day, I’ll make a tie-in here to the upcoming unofficial holiday.

It’s easy to surmise that the song’s speaker/character could find Valentine’s Day to be especially difficult.

Same for many others.

It’s not always kind to wish people: “Happy Valentine’s Day.” These words can be hurtful to some people who won’t be having a happy Valentine’s Day.

Let’s be kind.

Posted 2-7-26

Happy 71st birthday wishes go out to Steve Earle

By Steven Brodsky

… Steve Earle was born on January 17, 1955.

Steve Earle’s birthday is especially opportune to revisit (or visit, if you haven’t been there before) “Copperhead Road” via this video:

Posted 1-17-26

It’s magic

By Steven Brodsky

… when a song exceptionally and effectively conveys an emotionally charged inflection point.

That kind of magic kind is evident in “This Magic Moment,” a song penned by Doc Pomus and Mort Shuman.

The Drifters recorded “This Magic Moment” on December 23, 1959, 66 years ago, with Ben E. King singing lead.

In commemoration of that recording session, enjoy the magic:

Posted 12-23-25

Cold turkey

By Steven Brodsky

… left over from Thanksgiving will have many of us “on the run” to refrigerators over the next couple of days.

Some (in the spirit of Thanksgiving) will be appreciative of having cooked and refrigerated turkey that’s left over from Thanksgiving. (I’d probably be more appreciative of left over pumpkin pie.)

“Cold turkey” has an entirely different meaning in this song:

Posted 11-27-25

18 minutes and 36 seconds

By Steven Brodsky

… is sufficient time for readers of the Entertainment, Culture and More column to enjoy this recording of “Alice’s Restaurant Massacree” in its entirety:

Some radio stations have a tradition of airing the recording on Thanksgiving Day.

We don’t have to wait for Thanksgiving Day to enjoy “Alice’s Restaurant Massacree”!

Arlo Guthrie recorded “Alice’s Restaurant Massacree” in 1967.

Posted 11-20-25

There’s a correlation between dusty Bibles

By Steven Brodsky

… and how people feel.

This post originally appeared at: Conversations About Faith – delcoculturevultures.com.

Posted 10-22-25, Revised and Reposted 11-8-25

On Art Garfunkel’s 84th birthday

By Steven Brodsky

… happy birthday wishes go out to Art Garfunkel!

Art Garfunkel was born on November 5, 1941 in New York City.

Posted 11-5-25

Two trippy songs

By Steven Brodsky

… are being shared here today on the 58th anniversary of the release of a beloved rock album.

The album: Disraeli Gears.

The band: Cream.

Disraeli Gears was Cream’s second studio album.

Disraeli Gears was released on November 2, 1967.

From Disraeli Gears:

 

Posted 11-2-25

Time may be on your mind upon waking up on Sunday, November 2, 2025

By Steven Brodsky

… Daylight saving time ends on November 2, 2025 at 2:00 a.m.; clocks will fall back an hour in most of the U.S.

And time may be on your mind today.

Posted 11-1-25

With up to 20 inches of snow in weather forecasts for a number of states in the U.S.

By Steven Brodsky

… memories related to literal and metaphorical cold fingers come to mind.

I’m acquainted with the discomfort of literal (very) cold fingers, having experienced fingers-numbing conditions while ice fishing, snow shoveling, etc.

And I’m not lacking experience with metaphorical cold fingers.

Most of us can recall personal experiences with cold fingers.

Whatever our experiences have been or are with cold fingers, we can be grateful that Bill Morrissey addressed the cold fingers theme with great artistry and vulnerability:

Posted 10-27-25

This’ll be a day to enjoy

By Steven Brodsky

… this recording of “That’ll Be the Day”:

The single for Buddy Holly’s “That’ll Be the Day” was in the number one position on the Best Sellers in Stores chart on September 23, 1957, 68 years ago.

Posted 9-23-25

‘I’m just a long-haired son of a sinner’

By Steven Brodsky

… sings Jelly Roll in “Son of a Sinner” (one of my favorite Jelly Roll songs):

We’re all children of sinners.

And all of us have sinned.

Nonetheless, God loves us.

Romans 5:8 KJV: “But God commendeth his love toward us, in that while we we were yet sinners, Christ died for us.”

This post appeared at: Conversations About Faith – delcoculturevultures.com.

Posted 8-20-24, Revised and Reposted 12-6-24

Paul Simon heard Jessy Dixon perform ‘The Wicked Shall Cease Their Troubling’

By Steven Brodsky

… in Radio City Music Hall in 1972, which prompted Paul Simon to invite Jessy Dixon to sing with him on Saturday Night Live. The two would go on to tour together in the U.S. and overseas for eight years.

Enjoy this video of Jessy Dixon singing “The Wicked Shall Cease Their Troubling” at The Dome:

 

Job 3:17: “There the wicked cease from troubling; and there the weary be at rest.”

