The testimony-as-song lyrics

By Steven Brodsky

… in Ben Fuller’s “Since Jesus” syncs with the life experiences of other born again followers of Jesus, including some of the frequent visitors to this page of the Entertainment, Culture and More column.

Posted 6-5-25

Greater Vision to perform a concert in Coleman Park (located in Lebanon, Pennsylvania) on Sunday, June 8, 2025

By Steven Brodsky

… The concert will start at 6:00 p.m.

There will be no admission charge. Pay-what-you-will.

Visit https://musicinthepark.net/event/greater-vision/ for additional information.

Posted 6-3-25

‘NO PRISONER’

By Steven Brodsky

Wow:

“Oh my future’s not my past / I’m not going back,” sings Stephen McWhirter in “NO PRISONER.”

Those words can be said by readers of this column who know God as their Lord and Savior.

https://www.gotquestions.org/born-again.html

Posted 6-1-25

Rivers of living water

By Steven Brodsky

Photo by Steven Brodsky

… flow from the depths of believers in Jesus.

See John 7:38: https://biblehub.com/nasb/john/7-38.htm.

How wonderful!

If you have questions about John 7:38, visit: https://www.gotquestions.org/rivers-of-living-water.html.

Posted 5-29-25

Readers of this column would be welcomed

By Steven Brodsky

… at God’s table. (Some of you are already at the table.)

No RSVP is needed.

Posted 5-21-25

When obedient to God

By Steven Brodsky

… God’s children find that there is, indeed, honey in the rock.

Psalm 81:16: “He should have fed them also with the finest of the wheat: and with honey out of the rock should I have satisfied thee.”

Study Guide for Psalm 81 by David Guzik

How sweet it is to discover honey in the rock!

Posted 5-20-25

Column readers who’ve ever expressed hard-fought hallelujahs

By Steven Brodsky

… will likely find this video of Brandon Lake and Jelly Roll performing “Hard Fought Hallelujah” at the Grand Ole Opry to be especially resonant:

Posted 5-16-25

God’s ‘path of life’

By Steven Brodsky

Psalm 16:11: “Thou wilt shew me the path of life: in thy presence is fulness of joy; at thy right hand there are pleasures for evermore.”

The center of God’s “path of life” is the best place to be!

Posted 5-13-25

Actually, I believe that more than 10,000 reasons could be found by some believers and followers of God, if they were given sufficient time (and maybe some godly coaching assistance)

By Steven Brodsky

… reasons for them to bless and worship the Lord!

May we continue to find many compelling reasons to bless and worship the Lord!

Posted 5-8-25

God’s arms are open wide

By Steven Brodsky

… to embrace those who are hurting.

Some of this column’s readers have experienced God’s embrace firsthand!

Posted 5-6-25

In gardens, during this month of May

By Steven Brodsky

… people will delight in the fragrance of plants that are or will be in colorful bloom.

And some will also be enjoying an even greater delight in gardens: intimate fellowship with God via prayer and meditation upon verses of the Bible.

Posted 5-2-25

Spring gardening season

By Steven Brodsky

…  is an apt season to embed this performance video for “Graves Into Gardens” (as would be any season):

God transforms “graves” into “gardens”!

Posted 4-23-25

Magnolia trees will be in bloom

By Steven Brodsky

Photo by Steven Brodsky

… this season, spring, in regions where most of this column’s readers reside.

Magnolias in bloom are beautiful.

Also beautiful, is the autobiographical story of a “magnolia mother’s love” lyricized in this song: Billy Joe Shaver Magnolia Mother’s Love (youtube.com).

This spring and in the seasons to come, may agape love be in abundant bloom in our lives.

https://www.gotquestions.org/agape-love.html

Posted 4-9-25

As spring has sprung

By Steven Brodsky

… in the Northern Hemisphere and the earth is bringing “forth her bud,” it’s especially opportune to share Isaiah 61:11.

Photo by Steven Brodsky

Isaiah 61:11: “For as the earth bringeth forth her bud, and as the garden causeth the things that are sown in it to spring forth; so the Lord GOD will cause righteousness and praise to spring forth before all the nations.”

Posted 3-25-25

Will you be going to ‘where the wicked shall cease their troubling’?

By Steven Brodsky

… That place: heaven.

Hopefully, we’ll meet there some day!

https://www.youtube.com/watch?v=09sWkMK4uY4

The above linked performance video of “The Wicked Shall Cease Their Troubling” featuring Jessy Dixon was previously linked in this section of the Entertainment, Culture and More column.

It came to mind as I was writing an article today that included an embed of “April Come She Will,” a Simon & Garfunkel song that was written by Paul Simon. That article appears at: Conversations With Writers And More delcoculturevultures.com.

It was then that I recalled that Paul Simon had seen Jessy Dixon in concert at Radio City Music Hall in 1972, and that Paul Simon invited Jessy Dixon to sing with him on Saturday Night Live, and that the two would go on to tour together in the U.S. and overseas for eight years.

Jessy Dixon passed away on September 26, 2011 at age 73.

Posted 3-14-25

In memory of someone that I cared deeply about 

By Steven Brodsky

… This person, whose name I will not reveal (out of deference to the person’s family), passed away soon after being placed for the first time onto a “hospice bed.”

A photo that I received of this person that was taken just prior to the person being assisted onto what would be the person’s deathbed, shows a terrified look on the person’s face.

I believe that the terrified look captured in the photo was at least in part due to the person’s not having made things right with God (as far as I know).

I would not presume to know how God judged my dear friend.

Terrifying to the maximum would be to hear God saying the words that appear in Matthew 7:23.

About those words: https://www.gotquestions.org/I-never-knew-you-depart-from-me.html.

Oh yes, dear readers, “love the people that God gives you”… “one day He’ll want them back.” Scroll down this page to read the article “Aaron Wilburn’s The People That God Gives You.”

I loved my friend; God has taken my friend back.

Posted 3-11-25

Yesterday, on the first morning of Daylight Saving Time

By Steven Brodsky

… the time on clocks sprung forward (or should have) an hour. Upon awakening (on time), a verse from Psalms sprung into my conscious mind.

That verse, Psalm 143:8: “Cause me to hear thy lovingkindness in the morning; for in thee do I trust: cause me to know the way wherein I should walk; for I lift up my soul unto thee.”

May we hear God’s lovingkindness in the morning.

May our steps be directed by God.

May our souls be lifted onto God.

Posted 3-10-25

One of the blessings of the godly in more advanced years

By Steven Brodsky

… is the capacity to continue to bear (wonderful/prime) fruit.

What a blessing that is, as the psalmist no doubt had observed prior to penning Psalm 92!

Take special note of Psalm 92:14: https://www.blueletterbible.org/nlt/psa/92/1/s_570001.

Posted 1-22-25

‘Christmas Gone Viral’

By Steven Brodsky

May Christmas Gone Viral temporally and eternally bless readers of this column.

Christmas Gone Viral | Full Movie 2017 – YouTube

Posted 12-6-24

Hallelujah for hard fought hallelujahs

By Steven Brodsky

… and hallelujah for Brandon Lake’s “Hard Fought Hallelujah.”

A powerful video:

Psalm 34:1: “I will bless the Lord at all times: his praise shall continually be in my mouth.”

Of course, dear readers, there may be times when such blessings and praise will be hard fought.

Posted 11-21-24

To commemorate Billy Graham’s birthday (and for other reasons): ‘How to Get to Heaven’

By Steven Brodsky

… sharing this video (recorded in 1963):

Billy Graham was born on November 7, 1918.

He got to heaven on February 21, 2018.

A 2018 interview titled “Rev. Billy Graham’s Passing: A Revisit With Paul Heil, Host of ‘The Gospel Greats’ Radio Show” is posted at: Conversations With Paul Heil, Founder and Former Host of ‘The Gospel Greats’ Radio Show – delcoculturevultures.com.

Posted 11-7-24

God’s children

By Steven Brodsky

… can take God at His word.

Philippians 1:6: “Being confident of this very thing, that he which hath begun a good work in you will perform it until the day of Jesus Christ:”

Photo by Steven Brodsky

What it means to be children of God: https://www.gotquestions.org/children-of-God.html.

Posted 9-22-24

Aaron Wilburn’s ‘The People That God Gives You’

By Steven  Brodsky

… was referenced here in the summer of 2020.

Circumstances of life have affirmed the value of the song’s message for me and many others.

I first heard “The People That God Gives You” on the syndicated radio show that Paul Heil hosted for many decades.

The song has continued to be a blessing to me (and I believe to some of the people that God has given me).

Be blessed.

1 John 4:7-8:

Beloved, let us love one another: for love is of God; and every one that loveth is born of God, and knoweth God.

He that loveth not knoweth not God; for God is love.

Paul Heil was interviewed for this column in 2018 and 2016. The interviews are accessible at: https://delcoculturevultures.com/2017/03/14/a-conversation-with-paul-heil-host-of-the-gospel-greats-syndicated-radio-show/.

Posted 9-5-24

‘Sweeter than honey’

By Steven Brodsky

… was the taste of God’s words to the psalmist.

Psalm 119:103: ^“How sweet are thy words unto my taste! yea, sweeter than honey to my mouth!”

This verse came to my mind while I was enjoying a spoonful of wildflower honey a few minutes ago.

Some of this column’s readers will recall the verse the next time they taste honey.

And some will recall the verse when they next taste the sweetness of the Bible.

Posted 8-27-24

Servant Stage Company’s production of the musical revue ‘Swing!’ to be presented in Lancaster County, Pennsylvania, June 6 – August 10, 2025

By Steven Brodsky

… Tickets (all of them are pay-what-you-will) are available now. You’ll find a link to order your tickets at: Swing! — Servant Stage.

Photo courtesy of Servant Stage Company

This news release was issued by Servant Stage Company on May 8, 2025:

Lancaster, PA – Servant Stage is thrilled to present the toe-tapping, heart-pounding Broadway musical SWING! as its summer MainStage production, bringing the infectious rhythms and exuberant energy of swing music to audiences across Lancaster County. Performances run June 6 through August 10 at multiple parks, schools, churches, and other community venues, in keeping with Servant Stage’s mission to make the arts accessible by bringing great performances into the community.

A jubilant celebration of the swing era, SWING! is a musical revue that features thrilling dance numbers, powerful vocals, and a live swing band performing classics made famous by artists like Duke Ellington, Benny Goodman, and Count Basie. With electrifying choreography and show-stopping harmonies, this production invites audiences of all ages to experience the golden age of big band music like never before.