Jessy Dixon passed away on September 26, 2011 at age 73. This post appeared in the Conversations About Faith section of the Entertainment, Culture and More column. 

Posted 1-10-21, Reposted and Revised 8-19-24

How meeting Livingston Taylor at a concert affected the career of John Flynn

By Steven Brodsky

John Flynn has been interviewed several times for this column. In a 2011 radio interview, John and I spoke about Livingston. We did so again last year in this interview for this column.

John, where and when did you first meet Livingston Taylor and how old were you at the time?

Gene Shay introduced me to Livingston back in the ’80s. It was prior to one of his appearances at the old Bijou Café in Philadelphia. I was in my early twenties and just starting out. I was a big fan of Livingston’s and I had just appeared on Gene’s radio show on WMMR. I heard Gene mention that he was going to host Livingston’s show, so I asked for an intro. Gene was just too nice to say no.

What was going on in your life?

I was playing some bar gigs, writing songs and mailing demos to Nashville. This was a few years before I got signed to my first publishing deal down there.

Describe what took place. What did Livingston tell you?

To begin with, Livingston was incredibly gracious. As a performer, I really see that now in hindsight, because usually the last thing I want to do before a show is to meet new people and have them sing their songs to me. Actually, I don’t think I’ve met anyone before or since who would have extended themselves in this way to a stranger. But that’s exactly what happened. Gene apparently bragged about me enough to get Livingston to hand me his guitar and sit down directly in front of me. He asked me to play him a song and listened with an almost unnerving, totally focused attention. When I was done he asked if I had any more. I did a second song and he asked for another. I was only too happy to oblige, figuring that if he’d listen to three songs he must be hearing something he liked. When I finished singing, Livingston kind of scrunched up his face and got real thoughtful. There was a long pause. Then he said, “John, there are so many wonderful ways to spend your time in this life. Take a walk, read a good book, spend some time with someone you love. Please do ANY of these things rather than write any more mediocre songs.” The rest was a little bit of a blur. He talked about Cole Porter and Yip Harburg, writers I didn’t really know much about at that point. He really challenged me to study the greats. He spent like ten minutes talking about song structure, and he played me these long-forgotten but really beautiful introductions to popular old standards. – Unknown (at least to me) musical salutations from bygone eras, that had been intended by their composers to set the mood and put the listener in the proper frame of mind to receive the coming song. He even explained that he would be doing relatively few of his own songs in his show that evening because great songs are rare, and a song should be great if you’re gonna sing it. That was the bottom line. If you weren’t going to try to write a great song, then why write one at all?

How did you respond to this at the time?

I guess I was disappointed. But disappointment wasn’t all I took away from the encounter, because Livingston could have easily tossed me a few compliments. He was probably never gonna have to see me again so that would have been the easy thing to do. But I sensed that he respected songs and songwriters too much for that. He chose the harder path and told the truth. He threw down the gauntlet. And, in my way, I accepted the challenge that night. I determined to work much harder at my craft. To really try to write great songs. I’m not saying that’s what I’ve always accomplished. But he got me to aim there. I’ve always been grateful for that.

How did the encounter impact your life?

I’m here forty years later answering questions about music.

Author’s note to readers: Livingston Taylor is a professor at Berklee College of Music.

John Flynn’s website address is: http://johnflynn.net/.

Posted 3-29-19, Reposted 8-6-24

Thinking about Solomon Burke

By Steven Brodsky

… after recalling this morning that the City of Philadelphia had honored Solomon Burke by having declared that July 19, 2002 would be “Solomon Burke Day.”

Solomon Burke (March 21, 1940 – October 10, 2010) was born in Philadelphia.

Posted 7-19-24

There weren’t many attendees at Bob Dylan’s Carnegie Hall debut performance

By Steven Brodsky

… nearly 62 years ago, on Saturday, November 4, 1961. Reportedly, 53 people purchased tickets to see the then 20-year old Dylan perform in a small auditorium that was located in Carnegie Hall. Tickets were priced at $2.00.

Bob Dylan did not perform “Blowin’ in the Wind.”

The song hadn’t been released nor had it been recorded.

Bob Dylan recorded “Blowin’ in the Wind” on July 9, 1962 at Columbia Recording Studios.

The recording was released on the A-side of a single on August 13, 1963 (the B-side is “Don’t Think Twice, It’s All Right”); it appears as a track on the album The Freewheelin’ Bob Dylan, released on May 27, 1963.

Bob Dylan’s Philadelphia debut didn’t draw much of crowd either, as this concert too was performed prior to the release of “Blowin’ in the Wind.” Gene Shay invited Dylan to Philadelphia, Pennsylvania to perform the concert. The concert took place on Saturday, May 3, 1963 at the Philadelphia Ethical Society building on Rittenhouse Square. Approximately 45 people were in attendance. Tickets were priced at $1.50.