“This show is pure joy from start to finish,” says Johnathan Bauer, Executive Director of Servant Stage. “With a sensational cast of singers and dancers, and the excitement of a live swing band on stage, audiences will be swept up in the music and energy of a truly unforgettable era.”

SWING! features a large cast of talented singers and dancers backed by an 8-piece swing band and is directed and choreographed by Joshua William Green with musical direction from pianist and bandleader Marshall Lentz.

As always, Servant Stage continues its mission to make outstanding live theatre accessible to everyone with all performances offered on a pay-what-you-will basis. This ensures that families and individuals of all backgrounds can enjoy high-quality theatrical experiences, regardless of financial means.

The full schedule of performances can be found at ServantStage.org, but featured performances include two weekends at Lancaster Alliance Church (210 Pitney Rd, Lancaster), June 6-8 and June 13-15, two performances in Lititz Springs Park (24 N Broad St, Lititz) on August 3, and a weekend of performances at Warwick High School (301 W Orange St, Lititz) August 8-10.

Reservations are recommended and can be made at ServantStage.org or by calling (717) 455-0255.

Posted 6-3-25

Sarah Zahn will be performing in Servant Stage Company’s Sunday Night Cabaret Series on June 15, 2025 at the Magic & Wonder Dinner Theater in Lancaster County, Pennsylvania

By Steven Brodsky

… This cabaret performance by the very talented Sarah Zahn will begin at 7 p.m.

Tickets are pay-what-you-will, consistent with Servant Stage Company’s mission to make exceptional theatre experiences accessible to everyone.

Visit https://servantstage.org/upcoming-cabarets/zahn-sarah-cabaret for additional information and a link to reserve your tickets.

Posted 5-22-25

The winners of the 2024-2025 Musical Theater Songwriting Challenge have been announced 

By Steven Brodsky

This column featured information about the submissions process for the 2024-2025 Musical Theater Songwriting Challenge.

I’m pleased to now be able to share an announcement about the winners of this wonderful competition.

From a news release that was issued today, May 15, 2025, by the National Endowment for the Arts (NEA) and the National Alliance for Musical Theatre (NAMT):

Shackled and unshackled listeners

By Steven Brodsky

… have been enjoying episodes of UNSHACKLED!, the iconic radio drama show, since 1950.

Episodes of UNSHACKLED! are accessible at: https://unshackled.org/on-demand/browse-all-programs/.

John 8:36: “If the Son therefore shall make you free, ye shall be free indeed.”

Note to readers: This post appeared at: https://delcoculturevultures.com/2025/05/06/conversations-about-faith/.

Posted 6-6-24, Revised and reposted 5-6-25

The National Endowment for the Arts (NEA) has announced the recipients of the 2025 NEA National Heritage Fellowships

By Steven Brodsky

… Congratulations to the awardees.

From a National Endowment for the Arts (NEA) press release that was issued yesterday, April 17, 2025:

Washington, DC—The National Endowment for the Arts (NEA) is pleased to announce the recipients of the 2025 NEA National Heritage Fellowships, the nation’s highest honor in the folk and traditional arts. The program recognizes recipients’ artistic excellence, lifetime achievement, and contributions to our nation’s traditional arts heritage.

NEA Folk & Traditional Arts Director Leia Maahs said, “The 2025 National Heritage Fellowship awardees represent artists whose labor is often invisible in the public eye. As stewards of cultural memory, they bring us ‘home’ with dances and songs passed down from one generation to the next. They adorn everyday expressive life with artistry in manual arts, costume, and regalia that animate traditions within communities across America. The National Endowment for the Arts is honored to celebrate these accomplished artists, for their cultural knowledge, excellence towards their work, and the legacy they uphold.” 

The 2025 NEA National Heritage Fellows are:

Carmen Baron, Mexican Folk Costume Maker and Dancer (Tucson, Arizona)

A trained structural and architectural designer, Carmen Baron sees the lines, colors, and proportions needed to create intricately designed custom-made costumes for young Baile Folklórico dancers throughout the state of Arizona.

Peniel Guerrier, Haitian Dancer, Drummer, and Educator (Astoria, New York)

An internationally renowned dancer and teacher, Peniel Guerrier has dedicated his life to preserving and promoting Haiti’s rich cultural heritage through dance and drumming, influenced by Haitian history and traditional Vodou practices. 

Adrienne Reiko Iwanaga, Bon Odori Dancer, Teacher, and Choreographer (Saratoga, California)

Adrienne Reiko Iwanaga has preserved and revitalized the traditional Japanese folk dance of Bon Odori, sparking new interest in the art form and expanding its reach and popularity through her innovative approach and artistic contributions.

Ernie Marsh, Bit & Spur Maker and Silversmith (Lovell, Wyoming)

Characterized by high-relief engraving, engraved steel, and French Gray finishes, Ernie Marsh’s craftsmanship is instantly recognizable and known among horsemen, collectors, and fellow makers for its balance of function and beauty.

Edward Poullard, Creole Musician (Beaumont, Texas)

A third-generation Creole musician, Edward Poullard mastered various instruments throughout his musical journey and is known for teaching Creole and Cajun fiddle and accordion styles throughout the United States and Europe.

Steven Tamayo (Sicangu Lakota), Traditional Lakota Artist & Educator (Omaha, Nebraska)

Steve Tamayo has spent decades reclaiming and celebrating Lakota culture through his art, helping students deepen their knowledge of traditional activities like regalia making, drumming, and powwow dancing, which are vital to cultural preservation and unity.

Tamayo is the 2025 recipient of the Bess Lomax Hawes National Heritage Fellowship, presented in recognition of an individual who has made a significant contribution to the preservation and awareness of cultural heritage.

Ukrainian Bandurist Chorus of North America, Men’s Choral & Bandura Ensemble (Detroit, Michigan)

A musical ambassador of Ukrainian culture, music, and the bandura (a lute-harp hybrid instrument), the Ukrainian Bandurist Chorus of North America has its roots in pre-World War II Ukraine, and regularly travels for rehearsals, performances, and other community-supported events.

About the National Heritage Fellowships NEA National Heritage Fellowship recipients are nominated by the public—often by members of their own communities—and then judged by a panel of experts in the folk and traditional arts. The panel’s recommendations are reviewed by the National Council on the Arts, which sends its recommendations to the NEA chair.

About the National Endowment for the Arts Established by Congress, the National Endowment for the Arts is an independent federal agency that is the largest funder of the arts and arts education in communities nationwide and a catalyst of public and private support for the arts. By advancing opportunities for arts participation and practice, the NEA fosters and sustains an environment in which the arts benefit everyone in the United States. To learn more, visit arts.gov or follow us on Facebook, Instagram, X, and YouTube.

Posted 4-18-25

A New Season of Theatre Classes in Servant Stage Company’s Monday Night Drop-Ins Program is Underway

By Steven Brodsky

 … Class subjects include: acting, improvisation, vocal technique, and dance.

These classes are pay-what-you-will.

From a Servant Stage Company press release issued on Febuary 14, 2025:

2025 marks the fourth year for the Monday Night Drop-Ins program. Last year’s program served 373 unique students (an 83% increase from the previous year) over the course of 64 classes, with many attending multiple classes. “It’s our goal to be a theatre home for people of all ages,” says Executive Director, Johnathan Bauer. “We want to create opportunities for those just getting started out all the way to those working on the professional level, and our Monday Night classes are a key component of that vision.”

Visit https://servantstage.org/mondays for additional information.

https://servantstage.org/

Posted 2-24-25

The responsibilities of managing a theater took a toll on William Butler Yeats

By Steven Brodsky

… and inspired Yeats to pen the poem “The Fascination of What’s Difficult” in 1912.

“The Fascination of What’s Difficult”: https://www.poetryfoundation.org/poems/43286/the-fascination-of-whats-difficult.

W.B. Yeats received the Nobel Prize in Literature in 1923 “for his always inspired poetry, which in a highly artistic form gives expression to the spirit of a whole nation.”

Posted 4-23-22

‘Something There: Remembering Jeffrey Foskett,’ a collection of 25 songs, will be released on July 11, 2025 by Omnivore Recordings

By Steven Brodsky

Something There: Remembering Jeffrey Foskett can be pre-ordered at: Various Artists — Something There – Remembering Jeffrey Foskett – Omnivore Recordings.

Posted 6-3-25

A Woman’

By Steven Brodsky

…59 years ago, on May 28, 1966, hit the top of the Billboard Hot 100 chart for the first of two weeks. The recording would be on the Billboard Hot 100 chart for a total of 13 weeks.

Sometimes, a marriage ensues when a man loves a woman.

I’ve known people that were happily married for more than 59 years; they were blessed!

Genesis 2:24: “Therefore shall a man leave his father and his mother, and shall cleave unto his wife: and they shall be one flesh.”

Posted 5-28-25

A strong nostalgic pull

By Steven Brodsky

… will be felt by many of the more seasoned Entertainment, Culture and More readers when listening to this recording:

Summer unofficially begins on Memorial Day; there are readers of this column who are currently on (or under) boardwalks.

Enjoy the rest of the Memorial Day weekend!

Posted 5-24-25

Beautiful music will be emanating from the Washington Memorial National Carillon Tower at the Washington Memorial Chapel at Valley Forge during the 2025 Frank P. Law Summer Carillon Series’ concerts; the concerts will take place on Wednesday nights in July and August

By Steven Brodsky

The Washington Memorial National Carillon tower at the Washington Memorial Chapel at Valley Forge
Photo by Steven Brodsky

… The concerts will begin at 7:30 p.m.

Be sure to bring your lawn chairs and blankets.

Admission to the concerts is free.

Visit 2025 Frank P. Law Summer Carillon Series — Washington Memorial Chapel for additional information.

Posted 5-14-25

‘I’m just a long-haired son of a sinner’

By Steven Brodsky

… sings Jelly Roll in “Son of a Sinner” (one of my favorite Jelly Roll songs):

We’re all children of sinners.

And all of us have sinned.

Nonetheless, God loves us.

Romans 5:8 KJV: “But God commendeth his love toward us, in that while we we were yet sinners, Christ died for us.”

This post appeared at: Conversations About Faith – delcoculturevultures.com.

Posted 8-20-24, Revised and Reposted 12-6-24

This’ll be the day

By Steven Brodsky

… to commemorate Buddy Holly’s birthday by listening to:

Buddy Holly was born on September 7, 1936, 88 years ago.