A few months before Bob Dylan’s Philadelphia debut, Dylan performed “Blowin’ in the Wind” on a television show:

Gene Shay told me that Dylan’s Philadelphia debut concert almost didn’t take place: the sound system components for the concert were inaccessible.
Gene Shay passed away from COVID-19 on April 17, 2020. He is greatly missed.

Posted 10-4-23

He was the ‘Jackie Robinson of television’; on his ‘show rode the hopes and fears and dreams of millions of people’; his show debuted nationally on November 5, 1956

By Steven Brodsky

… He was Nat King Cole, the first African American to host a television show on nationwide television. That show was The Nat King Cole Show. Today is the 66th anniversary of the national debut of the Nat King Show on NBC TV.

Nat King Cole ranks among the most acclaimed jazz and pop musicians of all time. Born as Nathaniel Adams Coles in Montgomery Alabama in 1919, he would go on to achieve recording and concert performance success that was nearly unmatched by others of his generation. “Mona Lisa,” “Unforgettable,” “The Christmas Song,” are among the nearly 700 songs that he recorded. Well over 100 of Nat King Cole’s records charted. He was a prominent presence on national television shows (he appeared on the Ed Sullivan Show on six occasions).

The Nat King Cole Show was popular and attracted some of the most sought-after entertainers, but it could not secure a national sponsor (other than a few sponsors for brief periods of time before the show expanded from 15 minutes to a half hour). There were 30 sponsors with cooperative arrangements supporting the show across the country on local stations, but nationwide—not one.

In an essay in the February 1, 1958 issue of Ebony titled “WHY I QUIT MY TV SHOW” by Nat King Cole (as told to Lerone Bennett Jr.), Nat King Cole said, “For 13 months, I was the Jackie Robinson of television… On my show rode the hopes and fears and dreams of millions of people.”

Posted 11-5-22

 

Conversations About Theatre And Dance

Rachel Day Hughes, the director of Servant Stage Company’s production of ‘You Can’t Take It With You,’ is featured in a new promotional video; the video was filmed during dress rehearsals for the soon-to-open production

By Steven Brodsky

Enjoy:

Servant Stage Company’s production of You Can’t Take It With You opens on March 6, 2026. The performance run will end on March 22, 2026.

Performances will take place at Lancaster Alliance Church, 210 Pitney Road, Lancaster, PA 17601.

Visit https://servantstage.org/shows/2026/youcanttakeitwithyou for additional information about the show and a link to order your pay-what-you-will tickets.

Posted 2-26-26

An additional performance has been added to the performance run of Servant Stage Company’s production of ‘You Can’t Take It With You’

By Steven Brodsky

… That additional performance has been scheduled for Thursday, March 19, 2026 at 7 p.m.

A recommendation for Entertainment, Culture and More column readers who haven’t yet ordered pay-what-you-will tickets for a performance of this Servant Stage Company production: order your tickets a.s.a.p.

Servant Stage’s You Can’t Take It With You opens on March 6, 2026. The performance run will end on March 22, 2026.

Performances will take place at Lancaster Alliance Church, 210 Pitney Road, Lancaster, PA 17601.

Visit https://servantstage.org/shows/2026/youcanttakeitwithyou for additional information and a link to order tickets.

Posted 2-19-26

Servant Stage Company’s production of the classic American comedy ‘You Can’t Take It With You’ to open in Lancaster County, PA on March 6, 2026 at Lancaster Alliance Church

By Steven Brodsky

Photo courtesy of Servant Stage Company

From a Servant Stage Company news release that was issued yesterday, February 11, 2026:

Lancaster, PA – Servant Stage is delighted to present the classic American comedy You Can’t Take It With You, opening March 6th at Lancaster Alliance Church, 210 Pitney Road, Lancaster. Written by George S. Kaufman and Moss Hart in 1936, this Pulitzer Prize-winning comedy is a fast-paced, laugh-out-loud celebration of family, love, and laughter.

Set in 1930s New York, You Can’t Take It With You introduces audiences to the delightfully eccentric Sycamore family—an exuberant household of artists, inventors, dancers, and dreamers who have happily embraced a life free from convention. When their daughter Alice invites her very traditional Wall Street-employed fiancée and his straitlaced parents to dinner, the evening quickly spirals into comic chaos as two vastly different worlds collide.

Directed by Rachel Day Hughes, this Servant Stage production leans into the play’s heart and humor, highlighting its enduring message. Nearly a century after its debut, You Can’t Take It With You remains a timely reminder to slow down, laugh often, and focus on what truly matters.

In keeping with Servant Stage’s mission to make outstanding live theatre accessible to everyone, all performances of You Can’t Take It With You will be offered on a pay-what-you-will basis. This unique approach allows audiences of all ages and backgrounds to experience exceptional theatre regardless of financial means.

Performances will be held March 6-22 in the auditorium at Lancaster Alliance Church, 210 Pitney Road, Lancaster. Tickets can be reserved online at ServantStage.org or by calling (717) 455-0255. Advance reservations are recommended to ensure seating before shows sell out.

Performance Schedule:

  • Friday, March 6 – 7:00 PM
  • Saturday, March 7 – 11:00 AM & 3:00 PM
  • Sunday, March 8 – 3:00 PM
  • Friday, March 13 – 7:00 PM
  • Saturday, March 14 – 11:00 AM & 3:00 PM
  • Sunday, March 15 – 3:00 PM
  • Thursday, March 19 – 7:00 PM
  • Friday, March 20 – 7:00 PM
  • Saturday, March 21 – 11:00 AM & 3:00 PM
  • Sunday, March 22 – 3:00 PM

About Servant Stage:
Servant Stage is a non-profit theater serving Lancaster County since 2011. Through its innovative approach to theatre, Servant Stage reaches more than 50,000 audience members each year with Pay-What-You-Will performances. They recently announced their 2026 season of shows, including You Can’t Take It With You (March), A Broadway Melody (April-May), Joseph and the Amazing Technicolor Dreamcoat (June-August), Anne of Green Gables (September), and Joy to the World (November-December).

Posted 2-12-26

Shackled and unshackled listeners

By Steven Brodsky

… have been enjoying episodes of UNSHACKLED!, the iconic radio drama show, since 1950.

Episodes of UNSHACKLED! are accessible at: https://unshackled.org/on-demand/browse-all-programs/.

John 8:36: “If the Son therefore shall make you free, ye shall be free indeed.”
Note to readers: This post appeared at: https://delcoculturevultures.com/2025/05/06/conversations-about-faith/.

Posted 6-6-24, Revised and reposted 5-6-25

The responsibilities of managing a theater took a toll on William Butler Yeats

By Steven Brodsky

… and inspired Yeats to pen the poem “The Fascination of What’s Difficult” in 1912.

“The Fascination of What’s Difficult”: https://www.poetryfoundation.org/poems/43286/the-fascination-of-whats-difficult.

W.B. Yeats received the Nobel Prize in Literature in 1923 “for his always inspired poetry, which in a highly artistic form gives expression to the spirit of a whole nation.”

Posted 4-23-22

 

Conversations with Songwriters and Musicians

‘Down At The Borderline,’ the title track from the fourth installment in Vince Gill‘s ‘50 Years From Home EP series on MCA, was released today

By Steven Brodsky

Enjoy “Down At The Borderline”:

 

From a news release:

NASHVILLE, TN – February 13, 2026 – The guitar on the cover of Down At The Borderline says everything about the fourth installment in Vince Gill‘s 50 Years From Home EP series on MCA.

It’s a white 1953 Fender Telecaster that Gill bought for $450 in 1978 from Del City Music in his native Oklahoma, and it’s been Gill‘s main guitar ever since. “It’s real special,” he remarks. “I’ve got several other old Fender Telecasters, but that one just suits my hands, suits my ears. Everything about it is kind of a huge part of my entire catalog of playing guitar over all these years.” Testifying to that status is the worn finish on the guitar’s body.

Instruments featured on the cover of each EP are from Gill’s personal collection. For Down At The Borderline he chose his iconic 1953 Telecaster.

It’s appropriate, then, that the six new songs on Down At The Borderline, as well as “Liza Jane” from his 1991 album Pocket Full Of Gold, feature plenty of six-string rockin’ and more of an uptempo demeanor than its three 50 Years From Home predecessors. “There’s a little more zip on this EP,” Gill agrees, “some more guitar playing. Some of the earlier EPs have been singer-songwriter songs, not a ton of whittling around on the guitar. These songs are fun to stretch out a little bit on and just play some guitar.”

Down At The Borderline leads off with its title track, a rockin’, Cajun-flavored tune co-written with Liz Rose about a joint in Thibodaux, Louisiana where “they play the Zydeco and wrestle alligators,” with a sawdust floor and a shuffleboard table, as well as a matron, Mable, who keeps “a loaded pistol in her beehive hair.” The female voice on the song, meanwhile, is none other than country superstar Lainey Wilson, a proud native of Baskin, Louisiana. “Once I set it in Thibodaux I asked Lainey to come sing on it. She graciously said yes, and she killed it!,” Gill says. “I didn’t know if she’d be up for that; it’s hard to get somebody when they’re knocking it out of the park like she is, but she did, and I love the sound of our voices together.”