Posted 9-7-24

‘Pride and Joy’

By Steven Brodsky

… shared here on the 34th anniversary of Stevie Ray Vaughan’s passing away on August 27, 1990:

A helicopter crash took the life of Stevie Ray Vaughan. Stevie Ray Vaughan was 35 years old.

Posted 8-27-24

Paul Simon heard Jessy Dixon perform ‘The Wicked Shall Cease Their Troubling’

By Steven Brodsky

… in Radio City Music Hall in 1972, which prompted Paul Simon to invite Jessy Dixon to sing with him on Saturday Night Live. The two would go on to tour together in the U.S. and overseas for eight years.

Enjoy this video of Jessy Dixon singing “The Wicked Shall Cease Their Troubling” at The Dome:

Job 3:17: ^“There the wicked cease from troubling; and there the weary be at rest.”

Jessy Dixon passed away on September 26, 2011 at age 73. This post appeared in the Conversations About Faith section of the Entertainment, Culture and More column. 

Posted 1-10-21, Reposted and Revised 8-19-24

How meeting Livingston Taylor at a concert affected the career of John Flynn

By Steven Brodsky

John Flynn has been interviewed several times for this column. In a 2011 radio interview, John and I spoke about Livingston. We did so again last year in this interview for this column.

John, where and when did you first meet Livingston Taylor and how old were you at the time?

Gene Shay introduced me to Livingston back in the ’80s. It was prior to one of his appearances at the old Bijou Café in Philadelphia. I was in my early twenties and just starting out. I was a big fan of Livingston’s and I had just appeared on Gene’s radio show on WMMR. I heard Gene mention that he was going to host Livingston’s show, so I asked for an intro. Gene was just too nice to say no.

What was going on in your life?

I was playing some bar gigs, writing songs and mailing demos to Nashville. This was a few years before I got signed to my first publishing deal down there.

Describe what took place. What did Livingston tell you?

To begin with, Livingston was incredibly gracious. As a performer, I really see that now in hindsight, because usually the last thing I want to do before a show is to meet new people and have them sing their songs to me. Actually, I don’t think I’ve met anyone before or since who would have extended themselves in this way to a stranger. But that’s exactly what happened. Gene apparently bragged about me enough to get Livingston to hand me his guitar and sit down directly in front of me. He asked me to play him a song and listened with an almost unnerving, totally focused attention. When I was done he asked if I had any more. I did a second song and he asked for another. I was only too happy to oblige, figuring that if he’d listen to three songs he must be hearing something he liked. When I finished singing, Livingston kind of scrunched up his face and got real thoughtful. There was a long pause. Then he said, “John, there are so many wonderful ways to spend your time in this life. Take a walk, read a good book, spend some time with someone you love. Please do ANY of these things rather than write any more mediocre songs.” The rest was a little bit of a blur. He talked about Cole Porter and Yip Harburg, writers I didn’t really know much about at that point. He really challenged me to study the greats. He spent like ten minutes talking about song structure, and he played me these long-forgotten but really beautiful introductions to popular old standards. – Unknown (at least to me) musical salutations from bygone eras, that had been intended by their composers to set the mood and put the listener in the proper frame of mind to receive the coming song. He even explained that he would be doing relatively few of his own songs in his show that evening because great songs are rare, and a song should be great if you’re gonna sing it. That was the bottom line. If you weren’t going to try to write a great song, then why write one at all?

How did you respond to this at the time?

I guess I was disappointed. But disappointment wasn’t all I took away from the encounter, because Livingston could have easily tossed me a few compliments. He was probably never gonna have to see me again so that would have been the easy thing to do. But I sensed that he respected songs and songwriters too much for that. He chose the harder path and told the truth. He threw down the gauntlet. And, in my way, I accepted the challenge that night. I determined to work much harder at my craft. To really try to write great songs. I’m not saying that’s what I’ve always accomplished. But he got me to aim there. I’ve always been grateful for that.

How did the encounter impact your life?

I’m here forty years later answering questions about music.

Author’s note to readers: Livingston Taylor is a professor at Berklee College of Music.

John Flynn’s website address is: http://johnflynn.net/.

Posted 3-29-19, Reposted 8-6-24

Thinking about Solomon Burke

By Steven Brodsky

… after recalling this morning that the City of Philadelphia had honored Solomon Burke by having declared that July 19, 2002 would be “Solomon Burke Day.”

Solomon Burke (March 21, 1940 – October 10, 2010) was born in Philadelphia.

Posted 7-19-24

Non-botanical ‘poison ivy’

By Steven Brodsky

… The kind of “poison ivy” that appears in a song written by Leiber and Stoller that was recorded by The Coasters 65 years ago (on July 16, 1959) wasn’t botanical.

The song: “Poison Ivy.”

A species of poison ivy (and other plants) is pictured here:

Photo by Steven Brodsky

Posted 7-16-24

Wouldn’t be prudent to dance till a quarter to three

By Steven Brodsky

… nowadays, if you were listening to Gary U.S. Bonds’ recording of “Quarter To Three” when the single went to the top of the Billboard Hot 100 chart for the first of two weeks, 63 years ago, on June 26, 1961.

Many of you will be singing and/or dancing while listening to the Gary U.S. Bonds recording, and while watching the following embed of Springsteen covering “Quarter To Three” in concert:

Posted 6-26-24

‘Blue,’ Joni Mitchell’s fourth studio album, was released 53 years ago

By Steven Brodsky

… on June 22, 1971.

One can get a bit blue realizing that so much time has transpired since this monumental album was released.

Enjoy!:

Posted 6-22-24

‘Anyone Who Had A Heart’

By Steven Brodsky

… to commemorate Dusty Springfield’s birthday:

Dusty Springfield was born 85 years ago on April 16, 1939.

Posted 4-16-24

Remembering Solomon Burke (March 21, 1940 – October 10, 2010) on Solomon Burke’s birthday

By Steven Brodsky

Solomon Burke, Grammy-winner and Rock & Roll Hall of Fame inductee, was born in West Philadelphia. His records and concerts influenced some of the greatest artists in soul, rock, and other genres.

Enjoy:

“Everybody Needs Somebody to Love”: https://www.youtube.com/watch?v=tmkeyzZ91sI

“If You Need Me”: https://www.youtube.com/watch?v=PllNSSUz3gk

“Cry to Me”: Solomon Burke – Cry To Me (Live at Montreux 2006) (youtube.com)

Mary J. Blige inducting Solomon Burke into the Rock & Roll Hall of Fame in 2001: https://www.youtube.com/watch?v=cmyRq09cTIs

… and read the chapter “The Song of Solomon: A Triptych” in Peter Guralnick’s excellent Looking to Get Lost: Adventures in Music and Writing. 

On July 19, 2002, the City of Philadelphia honored Solomon Burke by declaring the day to be “Solomon Burke Day.”

I had the honor of doing a longform radio interview with Solomon Burke. The interview aired live on May 21, 2010.

Posted 3-21-24

Whether or not the song character in ‘I’m Not in Love’ was in love

By Steven Brodsky

… 49 years after 10cc’s The Original Soundtrack album was released, “I’m Not in Love” (on one of the album’s tracks) continues to be loved by many people.

The Original Soundtrack was released on March 11, 1975.

Posted 3-11-24

Fifty-one years ago, Bruce Springsteen performed a concert at Villanova University’s St. Mary’s Hall auditorium

By Steven Brodsky

… That concert took place on January 16, 1973 before an audience of only fifty or fewer people because advertising for the concert could not run in a campus newspaper (because of a newspaper strike) and because The Boss was young in his career.

How young? Springsteen’s debut studio album, Greetings from Asbury Park, was newly released; the album was released on January 5, 1973.

“Spirit in the Night,” a track from Greetings from Asbury Park, NJ:

Posted 1-16-24

There weren’t many attendees at Bob Dylan’s Carnegie Hall debut performance

By Steven Brodsky

… nearly 62 years ago, on Saturday, November 4, 1961. Reportedly, 53 people purchased tickets to see the then 20-year old Dylan perform in a small auditorium that was located in Carnegie Hall. Tickets were priced at $2.00.

Bob Dylan did not perform “Blowin’ in the Wind.”

The song hadn’t been released nor had it been recorded.

Bob Dylan recorded “Blowin’ in the Wind” on July 9, 1962 at Columbia Recording Studios.

The recording was released on the A-side of a single on August 13, 1963 (the B-side is “Don’t Think Twice, It’s All Right”); it appears as a track on the album The Freewheelin’ Bob Dylan, released on May 27, 1963.

Bob Dylan’s Philadelphia debut didn’t draw much of crowd either, as this concert too was performed prior to the release of “Blowin’ in the Wind.” Gene Shay invited Dylan to Philadelphia, Pennsylvania to perform the concert. The concert took place on Saturday, May 3, 1963 at the Philadelphia Ethical Society building on Rittenhouse Square. Approximately 45 people were in attendance. Tickets were priced at $1.50.

A few months before Bob Dylan’s Philadelphia debut, Dylan performed “Blowin’ in the Wind” on a television show:

Gene Shay told me that Dylan’s Philadelphia debut concert almost didn’t take place: the sound system components for the concert were inaccessible.

Gene Shay passed away from COVID-19 on April 17, 2020. He is greatly missed.

Posted 10-4-23

There’s a bluebird in many hearts

By Steven Brodsky

… whose presence may be more apparent today, the birthday of Charles Bukowski (August 16, 1920 – March 9, 1994).

A recitation of Charles Bukowski’s “Bluebird”:

Miranda Lambert co-wrote and recorded “Bluebird.” The song was penned with some inspiration from the same-named Bukowski poem.

The 2020 CMA Music Video of the Year:

Charles Bukowski’s birthday was referenced yesterday in this section of the Entertainment, Culture and More column: Conversations With Writers And More delcoculturevultures.com.

Posted 8-16-23

‘I was glad to get it over with, and I thought that would be the last of it.’

By Steven Brodsky

… said Freddy Fender about recording “Before the Next Teardrop Falls.”

Of course, it wasn’t the last of it: many millions of people would hear and adore the record.

“Before the Next Teardrop Falls” was released on February 1, 1975.

It arrived at the number one spot on the Billboard Hot 100 chart on May 31, 1975 (and would remain on that chart for a total of 21 weeks).

On the 48th anniversary of the record reaching the summit of the Billboard Hot 100 chart, enjoy:

Freddy Fender was born Baldemar Huerta, in 1937, in a Texas border town. He was the son of migrant workers.

Freddy Fender served in the U.S. Marines for three years.