“Releasing a song with Vince Gill is truly a dream come true,” states Wilson. “I’ve had the chance to get to know him over the past few years and share the stage together, so being able to finally make music together means the world to me.”

Gill wrote “Never Saw It Coming” with Stephan Hogan, who he met while judging a guitar contest in Los Angeles. They stayed in touch, and when Hogan moved to Nashville, Gill invited him to do some songwriting together. “He’s very talented. I’m gonna root for him,” says Gill.

Gill has been carrying the Bakersfield-flavored “Pink Cadillac” with him since 2023. He owns a red 1973 Cadillac Coupe de Ville himself but had no problem taking a little creative license with the song. “On some of these songs I’m not trying to write War and Peace or anything; they’re just fun,” he explains. “Not every song needs to be serious.”

The chugging “Come Back” is another co-write, with Harper O’Neil. “She’s a young artist who’s incredible,” Gill says, “a great, soulful singer who’s starting to make some noise in town.” The song is marked by what he calls a “brainiac move” by fellow guitarist Tom Bukovac; “The solo that happens was Tom, and I wound up playing an octave higher and then a harmony to that. That’s a great-feeling track.”

The slow-paced tear-jerker “Love Died” is a collaboration with longtime friends the Warren Brothers and upstart Preston CooperWendy Moten sings on the track as well, much to Gill‘s delight; “It’s some of the best singing you’ll ever hear when she cuts loose.”

Gill revs things back up for “Whole Lot of Cowboy Left in Me,” a rocking and defiant statement of purpose that features CMA Musician of the Year Paul Franklin’s stone country steel guitar. “I’m not much of a cowboy,” Gill, who co-wrote the song with Josh Thompson, fesses up. “I’ve got some boots and all, but I’ve never done much horseback riding or any of that stuff.

Nevertheless, he convincingly captures the authentic character of the song’s narrator. “I understand it very well. I grew up in Oklahoma; that’s where the National Finals Rodeo was held every year, before they moved it to Vegas. My family grew up on farms, and I played in so many honky tonks, so many bars, and I’ve been around so many of those characters. So, it was natural for me to write about ‘em.”

It’s appropriate that Down At The Borderline would close with Gill’s guitar-slinging 1991 hit “Liza Jane.” This EP follows the previous 50 Years From Home volumes I Gave You Everything I Had, Secondhand Smoke, and Brown’s Diner Bar.

Gill recently announced dates for his upcoming summer tour, which culminates in a 6-night residency at the historic Ryman Auditorium. He will continue to tour with the Eagles as well. Last month it was announced that Gill will be awarded the Ken Burns American Heritage Prize, an honor presented by American Prairie. He was also recently presented with the CMA Willie Nelson Lifetime Achievement Award. Complete tour information available HERE.

Posted 2-13-26

Vince Gill to receive the 2026 Ken Burns American Heritage Prize

By Steven Brodsky

…The 2026 Ken Burns American Prize will be presented to Vince Gill by American Prairie “in celebration of the indomitable American spirit.”

Congratulations to Vince Gill!

The naming of Vince Gill for this honor was announced yesterday in the following news release:

NASHVILLE – January 15, 2026 — American Prairie is proud to announce that Grammy Award® winner and Country Music Hall of Famer Vince Gill, one of the most celebrated musicians and songwriters in American history, has been named the recipient of the 2026 Ken Burns American Heritage Prize. Gill will be formally honored May 6, 2026.

Named in honor of America’s most revered visual historian and filmmaker, the Ken Burns American Heritage Prize was created by American Prairie to recognize individuals whose achievements have advanced our collective understanding of America’s heritage and the indomitable American spirit of our people. Nominees for the annual Prize consist of visionary artists, authors, educators, filmmakers, historians, and scientists. The candidates are chosen by a National Jury of distinguished leaders who represent communities across the country and share a common appreciation of America’s heritage. Past Prize recipients include David McCullough, Maya Lin, N. Scott Momaday, Wynton Marsalis, Jimmy Chin, Kristine McDivitt Tompkins, and Sylvia Earle.

Gill’s career spans more than four decades and reflects a rare combination of musical excellence, humility, and authenticity. His songs—marked by emotional honesty, masterful musicianship, and deep respect for tradition—have become part of the fabric of American life.

“Vince Gill is most deserving of this prize, and he represents the enduring power of American music to tell us who we are,” said Ken Burns, award-winning filmmaker and namesake of the Prize. “Like the prairie itself, his songs are shaped by patience, humility, and a deep respect for the people. I know what it is to be formed by the spirit of a place—how it asks you to listen closely, to honor what came before, and to submit, in the best sense of the word, to something larger than yourself. Vince has done this throughout his life and work, and in doing so, he has given us a truer understanding of our shared American heritage.”

Gill’s lifelong reverence for American roots music, combined with his generosity as a collaborator and mentor, has made him a unifying figure across genres and generations. From bluegrass and country to gospel and rock, his influence reaches far beyond charts and awards, embodying the enduring power of music as a shared national language. One of the most popular artists in modern country music, Gill achieved his big breakthrough in 1990 with “When I Call Your Name,” which won both the Country Music Association’s (CMA) Single and Song of the Year awards as well as a Grammy Award® for Best Country Vocal Performance, Male. In total, Gill has won 18 CMA Awards, 22 Grammy Awards®, and 8 Academy of Country Music Awards. In 2025, he was presented with the CMA Willie Nelson Lifetime Achievement Award, which is awarded to an iconic artist who has historically contributed to the growth of the Country Music genre. Prior to that in 2009, he was given the President’s Merit Award from the Recording Academy recognizing Gill’s significant contributions to music and shaping of the culture.

American Heritage Prize is an incredible honor and what inspiring company to be in,” said Vince Gill upon learning about his selection. “The work American Prairie is doing to preserve America’s Great Plains is invaluable, and I’m grateful to be able to contribute to their efforts in any way I can. Over the years I have had the opportunity to collaborate and become good friends with Ken, and that in itself has been a great experience. This new relationship is one I’m very much looking forward to.”

An exceptionally talented songwriter, Gill’s compositions earned him entry into the Nashville Songwriters Hall of Fame in 2005 and in 2014 the prestigious BMI Icon for his indelible influence on generations of music makers. Throughout his career, he has released 21 albums, sold over 30 million albums, and charted 45 singles. In 2022, Gill was inducted into the Musicians’ Hall of Fame. In 2017, Gill was asked to join the Eagles on tour and continues to be a part of that historic band.

2025 marked the 50th anniversary of Gill leaving home to pursue a music career. To honor that milestone, he signed a lifetime contract with his record label, MCA, and is releasing an EP series of brand-new music every month for a year, titled 50 Years From Home.

In 2026, American Prairie celebrates 25 years as a 100% donor-funded organization working to connect, conserve, and share Montana’s Northern Great Plains – one of the last remaining temperate grasslands in the world. Grasslands are a vital yet vanishing biome and they play a huge role in our planet’s health. Across the globe, less than 2% of temperate grasslands have been permanently conserved, making them the least protected biome on Earth.

American Prairie’s strategy is simple: we purchase private land to strategically connect fragmented public lands, creating a collaboratively managed network of protected prairie. Each new land acquisition creates critical wildlife corridors and ensures the longevity and biodiversity of a vital biome. 

About American Prairie

American Prairie’s vision is to create a vast and collaboratively managed prairie destination that serves as a fully functioning ecosystem for wildlife, and offers visitors permanent access to the landscape that shaped our nation’s character. American Prairie offers visitors an opportunity to learn about and connect with nature on a truly grand scale. Learn more at americanprairie.org.

About Ken Burns

Ken Burns has been making documentary films for almost 50 years. Since the Academy® Award-nominated Brooklyn Bridge in 1981, Ken has gone on to direct and produce some of the most acclaimed historical documentaries ever made, including The Civil War, Baseball, Jazz, The War, The National Parks: America’s Best Idea, Prohibition, The Roosevelts: An Intimate History, The Vietnam War, Country MusicThe U.S. and the Holocaust, The American Buffalo, Leonardo da Vinci; and most recently, The American Revolution.

Future film projects include Emancipation to Exodus, and LBJ & the Great Society, among others.

Ken’s films have been honored with dozens of major awards, including 17 Emmy® Awards, two GRAMMY Awards, and two Oscar nominations. In September of 2008, at the News & Documentary Emmy® Awards,

Ken was honored by the Academy of Television Arts & Sciences with a Lifetime Achievement Award. In November of 2022, Ken was inducted into the Television Academy Hall of Fame.

About Vince Gill

One of the most popular artists in modern country music, Vince Gill is famous for his top-notch songwriting, world-class guitar playing, and warm, soaring tenor, all wrapped up in a quick and easy wit. Gill achieved his big breakthrough in 1990 with “When I Call Your Name,” which won both the Country Music Association’s (CMA) Single and Song of the Year awards as well as a Grammy Award® for Best Country Vocal Performance, Male. In total, Gill has won 18 CMA Awards, 22 Grammy Awards®, 8 Academy of Country Music Awards, and in 2025, he was presented with the CMA Willie Nelson Lifetime Achievement Award. In 1991, Gill was invited to become a member of the Grand Ole Opry, and in 2007, was inducted into the Country Music Hall of Fame. In 2012, he was honored with a star on the Hollywood Walk of Fame.