After his discharge, he achieved recognition as a singer of Spanish translations of rock and roll and other songs.

In 1960, his release of “Wasted Days and Wasted Nights” took off in the U.S. This national breakthrough was soon tamped down by a prison sentence. He served nearly three years of a five-year sentence in a very tough Louisiana prison for possessing two marijuana joints.

After his prison release, there was a long period of time working various jobs—with music a part-time endeavor.

While Freddy Fender was at work in a car wash, a record producer heard him singing and recognized his voice. Freddy was handed the producer’s business card. The encounter resulted in Freddy returning to recording.

Posted 5-31-23

An unfortunate ‘truth’

By Steven Brodsky

… was learned at seventeen by the song character in this iconic Janis Ian song: Janis Ian – At Seventeen (Audio) – YouTube.

Janis Ian, born in New Jersey on April 7, 1951, turned 71 years old today.

Happy birthday wishes to Janis Ian.

The song begs the question: What “truths,” dear readers, did you or will you learn at seventeen? There are some “truths” that are best unlearned.

Posted 4-7-23

He was the ‘Jackie Robinson of television’; on his ‘show rode the hopes and fears and dreams of millions of people’; his show debuted nationally on November 5, 1956

By Steven Brodsky

… He was Nat King Cole, the first African American to host a television show on nationwide television. That show was The Nat King Cole Show. Today is the 66th anniversary of the national debut of the Nat King Show on NBC TV.

Nat King Cole ranks among the most acclaimed jazz and pop musicians of all time. Born as Nathaniel Adams Coles in Montgomery Alabama in 1919, he would go on to achieve recording and concert performance success that was nearly unmatched by others of his generation. “Mona Lisa,” “Unforgettable,” “The Christmas Song,” are among the nearly 700 songs that he recorded. Well over 100 of Nat King Cole’s records charted. He was a prominent presence on national television shows (he appeared on the Ed Sullivan Show on six occasions).

The Nat King Cole Show was popular and attracted some of the most sought-after entertainers, but it could not secure a national sponsor (other than a few sponsors for brief periods of time before the show expanded from 15 minutes to a half hour). There were 30 sponsors with cooperative arrangements supporting the show across the country on local stations, but nationwide—not one.

In an essay in the February 1, 1958 issue of Ebony titled “WHY I QUIT MY TV SHOW” by Nat King Cole (as told to Lerone Bennett Jr.), Nat King Cole said, “For 13 months, I was the Jackie Robinson of television… On my show rode the hopes and fears and dreams of millions of people.”

Posted 11-5-22

It’s natural

By Steven Brodsky

Photo by Steven Brodsky

… pun intended, for some of the readers of this column to think about Bible verses when spending time in the great outdoors.

In the coming months, many of you will be in the field and on waterways.

In those places, Revelation 4:11 (and other Bible verses) may come to mind.

Revelation 4:11: “Thou art worthy, O Lord, to receive glory and honour and power: for thou hast created all things, and for thy pleasure they are and were created.”

A great pairing: the Bible and enjoyment of the great outdoors!

Posted 6-3-25

Registration is now open for the Pennsylvania Game Commission’s summer 2025 Junior Game Warden Camps

By Steven Brodsky

… As the number of registrants for each of the one-day sessions of this program is limited, it’s a good idea for parents to register their kids (ages 12-15) as soon as possible.

An online registration link appears in this news release that was issued yesterday, May 22, 2025, by the Pennsylvania Game Commission:

JUNIOR GAME WARDEN CAMPS PROVIDE HANDS-ON LEARNING

Whether collecting forensic evidence that will bring poachers to justice, tracking down lost hikers or live-trapping black bears for research, Pennsylvania State Game Wardens have among the most unique, diverse and exciting careers in wildlife conservation.

This summer, youths ages 12 to 15 can experience some of it for themselves.

The Pennsylvania Game Commission is holding one-day Junior Game Warden Camps across the Commonwealth, providing those who attend a structured, fun-filled day learning about the career of a Pennsylvania State Game Warden.

Campers will spend the day with game wardens, gaining insight into the job and the Game Commission’s mission of managing and protecting the state’s wildlife and habitats while promoting hunting and trapping. Campers will join wardens in light physical fitness activities, confidence-building exercises and hands-on learning stations. Campers will learn about wildlife forensics and methods used by wardens to catch poachers and solve wildlife-related crimes. Other activities will involve wildlife-capture techniques, woodland tracking and outdoor survival.

Unless noted, the camps begin at 8 a.m. and end at 3 p.m. Registration can be completed online. Registration is limited to those who have not attended a camp held previously.

The dates and locations for the camps are as follows:

·         Northwest Region – Saturday, Aug. 9, 8:30 a.m. to 2:30 p.m., at the Rimersburg Rod & Gun Club, 442 E. Rod & Gun Club Road, Rimersburg, PA 16248. Registration is limited to 30 participants.

·         Southwest Region – Wednesday, July 30, at the Game Commission Southwest Region Office, 4820 Route 711, Bolivar, PA 15923. Registration limited to 40 participants.

·         Northcentral Region – Thursday, July 10, at Scotia Building, State Game Lands 176, Scotia Range Road, Warriors Mark, PA 16877. Registration is limited to 30 participants.

·         Southcentral Region – Saturday, June 21, at Greencastle Sportsman’s Association, 3260 Sportsmans Road, Greencastle, PA 17225. Registration is limited to 40 participants.

·         Northeast Region – Thursday, July 22, at Outdoor Insiders, 310 Outdoor Drive, New Milford, PA 18834. Registration is limited to 45 participants.

·         Southeast Region – Friday, July 25, at Middle Creek Wildlife Management Area Visitor Center, 100 Museum Road, Stevens, PA 17578. Registration is limited to 60 participants.

Posted 5-23-25

In support of the Brandywine Conservancy’s open space and clean water programs, the 94th Radnor Hunt Races took place on Saturday, May 17, 2025

By Steven Brodsky

At the 94th Radnor Hunt Races
Photo by Steven Brodsky

… Wow, what a successful and enjoyable steeplechase event it was!

From a Brandywine Conservancy news release:

Chadds Ford, PA, May 21, 2025 — A sunny day set the stage for another successful running of the Radnor Hunt Races on Saturday, May 17, 2025. Supporting the open space and clean water programs of the Brandywine Conservancy, the annual steeplechase event celebrated its 94th year with the finest thoroughbred horses, riders and trainers from across the country competing in five thrilling jump races sanctioned by the National Steeplechase Association and the prestige of $120,000 in purse money. The day also featured the fifth annual Katherine W. Illoway Memorial Invitational Sidesaddle Race, the crowd favorite parade of foxhounds, and the return of the adorable pony races.

Built on a rich history of horse racing that has been cultivated in this region for nearly 100 years, the Radnor Hunt Races are supported by the legacy of permanently protecting the stunning open spaces that make this region such a beautiful place to call home. For the past 45 years, the Radnor Hunt Races has been “Racing for Open Space” in support of the Brandywine Conservancy’s open space and clean water programs. Since 1967, the Conservancy has protected over 70,700 acres of open space—including the Radnor Hunt racecourse itself and surrounding lands. As a key fundraiser for the Conservancy each year, the Radnor Hunt Races also support the organization’s critical work to improve and safeguard water quality, as well as its efforts to provide innovative community planning services to municipalities and engage landowners in stewardship of their land in southeastern Pennsylvania and northern Delaware.

“This marks the 45th year that the Radnor Hunt Races has been Racing for Open Space in support of the Brandywine Conservancy, a beloved tradition that wouldn’t be possible without all of our generous sponsors, partners, purse donors, and patrons,” said Christy Wray Greenberg, Associate Director of Fundraising Events and Sponsorship for the Brandywine Conservancy & Museum of Art. “We also thank our staff, the Radnor Hunt Races committee, Willistown Boy Scout Troop 78, and the dozens of other volunteers who work so hard to make this event possible each year.”

To date, the event has raised over $5.6 million for the Conservancy’s clean water and open space programs. Held annually on the third Saturday in May, the Radnor Hunt Races will return for its 95th year on May 16, 2026, in Willistown Township, Chester County. For more information, visit www.radnorhuntraces.org.

The 94th Radnor Hunt Races were made possible thanks to the generous support of its sponsors and purse donors. Corporate sponsors include Lamborghini Philadelphia, Black Stallion Estate Winery / Woodford Reserve, Revivalist Garden Gin, JPMorganChase, Berkadia, Fox Rothschild, B&D Builders LLC, dfYOUNG, Lockton, The Cross Family & The Frick Family, Porsche Main Line, RDS INEOS Grenadier, Bryn Mawr Trust, Oola Bowls + Ice Miller & Claytor Plastic Surgery / Warren Claytor Architects. Additional support was provided by the Race’s event sponsors, including Ironhorse Farms, Greg & Caroline Bentley and Andrew Bentley; Cherry Knoll Farm, Revivalist Garden Gin, Peter Zimmerman Architects, Anne & David L. Hain Jr., 1883 Foundation, The Agnes Irwin School, Bechtel Excavating, Brosnan Dental, John B. Ward & Co., The National Bank of Malvern, Warren Claytor Architects, Glenn and Lili Pew, Boothwyn Pharmacy, Charles C. Coyne, and Royer Cooper Cohen Braunfeld. Media partners include Today Media—Delaware Today, Main Line Today, The Hunt—and County Lines Magazine. Purse donors include Mrs. Brice M. Clagett; Mr. & Mrs. Thomas J. Collins; Mr. & Mrs. Henry Lafayette Collins, III; John & Marlou Gregory; Mr. & Mrs. Perry Gresh; Mr. & Mrs. David L. Hain, Jr.; Mr. & Mrs. N. Peter Hamilton; Mr. & Mrs. Bill Marvin; Quaker City Foundation, Mr. & Mrs. Collin F. McNeil; Dr. Suzanne K. Moore & Mr. Keith W. Moore; Mr. George Strawbridge, Jr.; The Willistown Mens’ Club; and Mrs. Diana S. Wister. Additional thanks go out to Alliance Productions, Brandywine Electronics, Broad Street Brewing, Fenceworks, Little’s John Deere, Miller Brothers, Peace Products, Radnor Hunt Pony Club, Rajant, Stoney Bank Nurseries, and Willistown Troop 78.

Posted 5-21-25

The Land Trust Accreditation Commission has renewed the accreditation of the Brandywine Conservancy & Museum of Art

By Steven Brodsky

I’m happy to share this news release from the Brandywine Conservancy & Museum of Art with the readers of the Entertainment, Culture and More column:

Chadds Ford, PA, May 13, 2025 — The Brandywine Conservancy & Museum of Art is pleased to announce it has achieved renewal of its accreditation from the Land Trust Accreditation Commission, an independent program of the Land Trust Alliance. The prestigious land trust accreditation program recognizes land conservation organizations that meet national high-quality standards for protecting important natural places and working lands forever.

Since 1967, the Brandywine Conservancy & Museum of Art has been a leader in protecting and conserving the land, water, natural and cultural resources in southeastern Pennsylvania and northern Delaware—with over 70,700 acres of open space permanently protected to date. It was also one of the first conservation organizations to be awarded accreditation by the Land Trust Accreditation Commission in 2008. Since then, the Brandywine Conservancy has successfully completed the rigorous accreditation renewal process three times, maintaining its accreditation status for nearly two decades.

“We are thrilled to have received our third accreditation renewal through the Land Trust Accreditation Commission,” commented Stephanie Armpriester, Director of Conservation and Stewardship at the Brandywine Conservancy. “This award is an affirmation of our commitment to excellence in all aspects of our innovative conservation work and serves as a guiding framework for maintaining the highest national standards that the Brandywine has consistently maintained over the years.”

The Land Trust Accreditation Commission conducts an extensive review of each applicant’s policies and programs every five years. During the renewal process, the Brandywine provided extensive documentation and was subject to a comprehensive third-party evaluation prior to achieving this distinction. The process also allowed Brandywine staff the opportunity to review and revise its current organizational policies and standards to ensure it was continuing to meet and exceed the highest accreditation standards set forth by the Land Trust Alliance. As a result of these efforts, the Land Trust Accreditation Commission awarded renewal accreditation, signing its confidence in the Brandywine’s capability to protect land and steward its easements in perpetuity. Accredited land trusts now steward more than 50 million acres—that’s approximately 23 times the size of Yellowstone National Park.

“This accreditation renewal not only acknowledges our past work, but it also ensures that the Brandywine continues to hold itself to the highest professional standards in the land trust field now and in the future,” noted Grant DeCosta, Director of Community Services at the Brandywine Conservancy. “It provides confidence to our landowners, constituents, members and donors that this organization can and will responsibly fulfill the promise of preserving and stewarding natural resources for generations to come.”

“The role of renewing accreditation has always been to maintain public trust in the accreditation seal by ensuring accredited land trusts continue to meet national standards,” said Melissa Kalvestrand, executive director of the Commission. “The Brandywine Conservancy & Museum of Art has been part of this program for more than 15 years and we are proud to recognize its commitment to conservation excellence.”

A complete list of accredited land trusts and more information about the process and benefits can be found at www.landtrustaccreditation.org.

About the Brandywine Conservancy:

The Brandywine Conservancy protects water, conserves land, and engages communities. The Conservancy uses a multi-faceted approach to conservation. Staff work with private landowners who wish to see their lands protected forever and provide innovative community planning services to municipalities and other governmental agencies. The Conservancy currently holds more than 510 conservation and agricultural easements and has facilitated the permanent preservation of over 70,700 acres of land. The Conservancy is a program of the Brandywine Conservancy & Museum of Art.

About the Brandywine Conservancy & Museum of Art:

The Brandywine Conservancy & Museum of Art preserves and promotes the natural and cultural connections between the area’s beautiful landscape, historic sites, and important artists. The Conservancy protects the lands and waters throughout the Brandywine Valley and other priority conservation areas, developing sustainable approaches to emerging needs and assuring preservation of majestic open spaces and protection of natural resources for generations to come. The Museum of Art presents and collects historic and contemporary works of American art, engaging and exciting visitors of all ages through an array of exhibitions and programs. The Brandywine unites the inspiring experiences of art and nature, enhancing the quality of life in its community and among its diverse audiences.

About the Land Trust Accreditation Commission:

The Land Trust Accreditation Commission inspires excellence, promotes public trust and ensures permanence in the conservation of open lands by recognizing organizations that meet rigorous quality standards and strive for continuous improvement. The Commission, established in 2006 as an independent program of the Land Trust Alliance, is governed by a volunteer board of diverse land conservation and nonprofit management experts. For more, visit www.landtrustaccreditation.org.

Posted 5-19-25

A reminder from the Pennsylvania Game Commission to leave young wildlife alone

By Steven Brodsky

For the benefit of young wildlife and the readers of this column, I’m sharing this just-issued news release from the Pennsylvania Game Commission in its entirety:

SPRINGTIME ALERT: LEAVE YOUNG WILDLIFE ALONE

Whether in their backyards or high on a mountain, it’s almost certain Pennsylvanians will encounter young wildlife this time of year.

While some young animals might appear to be abandoned, usually they are not. It’s likely their mothers are watching over them from somewhere nearby.

So when encountering young wild animals, whether deer, birds, raccoons or something else, the best thing you can do is leave them alone.

“During this time of year, it’s common for people to see young wildlife and mistakenly assume that they are abandoned or in need of help,” said Matthew Schnupp, the Game Commission’s Bureau of Wildlife Management Director. “As well-intentioned as they are in trying to help these animals, the reality is that the mother is probably nearby and waiting for you to leave so she can return. The best approach when encountering any wildlife is to simply let them be.”

Adult animals often leave their young while they forage for food, but they don’t go far and they do return. Wildlife also often relies on a natural defensive tactic called the “hider strategy,” where young animals will remain motionless and “hide” in surrounding cover while adults draw the attention of potential predators or other intruders away from their young.

Deer employ this strategy, and deer fawns sometimes are assumed to be abandoned when, in fact, their mothers are nearby.

The Game Commission urges Pennsylvanians to resist the urge to interfere with young wildlife or remove any wild animal from its natural setting.

Such contact can be harmful to both people and wildlife. Wild animals can lose their natural fear of humans, making it difficult, even impossible, for them to ever again live normally in the wild. And anytime wildlife is handled, there’s always a risk people could contract diseases or parasites such as fleas, ticks and lice.

Wildlife that becomes habituated to humans also can pose a public-safety risk. Some years ago, a yearling, six-point buck attacked and severely injured two people. The investigation into the incident revealed that a neighboring family had illegally taken the deer into their home and fed it as a fawn, and they continued to feed the deer right up until the time of the attack.

It is illegal to take or possess wildlife from the wild. Under state law, the penalty for such a violation is a fine of up to $1,500 per animal.

Under no circumstances will anyone who illegally takes wildlife into captivity be allowed to keep that animal, and under a working agreement with state health officials, any “high risk” rabies vector species confiscated after human contact must be euthanized and tested; none can be returned to the wild because the risk of spreading disease is too high.

Animals infected with rabies might not show obvious symptoms, but still might be able to transmit the disease. Though any mammal might carry rabies, the rabies vector species identified in the agreement are: skunks, raccoons, foxes, bats, coyotes and groundhogs.

People can get rabies from the saliva of a rabid animal if they are bitten or scratched, or if the saliva gets into the person’s eyes, mouth or a fresh wound.

Only wildlife rehabilitators, who are licensed by the Game Commission, are permitted to care for injured or orphaned wildlife for the purposes of eventual release back into the wild. For those who find wildlife that truly is in need of assistance, a listing of licensed wildlife rehabilitators can be found on the Pennsylvania Association of Wildlife Rehabilitators website, www.pawr.com.

If you are unable to identify a wildlife rehabilitator in your area, contact the Game Commission by phone at 1-833-PGC-WILD or 1-833-PGC-HUNT.

Posted 5-14-25

Are you ‘listening’ to the heavens’ declaration of the glory of God?

By Steven Brodsky

… Spring outdoor activities accompany opportunities to “hear” that declaration!

King David “heard” it.

Penned by King David, Psalm 19:1-3: “The heavens declare the glory of God; and the firmament sheweth his handywork. Day unto day uttereth speech, and night unto night sheweth knowledge. There is no speech nor language, where their voice is not heard.”

Posted 5-5-25

The Brandywine Conservancy has launched the Brandywine Native Garden Hub, an interactive website for those interested in the native plants of Pennsylvania and northern Delaware; the new website includes information on more than 250 native plant species

By Steven Brodsky

… The Brandywine Native Garden Hub website will be a great resource for many of you.

The Brandywine Conservancy issued this press release yesterday:

Chadds Ford, PA, April 14, 2025 — In celebration of National Gardening Month, the Brandywine Conservancy is thrilled to announce the launch of the Brandywine Native Garden Hub, a new online resource designed to inspire gardeners of all levels and skillsets. The Brandywine Native Garden Hub is a free, user-friendly website that serves as both an educational guide and an interactive database for anyone interested in incorporating native plants into their landscapes. Naturally occurring in a specific region without human intervention, native plants have adapted to the climate and soil over time, making them easier to grow and maintain, plus they directly benefit pollinators, wildlife, and the local ecology. With the Brandywine Native Garden Hub, users can search for and learn more about native plants specific to Pennsylvania and northern Delaware, save their favorites to personalized “Garden Boards,” and browse through a suite of educational resources to help enhance their gardening success.

“We are so excited to share the Brandywine Native Garden Hub with our broader community,” said Stephanie Armpriester, Director of Conservation and Stewardship at the Brandywine Conservancy. “Our main goal with this new website is to break down barriers for those interested in getting started with native plants and to provide them with all the tools they need to begin their garden journeys. With this accessible online resource, we hope to inspire beginners to join us in our important mission-related work in their own backyards and landscapes. It’s also a perfect companion tool to the slate of educational programs the Brandywine Conservancy offers around native plants throughout the year, as well as our annual Native Plant Sales, both here on our campus in Chadds Ford, PA and in Western Pennsylvania at our Penguin Court Preserve.”

Now available at www.NativeGardenHub.org, the Brandywine Native Garden Hub contains information on more than 250 native plant species found in our region. Each plant profile contains everything you need to know about the plant—from growing conditions to key attributes and wildlife benefits—along with photos that show different growth stages. Users can also personalize their searches by filtering for plants according to their garden’s specific growing conditions, including sunlight exposure, soil type, and soil moisture. Plants can even be sorted by the user’s preferred attributes and benefits, including plant type, height/width, peak bloom time, bloom color, deer resistance, fragrance, and more.