A gifted songwriter, Gill’s compositions earned him entry into the Nashville Songwriters Hall of Fame in 2005 and the prestigious BMI Icon award in 2014. Throughout his career, he has released 21 albums, sold over 30 million albums, and charted 45 singles. In 2022, Gill was inducted into the Musicians’ Hall of Fame. Always considering himself a musician above all else, Gill has been a part of some iconic bands, including Pure Prairie League, The Notorious Cherry Bombs, and The Time Jumpers. In 2017, Gill was asked to join the Eagles on the road, and he continues to be a part of that historic band’s tour. 2025 marked the 50th anniversary of Gill leaving home to pursue a music career. To honor that milestone, he signed a lifetime

contract with his record label, MCA, and is releasing an EP series of brand-new music every month for a year, titled 50 Years From Home.

Posted 1-16-26

Remembering Dan Fogelberg

By Steven Brodsky

… who passed away eighteen years ago on December 16, 2007, with a song of his that succinctly and effectively conveys liquefying of emotion with these words: “the snow turned into rain”:

On or near Christmas and New Year’s Eve, many people will experience liquefying of emotion (regardless of external weather conditions).

Posted 12-16-25

Harry Chapin, who was an extraordinary humanitarian, songwriter, performer, and recording artist, made the world ‘a better place to be.’

By Steven Brodsky

… Harry Chapin was born on December 7, 1942.

In commemoration of Harry Chapin’s birthday, let’s listen to the highly empathetic portrayals of the song characters in “A Better Place to Be”:

Harry Chapin passed away on July 16, 1981 at 38 years of age as the result of a car accident.

Posted 12-7-25

On Paul Simon’s 84th birthday

By Steven Brodsky

… Happy birthday wishes go out to Paul Simon!

Paul Simon was born on October 13, 1941.

In little towns and elsewhere, songs penned by Paul Simon have deeply resonated with many of us for decades.

Posted 10-13-25

A certain kind of chill

By Steven Brodsky

Firewood
Photo by Steven Brodsky

… will be experienced by some people this time of year.

Primal is the need for “warmth” on cold autumn and winter nights.

We last visited Warren and Warren’s wife last heating season via: Bill Morrissey – Birches.

Hopefully, Warren’s wife will find herself comfortably “warm” in the coming months.

Posted 10-5-25

Leonard Cohen and Billy Joe Shaver drew upon the same Bible verse

By Steven Brodsky

Note to readers: This article appeared at: https://delcoculturevultures.com/2025/03/10/conversations-about-faith/Does Isaiah 64:6 raise questions for you? You may find answers to those questions at: https://www.gotquestions.org/imputed-righteousness.html.

… The verse is Isaiah 64:6. As translated in the King James Version, the verse reads: “But we are all as an unclean thing, and all our righteousnesses are as filthy rags; and we all do fade as a leaf; and our iniquities, like the wind, have taken us away.”

I’m writing about Leonard Cohen’s “If It Be Your Will” and Billy Joe Shaver’s “If You Don’t Love Jesus.”

Most people who’ve heard the songs haven’t encountered the verse directly (and most of this column’s readers haven’t heard the Billy Joe Shaver song).

In the Leonard Cohen song, Isaiah 64:6 is alluded to in the line: “In our rags of light, all dressed to kill.”

In the Billy Joe Shaver song, an allusion to the verse appears as: “Take your rotten rags of righteousness and stuff ’em up your self.”

“If It Be Your Will”: https://www.youtube.com/watch?v=RXoqQAvkLfQ&ab_channel=LeonardCohen-Topic.

“If You Don’t Love Jesus”: https://www.youtube.com/watch?v=-MbF0bc7iEs&ab_channel=Boofitts. The song is “strident,” as I described it during a radio interview that I did with Billy Joe Shaver a number of years ago.

Posted 8-2-21, Reposted and Revised 3-11-25

Jelly Roll’s (Jason DeFord’s) opening statement at a Senate committee hearing

By Steven Brodsky

Thank you, Jelly Roll!

Posted 1-12-24

In tribute to the late Jimmy Buffett

By Steven Brodsky

… I’m pleased to share links to a nearly one-hour phone interview that Clay Eals did with Jimmy Buffett on October 26, 2000 for Clay’s book Steve Goodman: Facing the Music.

From The Paul Leslie Hour:

A Never-Before-Heard Interview with Jimmy Buffett – Part 1 of 3 – YouTube

A Never-Before-Heard Interview with Jimmy Buffett – Part 2 of 3 – YouTube

A Never-Before-Heard Interview with Jimmy Buffett – Part 3 of 3 – YouTube

ABOUT – THE PAUL LESLIE HOUR

A 2017 Entertainment, Culture and More interview with Clay Eals is posted at: A Conversation With Clay Eals, Author of ‘Steve Goodman: Facing the Music’ – delcoculturevultures.com.