To help visualize and plan their dream gardens, users can create a free account to build personalized “Garden Boards” that are customized to their unique growing spaces. Boards can be curated for the spaces users currently have, the type of gardens they are looking to start—such as a container garden for smaller spaces or one designed to attract specific pollinators—or even boards for future garden inspiration. Once users set up their boards, they can “pin” their favorite plants while browsing to save them for building out their garden plans. Users can also add, edit, and create as many Garden Boards as they’d like, which can be referenced at any time on both desktop and mobile devices.

To equip users with even more tools for success during their gardening journeys, the Brandywine Native Garden Hub also features a wealth of educational resources. Users can dive into our beginners guide for getting started with native plants or browse through other articles, including topics on how to prep a container garden, tackling invasive species, and seasonal gardening tips. Additional articles will be published throughout the year for continued learning.

For more than five decades, the Brandywine Conservancy has been a trusted leader in growing and promoting the use, preservation, and appreciation of native plants. The Brandywine Native Garden Hub is the latest extension of this work, providing a digital platform to help gardeners bring the benefits of native plants to their own landscapes. To start your journey with native plants, visit www.NativeGardenHub.org.

The launch of this new online resource also comes at the perfect time, right before the return of the Brandywine Conservancy’s annual Wildflower, Native Plant & Seed Sale on May 10-11, 2025 (with early member access available on May 9). Held outside in the Brandywine Museum of Art’s courtyard in Chadds Ford, PA, the sale includes a wide variety of native wildflowers, grasses, ferns, vines, shrubs and trees. The Brandywine Native Garden Hub is a great resource to reference in advance of the sale and can be used to create a “shopping list” with a custom Garden Board to bring to the event. More information on the Native Plant Sale can be found at www.brandywine.org/native-plant-sale.

Created by the Brandywine Conservancy, the Brandywine Native Garden Hub was designed and developed by Infantree—a creative agency based in Lancaster, PA—and made possible through a generous grant from the Allegheny Foundation.

About the Brandywine Conservancy:

The Brandywine Conservancy protects water, conserves land, and engages communities. The Conservancy uses a multi-faceted approach to conservation. Staff work with private landowners who wish to see their lands protected forever and provide innovative community planning services to municipalities and other governmental agencies. The Conservancy currently holds more than 510 conservation and agricultural easements and has facilitated the permanent preservation of over 70,200 acres of land. The Conservancy is a program of the Brandywine Conservancy & Museum of Art.

About the Brandywine Conservancy & Museum of Art:

The Brandywine Conservancy & Museum of Art preserves and promotes the natural and cultural connections between the area’s beautiful landscape, historic sites, and important artists. The Conservancy protects the lands and waters throughout the Brandywine Valley and other priority conservation areas, developing sustainable approaches to emerging needs and assuring preservation of majestic open spaces and protection of natural resources for generations to come. The Museum of Art presents and collects historic and contemporary works of American art, engaging and exciting visitors of all ages through an array of exhibitions and programs. The Brandywine unites the inspiring experiences of art and nature, enhancing the quality of life in its community and among its diverse audiences.

Posted 4-15-25

It wasn’t you, nor was it me

By Steven Brodsky

… who made this tree:

Photo by Steven Brodsky

“Trees,” by Joyce Kilmer: https://www.poetryfoundation.org/poetrymagazine/poems/12744/trees

The tree was photographed yesterday.

The Joyce Kilmer poem was published in August 1915.

This post originally appeared at: Conversations About Faith – delcoculturevultures.com.

Posted 3-25-24, Reposted and Revised 11-21-24

In a proper season

By Steven Brodsky

…  appeared this frog (and the shadow it cast upon a lotus leaf):

Photo by Steven Brodsky

Ecclesiastes 3 KJV (biblehub.com)

This post appeared in the Conversations About Faith section of this column.

Posted 4-25-24, Reposted and Revised 8-14-24

Exquisite is the monarch butterfly chrysalis stage

By Steven Brodsky

… as pictured here:

Photo by Steven Brodsky

I can’t say that I find the adult stage of the monarch butterfly to be more exquisite than the monarch chrysalis stage.

Which stage is more exquisite?

Not an easy question (for me) to answer.

It’s easier to simply enjoy seeing these two life stages of the monarch butterfly in the great outdoors!

Posted 8-7-24

Coming into the peace of some wild things

By Steven Brodsky

… with this photo and “The Peace of Wild Things”:

Photo by Steven Brodsky

Posted 7-9-24

Most people can relate

By Steven Brodsky

… to the kind of death that was experienced by the character in Seamus Heaney’s poem “Death of a Naturalist.”

Posted 7-12-22

A Conversation With Katie Fallon, Author of ‘Vulture: The Private Life of an Unloved Bird’

By Steven Brodsky

Katie Fallon is a co-founder of the Avian Conservation Center of Appalachia. She’s worked with many species of raptors and other kinds of birds. Katie’s books include Cerulean Blues (2011) and the recently released Vulture: The Private Life of an Unloved Bird. Her essays have appeared in a number of literary journals. She has a lifelong love of nature. I’ve heard that the first word she ever spoke was “bird.”

Your new book gives vultures, particularly turkey vultures, the positive attention these non-predator raptors deserve. What brought about your interest in these maligned birds?

I’ve been fascinated by vultures for at least fifteen years. There was a roost near where I lived in West Virginia; every day I’d drive by this big, old dead tree with ten or so turkey vultures hunched in it. They became a familiar sight, and I looked forward to seeing them. Vultures are big and kind of dramatic, and in flight, there’s nothing more beautiful. In addition, they’re the ultimate recyclers—they turn death into life.

Many people in the U.S. have an aversion to vultures. Speak about this.

I think vultures remind people of their own mortality. It can be a little creepy to think about a large, dark bird waiting to consume your body when you die. In general, I don’t think people in the US are comfortable with thinking of our bodies as food. Vultures remind us that life will continue after we die, and that some life will continue because we die. They remind us of our animal bodies. Which can be unnerving!

In the absence of vultures, we’d have major health issues to contend with. Tell us why.

Vultures clean up our ecosystems by removing animal carcasses that could potentially contaminate soil and water. They can eat animals that have died of anthrax and botulism. In the absence of vultures, mammalian scavengers could increase in number, and many mammalian scavengers such as raccoons, skunks, feral dogs and cats can spread rabies; vultures do not. Several vulture species in India have suffered catastrophic population crashes in the last twenty years, and public health has suffered. India leads the world in human rabies cases, and the number of cases has increased as the number of feral dogs increased in the absence of vultures.

People get close to vultures by attending your presentations that feature non-releasable birds. How are these birds acquired? How are they trained?

The nonprofit I co-founded, the Avian Conservation Center of Appalachia, keeps eight non-releasable raptors for educational purposes (you need permits from the US Fish & Wildlife Service to do this, of course – the birds aren’t pets or personal property). All of our birds were injured wild birds that cannot return to the wild. We have three vultures. Lew the turkey vulture was hit by a car and suffered an injury to his shoulder that prevents flight. His “girlfriend,” Boris, was shot in the wing, and by the time she reached us the bone had already healed incorrectly. Our black vulture is Maverick, and he was hit by a car, which resulted in a shoulder injury that prevents adequate flight.

Our birds are all trained using positive reinforcement. We avoid negative reinforcement and punishment, and we try to empower the birds to have some control over their environments. We condition behaviors by offering food rewards when the birds perform the behaviors. Vultures (especially our black vulture!) learn quickly, and they are a lot of fun to work with.

What myths and misunderstandings about vultures do these presentations help to dispel?

People are surprised at how clean and charismatic the vultures are – and how beautiful they are up close, despite their featherless heads.

What vulture behaviors do people find to be most interesting?

People often ask if vultures throw up on us; our education vultures usually don’t (unless they get scared). Vultures also expel liquid waste on their legs and feet, probably to clean them as well as to keep cool. This often fascinates people as well.

Which species of vulture are found in Pennsylvania and neighboring states?

We have turkey vultures and black vultures. During the last Ice Age we may have had California condors, too, and possibly some other now-extinct vultures.

What has been learned about migration of these species?

Hawk Mountain has taken the lead on turkey vulture migration research. Dr. Keith Bildstein and his team have placed transmitters and wing tags on turkey vultures all over the Americas. They’ve learned that our eastern turkey vultures are partial migrants—some spend the winters in Florida, some on the New Jersey shore, some in Virginia, and in many places in between. Many western turkey vultures are complete migrants, leaving their breeding ranges in Canada and heading all the way to South America. And still others in the American southwest migrate into Central America and return. It’s fascinating how the different subspecies have different migratory strategies. Dr. Bildstein and his colleagues have ongoing research projects about turkey vulture migration, and are discovering more all the time.

Vultures have spectacular flying ability. What makes this possible?

Turkey vultures are very light – they have almost the same wingspan as a bald eagle but weigh less than half what an eagle weighs. Their wings are long and broad, and are made for soaring.

How high can they fly?

The Ruppell’s vulture holds the record for the highest-flying bird. Unfortunately for that individual, it was hit and killed by a jet flying over Africa at 37,000 feet.

Vulture: The Private Life of an Unloved Bird informs readers about lead toxicity in vultures. What is the extent of the problem? How do vultures ingest lead?

Vultures (and eagles, hawks, crows, ravens, and owls) can ingest small pieces of spent lead ammunition in animal carcasses or “gut piles” left by hunters. When someone shoots a white-tailed deer, for example, the deer is usually field-dressed, and many of the organs are left. This can be a delight for vultures and other scavengers! In ecosystems, scavengers often follow the big predators to clean up the leftovers; here, the same thing is happening—a human is the big predator, a gut pile is the leftover, and a vulture or eagle is the scavenger. However, if small lead fragments are still in the gut piles, avian scavengers can inadvertently ingest the lead and become sick. Lead toxicity from spent ammunition is the biggest obstacle in the way of California condor recovery.

The Avian Conservation Center of Appalachia provides rehabilitation for injured birds. What kind of care do vultures receive?

We’ve treated vultures with a wide variety of injuries and ailments—broken bones, head trauma, lead toxicity, soft tissue injuries. Every bird we admit receives an immediate comprehensive examination by an avian veterinarian, and is then treated as necessary with antibiotics, antifungals, anti-inflammatories, fluid therapy, or chelation therapy. They also receive orthopedic surgery if necessary. We do our best to get the birds back out in the wild if possible.

It must be very joyful to enable an injured bird to regain flight ability. Please tell us about a memorable release.

Two and a half years ago we released a female turkey vulture that had been shot with a shotgun—she had three pellets embedded in soft tissue. We had to leave the pellets in her body because removing them would cause damage. Once she was nursed back to health, we released her wearing a transmitter to track her movements. We learned that she travels to northern Georgia in the winters and comes back to West Virginia in the breeding season. We are thrilled that this vulture was able to return to the wild—and thrive!

Vulture watching is growing in popularity. Turkey vultures are very widespread. Where are some of the best places and times to observe them?

In many parts of the southeastern United States, you can see turkey vultures any day of the year in a variety of habitats. In the winter, vultures can be observed roosting together in and near many cities: in Virginia, check out Leesburg, Staunton, Radford, Pulaski, and Charlottesville; in West Virginia, many vultures can be observed migrating in the fall over Hanging Rock Tower in Monroe County and over Harper’s Ferry in the eastern panhandle. During the summer and fall, the overlook at Cooper’s Rock State Forest near Morgantown, WV, is a sure place to see turkey vultures. Hawk Mountain in Pennsylvania, of course, is an excellent place to watch turkey vultures and birds of prey during migration, especially in September and October.

What stimulated your interest in nature?

I’ve always been an outdoors person. I grew up in northeastern Pennsylvania, and I had horses as a kid. I spent a great deal of time with my horses, trail riding and competing, and when I got a bit older I often went hiking and camping with friends and family. One of my favorite childhood hiking spots was Ricketts Glen State Park—it’s filled with hemlock trees and many gorgeous waterfalls. It’s definitely worth checking out if you visit northeastern PA.

Was “bird” your first word?

Yes! My parents had bird feeders in their yard when I was a baby (well, they still do) and my mother says she used to hold me in front of the window to show me the birds at the feeder. One day, she said, “Look at the birds! Look at the birds outside.” And I nodded and said, “Bird.” I haven’t stopped talking about them since.

Katie Fallon’s website address is: www.katiefallon.com.

Posted 4-6-17, Reposted 10-29-19

A freshly cut flower in a vase

By Steven Brodsky

… on a table at the Brandywine Museum of Art’s Millstone Café appears in the foreground of this photo, with the Brandywine River in the background:

Photo by Steven Brodsky

The photo was taken today at a table adjacent to a floor-to-ceiling window.

In every season, the view of the Brandywine River is a sight to behold from inside of the Museum’s Millstone Café.

My dining and river-viewing companion and I each enjoyed a delicious crab cake sandwich (lump crab and caper remoulade on a brioche bun) at the café today.

Philice, the manager of the Museum’s Millstone Café, and her staff are very attentive, pleasant, and kind.

As I’ve recommended to friends over the course of many years: enjoy a visit to the Museum’s Millstone Café.

Friends who’ve visited this café, have revisited many times.

As have I.

Millstone Café | Brandywine Conservancy and Museum of Art

Museum | Brandywine Conservancy and Museum of Art

Posted 5-30-25

Hopefully, a child song character has outgrown/unlearned the damaging lesson that was inflicted upon him by a teacher on his first day of school.

By Steven Brodsky

… He’s in this song:

Perhaps he was the recipient of subsequent (and great) arts education that allows him to now enjoy seeing and representing all of the colors of the rainbow.

I wish Harry Chapin would have done a “Flowers Are Red” sequel!

Speaking of a “rainbow,” here’s a piscine beauty:

A rainbow trout
Photo courtesy of the Pennsylvania Fish and Boat Commission (PFBC)

The rainbow trout photo accompanies a post about the Pennsylvania Fish and Boat Commission’s 2025 adult trout stocking schedule. You’ll find that post at: https://delcoculturevultures.com/2025/02/02/conversations-about-nature/.

Posted 2-2-25

A Conversation With Victoria Browning Wyeth

By Steven Brodsky

Victoria  Browning Wyeth is the granddaughter of Andrew Wyeth and the niece of Jamie Wyeth. She is the great-granddaughter of N.C. Wyeth. Victoria is widely known for her dynamic gallery talks and lectures on the life and art of Andrew Wyeth. Victoria is a gifted photographer; her photos have been exhibited at a number of museums.

What are some of your fondest memories of your grandmother?

One of my fondest memories of my grandmother were our nicknames for each other. I always called my grandmother by two names: “Betsy” or “Mamma Sheep Turd.” I realize the second name might raise a few eyebrows so let me explain. I grew up in New York City, but would spend every summer in Cushing Maine with my grandparents. As a young girl, and as a grown woman, I have always detested sand, dirt and bugs. When I was about nine or so, my grandparents purchased Allen Island (near Port Clyde, Maine), and, in addition, a very large flock of sheep to help with the lawn “maintenance.  Along with the sheep came sheep turds…. EVERYWHERE. So, she called me “City Slicker” and I called her “Mamma Sheep Turd.” When I was in college and we wrote each other letters, the post office at my college would giggle when they handed me a letter because of the return address. I always smile when I think of the looks people gave us when we used these names for each other.

My second fondest memory was when she taught me to put on makeup and put my hair in a French twist. I can still feel her hands in my hair helping me pin it up. When it came to applying makeup she would always say, “Vic… less is more.” To this day I am not much of a makeup person.

Finally, my most recent favorite memory involved cooking for my grandmother (and my uncle Jamie) on Sunday nights. Betsy was the chef in the family – her meals were simply out of this world yummy. Mashed potatoes, cookies, creamed eggs, popovers, etc. You name it and she could make it. After my grandfather died she scaled back her cooking quite a bit. Around six or seven years ago I started cooking Sunday dinners for my family. I wasn’t the best chef at first; I burned fish more than I would like to admit. One of the things that still brings a smile to my face was watching her gobble up every last morsel. She would look at Jamie and me and say, “mmmmm this is good.”

Betsy handled much of the business affairs of her husband Andrew. What prepared her for this?

She always had such a powerful business sense. I’m not quite sure where this came from, but she handled Andy’s business affairs with such grace and intelligence. She was quite the inspiration.

Please describe how Betsy furthered the career of Andrew?

My grandmother helped further his career by supporting him in numerous ways. The most important was through her love: she loved him with all of her heart. She would always tell him what she thought of his newest painting – if he needed to simplify something, if the color was too intense, etc. She was also very instrumental in titling many of his paintings.

What was the extent of Betsy’s involvement in titling the paintings of her husband?

She had a huge role in the titles. Take the painting Wind from the Sea. When my grandparents were discussing the piece Betsy said, “It looks like a wind is coming in from the sea.” Andy replied, “That’s it!! Wind from the Sea.” Her vocabulary was most impressive. For example, she would do the New York Times crossword puzzles in ink. This gave her an incredible bank of words to choose from when she helped to title the work.

Her ability to title wasn’t limited to paintings: when I was in graduate school and writing long research papers, I would call her and tell her my paper topic. She would then call me back with a title. For example, I wrote a paper on shell shock in British troops during World War I. She came up with the title “Over the Top.”

Were you able to observe Andrew while he was painting? If you were, did he discuss what he was working on?

Andy HATED having people watch him paint. He felt that having you watch him paint was an invasion. The only times I watched him paint were: (1) outside my window in the summer. He would work on watercolors or drawings outside my parent’s house in Cushing, Maine. He didn’t know I was looking, but I was. I couldn’t help myself. This is when I was a young girl (under 13). (2) When I would accidentally walk into the house when he was working on something. I would apologize and he would smile and say, “Hi darlin’. I’m just finishing up.” (3) When I posed. This was my favorite because we got to discuss everything. I would barrage him with all sorts of questions about his work, his life, his friends, etc. The last time I posed (back in 2005) I was giving lectures at the Brandywine River Museum. It was so cool because I would incorporate what we talked about into my gallery talk that day. 

How sensitive was Andrew to what critics wrote about him?

He couldn’t have cared less what the critics thought.

Which paintings of his do you believe he remained most attached to? 

He was almost always most attached to the painting that he was working on.

To your knowledge, were there times in Andrew’s life when he was without artistic inspiration? If there were, how did he reacquire inspiration?

To the best of my knowledge this never happened. Even when he was in the hospital (for a hip replacement) he drew his hospital room and the view out the window. He was inspired by everything and everyone.

 Of the photos that you took of Andrew Wyeth, is there one that especially evokes cherished memories? Can you share those memories with us?

The one I took of him painting outside my window in Cushing, Maine. He was painting me and we would start working very early in the morning – 6:45 a.m. I overslept one morning and rushed downstairs. As I looked out of the living room window, I found him sitting out there with his watercolor pad on his lap, tissues everywhere (to blot the paper) and his watercolor box by his side. Whenever I get sad and miss him, this is what I think of and it always makes me smile. 

You’ve given many pro bono talks. Which of those talks have been most gratifying to you? Please tell us why.

My favorite talks, pro bono and paid, have been the ones I have done at the state and local prisons. I feel that those who are incarcerated should be exposed to art as much as possible. Since they can’t go to a museum, I bring a museum to them. For example, this past January I lectured on the work of my grandfather to the gentlemen at the Maine State Prison in Maine. I went on January 16th – which is a very special day for me – the anniversary of my grandfather’s death. It was a beautiful snowy day and I packed my car up with a bunch of my uncle’s and grandfather’s watercolors and drawings and headed to the prison. I thought it would be fun to create a pop-up gallery in the prison and even more interesting to bring one of my grandfather’s models with me. It was a very special day for all of us. I will never forget looking at the reactions on the guys faces as they looked at the art.

The Brandywine River Museum of Art is currently closed to the public (as are other museums) because of the COVID-19 crisis. Is there a painting in the Museum’s collection by Andrew Wyeth that, at this moment, you are especially looking forward to seeing when the doors reopen?

I love seeing my grandmother’s portrait – Maga’s Daughter. I’m very excited to go visit her and say hi.

Posted 6-8-20

Interested in reducing stormwater runoff, mitigating water pollution, conserving water, and supporting wildlife and pollinators?

To help nurture more watershed-friendly properties, Penn State Extension will offer Master Watershed Steward Watershed-Friendly Native Plant Kits for sale until July 13.

These kits are designed to help individuals incorporate more native plants into their property. Plants are available for pick up in September from locations in the following counties: Adams, Allegheny, Berks, Chester, Cumberland, Delaware, Erie, Lancaster, Lehigh, Luzerne, Lycoming, Northampton, Philadelphia, Schuylkill, Tioga, Wayne, Westmoreland, Wyoming and York.

This sale is aimed at native plant lovers; anyone interested in straight-species, open-pollinated native plants from their region; sustainable landscaping advocates; and supporters of watershed-friendly practices.