Posted 9-13-23

 

‘Your Home Is A Vision Board’

Marie Diamond, a leading Western Feng Shui expert, is the woman Hollywood quietly turns to when they want things to work. Her celebrity clients include Steven Spielberg, Jodie Foster, Jason Bateman, and Paula Abdul. Her real gift is making Feng Shui feel modern, practical, and surprisingly fun.

With more than 30 million views across Instagram (@mariediamondofficial) and three decades of global impact, Marie is redefining Feng Shui for mainstream audiences by translating an often misunderstood practice into clear, actionable guidance that delivers real results. Her new book, Your Home Is a Vision Board (Hay House), is centered on manifestation, intention-setting, and the idea that your space may be quietly helping or blocking your goals.

After a near-death experience as a teenager, Marie made it her mission to help people align their surroundings with their potential.  Marie shows how small shifts in your home, desk, or bedroom can unlock momentum in love, career, health, and confidence.

Post expires at 10:54am on Sunday March 15th, 2026

Newly Published: ‘Rain Date’

After losing his TV meteorologist job during the pandemic, Nick Pittman began streaming weather updates from his living room. That pivot became Norcast Media, now reaching millions each month.

Today, Norcast Media reaches over 2 million people a month with hyper-local forecasts, and streaming weather content. From his custom-built home studio, Nick turned his community-first weather updates into a profitable digital business that’s reimagining how local news can thrive in the creator economy.

Today, Norcast Media reaches over 2 million people a month with hyper-local forecasts, and streaming weather content. From his custom-built home studio, Nick turned his community-first

Now he has written a book, Rain Date, a deeply personal story about turning one his life’s darkest storms into new beginnings and success.

It’s available here: Rain Date: Unpredictable Lessons from My Life Forecasting the Weather: Pittman, Nick: 9781637748381: Amazon.com: Books

 

Post expires at 11:35am on Monday March 30th, 2026

Not Your Grandma’s ‘Little Women’ at Hedgerow Theatre – Review by Lisa Panzer

Hedgerow Theatre’s smartly staged production of Kate Hamill’s ‘Little Women’, under the direction by Abby Weissman, is a touching tale of a predominately female family, who are not perfect, don’t always get along or fit in, but who nonetheless remain a ‘union’. The story is set in the 1860s – early 1870s during the American Civil War as the March sisters, and their country, in liminal states, struggle with inward and outward changes, limitations and expectations, and is deftly reflected by a cadre of very talented actors, designers and crew.

 

Louisa May Alcott began her novel Little Women in 1868 under pressure. She did not want to write about girls and especially not boring “moral pap”, however she caved in to her publisher’s demand for a story for little girls in order to support her sisters and mother because her father could not. What Alcott did do was to base her ‘girls’ story on her own siblings. The characters, Meg (based on Alcott’s sister Anna who wanted married life, wonderfully brought to being on stage by Minou Pourshariati!), Beth (Alcott’s sister Elizabeth who passed at age 23 from scarlet fever, sweetly portrayed by Olive Gallagher), Jo (a tom-boy based on Alcott herself, played with plucky perfection by Marissa Emerson ) and Amy (Alcott’s headstrong sister May, done with superb spunk by Jameka Monet Wilson), and of course Marmee (their mother, tenderly rendered by Emily-Grace Murray), became some of the most beloved of the era.

 

Alcott’s enduring realistic, imperfect, squabbling family tale is yet in print, has been translated into numerous languages, made into films, theatrical productions and produced for television.

L to R: Leo Mock , Marissa Emerson, Minou Pourshariati, Emily Grace, Murray Jameka, Monet Wilson and James Arthel Reilly

The first stage play, written by Marian de Forest, was produced with the permission of the Alcott family in 1912 on Broadway’s Playhouse Theatre. A number of other theatrical renditions of the book have since been produced. Playwright Kate Hamill’s ‘Little Women’ explores feminist and gender perspectives, strengthening Alcott’s Victorian era introduction of strong female roles, and being yourself, even taking it further. There is also the sense of Wilder’s ‘Our Town’, of times gone by that can’t be reclaimed except in memory and affection. This sense was augmented by sinuous musical scene changes, accompanied by adaptive lighting (Lily Fossner). Amazingly agile actors, who also play various instruments (Musical Direction by Matthew Mastronardi), as well as the essential support of the production team and crew create an aura of times past, yet manage to strike a chord upon issues of today.

 

Just in time for the Holiday Season, ‘Little Women’ reminds us of family – while not perfect, yet loved and prized… AND, there is a small bonus finale concert with Christmas Carols and more!

 

LITTLE WOMEN by Kate Hamill
Adapted from the novel by Louisa May Alcott
Remaining shows run December 4th – December 28th
Tickets at https://app.arts-people.com/index.php?show=294555 or call 610-565-4211
Hedgerow Theatre 64 Rose Valley Rd., Media PA 19063