The kits contain plant plugs carefully selected from species grown by Kind Earth Grower using locally collected, open-source pollinated seeds and 50% peat-free growing media. Plant plugs are smaller than what is typically found in nurseries, allowing for easier transportation and planting within existing vegetation. The plugs have healthy root systems that will establish this fall so plants can flourish next growing season.

Kit options are the Sunny Dry Bottoms Kit and the Shady Dry Bottoms Kit for drier-soil areas, the Deer-Resistant Kit, and the Groundcover Kit, which contains low-growing plants that will spread, helping to retain soil moisture and block unwanted seeds from soil contact. Based on feedback, single species kits also are available this year, including native sedges for patches of lawn replacement.

All kit options are available in two kit sizes.

“Bountiful Kits” are $85 and include five species with five individual plants of each species, for a total of 25 plants. The smaller “Container Kits” cost $20 and include five species with one plant of each species, for a total of five plants.

Individuals can choose their kit and select the most convenient pickup location from among the 19 counties across the state. Proceeds will support the Master Watershed Steward program in providing volunteer-driven education and restoration work in that region.

Penn State Extension also offers the opportunity to earn the Master Watershed Steward watershed-friendly certification in collaboration with Nurture Nature Center. Native plants are woven throughout the certification criteria because of the abundant benefits they can provide.

More information about the Watershed-Friendly Native Plant Kit sale is available at https://web.cvent.com/event/56de1a82-10fc-4007-8436-6a40ebb838a9/summary.

Post expires at 8:57pm on Saturday July 12th, 2025

Brandywine Native Garden Hub, a new online resource designed to inspire gardeners of all levels and skillsets. Photo by Mark Gormel

The Brandywine Conservancy is thrilled to announce the launch of the Brandywine Native Garden Hub, a new online resource designed to inspire gardeners of all levels and skillsets. The Brandywine Native Garden Hub is a free, user-friendly website that serves as both an educational guide and an interactive database for anyone interested in incorporating native plants into their landscapes. Naturally occurring in a specific region without human intervention, native plants have adapted to the climate and soil over time, making them easier to grow and maintain, plus they directly benefit pollinators, wildlife, and the local ecology. With the Brandywine Native Garden Hub, users can search for and learn more about native plants specific to Pennsylvania and northern Delaware, save their favorites to personalized “Garden Boards,” and browse through a suite of educational resources to help enhance their gardening success.

Now available at www.NativeGardenHub.org, the Brandywine Native Garden Hub contains information on more than 250 native plant species found in our region. Each plant profile contains everything you need to know about the plant—from growing conditions to key attributes and wildlife benefits—along with photos that show different growth stages. Users can also personalize their searches by filtering for plants according to their garden’s specific growing conditions, including sunlight exposure, soil type, and soil moisture. Plants can even be sorted by the user’s preferred attributes and benefits, including plant type, height/width, peak bloom time, bloom color, deer resistance, fragrance, and more.

To help visualize and plan their dream gardens, users can create a free account to build personalized “Garden Boards” that are customized to their unique growing spaces. Boards can be curated for the spaces users currently have, the type of gardens they are looking to start—such as a container garden for smaller spaces or one designed to attract specific pollinators—or even boards for future garden inspiration. Once users set up their boards, they can “pin” their favorite plants while browsing to save them for building out their garden plans. Users can also add, edit, and create as many Garden Boards as they’d like, which can be referenced at any time on both desktop and mobile devices.

To equip users with even more tools for success during their gardening journeys, the Brandywine Native Garden Hub also features a wealth of educational resources. Users can dive into the beginners guide for getting started with native plants or browse through other articles, including topics on how to prep a container garden, tackling invasive species, and seasonal gardening tips. Additional articles will be published throughout the year for continued learning.

For more than five decades, the Brandywine Conservancy has been a trusted leader in growing and promoting the use, preservation, and appreciation of native plants. The Brandywine Native Garden Hub is the latest extension of this work, providing a digital platform to help gardeners bring the benefits of native plants to their own landscapes. To start your journey with native plants, visit www.NativeGardenHub.org.

There will be spring days ‘so perfect’

By Steven Brodsky

… as perfect as the day that’s featured in the poem “Today,” by Billy Collins:

https://www.poetryfoundation.org/poetrymagazine/poems/40824/today-56d21ebdad746

Such days foster expansiveness under a “larger dome of blue and white.”

Photo by Steven Brodsky

Those days will be perfect enough to possibly help to alleviate or eliminate impingements on one’s writing flow that may have set in over the winter.

Posted 3-31-25

Things that bug us

By Steven Brodsky     

Photo by Steven Brodsky

Writers usually find it easier to shoo away or crush flies at spring, summer, and autumn picnics than to decide if they should write about some pesky (and personally troublesome) subjects.

If you’ll be attending picnics, enjoy them!

Nice (and easier) writing can arise from those picnics, whether or not flies and other external pests will be present.

Posted 3-28-24

The road I chose today

By Steven Brodsky

Photo by Steven Brodsky

… a road not made of asphalt, enables me to commemorate Robert Frost’s birthday, which arrives in two days, by sharing this link: https://poets.org/robert-frosts-road-not-taken.

Robert Frost was born on March 26, 1874.

I’m appreciative that Robert Frost chose a road that facilitated his penning “The Road Not Taken.”

Posted 3-24-25

The last vestige of light is present on these woods

By Steven Brodsky

… at the start of this snowy evening.

Photo by Steven Brodsky

Though I would like to linger at these woods, it wouldn’t be expedient: there are “promises to keep” and “miles to go before I sleep.”

The words between quotation marks in the above paragraph are those of the speaker in this poem by Robert Frost: https://www.poetryfoundation.org/poems/42891/stopping-by-woods-on-a-snowy-evening.

I have to move on from these woods and this post.

Thanks for stopping by.

Posted 2-12-25

A biblical admonition for writers and/or bookworms

By Steven Brodsky

Writers and/or bookworms (many writers are bookworms) may find  Ecclesiastes 12:12 to be a catalyst to offset effects of excessive sedentary time with healthful activities.

Ecclesiastes 12:12: “And further, by these, my son, be admonished: of making many books there is no end; and much study is a weariness of the flesh.”

Be well!

Posted 2-10-25

A winged writing prompt

By Steven Brodsky

… prompted by Emily Dickinson’s “Fame is a bee” (linked below):

Photo by Steven Brodsky

www.poetryfoundation.org/poems/52139/fame-is-a-bee-1788

No telling when this prompt will take wing and disappear from this page.

Emily Dickinson did not experience the sting of fame; she was not famous during her lifetime.

Posted 5-4-24

In commemoration of the birthday of Robert Frost (March 26, 1874 – January 29, 1963)

By Steven Brodsky

… Let’s enjoy Robert Frost’s “Birches”:

“Birches” by Robert Frost (read by Tom O’Bedlam) (youtube.com)

https://www.poetryfoundation.org/poems/44260/birches

“Birches,” a song by Bill Morrissey, had been referenced in the main section of this column. I believe that Bill Morrissey probably titled the song as a nod to the same-named Robert Frost poem. Bill Morrissey spoke of the impact of Robert Frost’s poetry in an interview: “And then, as I got older, people like Robert Frost really hit me.” Bill Morrissey’s “Birches”: https://www.youtube.com/watch?v=Y5n5ceAv_Bc&ab_channel=BillMorrissey-Topic. I never had an opportunity to interview Bill Morrissey.

Posted 3-26-24

Longing to be ‘lost’ in a romantic interest

By Steven Brodsky

… the condition of the speaker of “I Am Not Yours,” a poem by Sara Teasdale (1884 – 1933): https://poets.org/poem/i-am-not-yours.

The first-person character of Paul Simon’s “50 Ways To Leave Your Lover” does not have that condition:

48 years ago, on February 7, 1976, “50 Ways To Leave Your Lover” reached the top of the Billboard Hot 100 chart for the first of three weeks.

The poem and song are referenced here in advance of Valentine’s Day.

Posted 2-7-24

‘The work of a writer, his continuing work, depends for breath of life on a certain privacy of heart.’

By Steven Brodsky

… Yes. For the purpose of maintaining “a certain privacy of heart,” will leave it at that; no flippancy is intended.

The quotation is that of Tennessee Williams. It appears in New Selected Essays: Where I Live.

It’s presented here in commemoration of the birthday of Tennessee Williams this coming Sunday. He was born on March 26, 1911.

Posted 3-24-23

One can only imagine

By Steven Brodsky

… how great Hubert Selby Jr.’s novel Seeds of Pain, Seeds of Love (the working title) would be if the novel had been completed.

Revisiting this reading by Selby of a few pages from the incomplete manuscript of the novel because the pages and the reading are powerful and not everyone here now watched the reading when a link to it was originally posted, and because the writing exemplifies what can be achieved by someone who never completed formal education beyond the eighth grade and who had some huge personal challenges, and because I hope that the reading will inspire writing by some of you, but be aware that the reading contains a depiction of violence upon a juvenile by a parent and adult language: https://www.youtube.com/watch?v=Q0wAJ8AFRmQ.

An outstanding documentary about Hubert Selby Jr.: https://www.youtube.com/watch?v=cvDJNEcUxfs.

This posting is dedicated to the memory of Dan Fante (February 19, 1944 – November 23, 2015).

Dan Fante was encouraged to write by Hubert Selby Jr.

Have you read Dan Fante’s memoir? It’s titled Fante: A Family’s Legacy of Writing, Drinking and Surviving.

Posted 12-5-22

Seamus Heaney’s father and grandfather used a spade. Seamus Heaney, a squat pen.

By Steven Brodsky

… digging tools.

Nobel Prize-winning poet Seamus Heaney at Villanova University in April 2010 reading “Digging”: https://www.youtube.com/watch?v=KNRkPU1LSUg.

The text of “Digging”: https://www.poetryfoundation.org/poems/47555/digging.

Seamus Heaney was born in Northern Ireland on April 13, 1939. He passed away on August 30, 2013.

Posted 2-2-22

Great color choice for the wheelbarrow in a 16-word poem by William Carlos Williams

By Steven Brodsky

… W.C. Williams chose red—an excitatory and perfect color for the wheelbarrow in the poem “The Red Wheelbarrow.”

Had he chosen any other color, the poem’s effectiveness would be greatly diminished.

Read or recite the poem from memory with a different color for the wheelbarrow and check this out for yourself.

https://www.youtube.com/watch?v=NqIl3oX_44s&ab_channel=awetblackbough

https://www.poetryfoundation.org/poems/45502/the-red-wheelbarrow

Posted 8-19-21