‘The Exes’ at Old Academy Players

As part of its 2024-2025 Season, the Old Academy Players is proud to present the Philadelphia Premiere of The Exes, a comedy by Lenore Skomal.  The Old Academy Players’ 544th production will run Jan. 10-26, 2025; with Friday and Saturday performances at 8 pm and two Sunday matinees, Jan. 19 and 26 at 2 pm.

The Exes was developed in New York City and welcomed its world premiere at Theatre Row Theatres, Aug. 7 – Oct. 5, 2019.

I believe laughter it is the single, most powerful unifying expression, second only to unconditional love.  We need more plays that allow us to laugh, be silly, and make fun of ourselves and just let our hair down.  I wrote this play as my homage to two playwriting giants who understood this: Neil Simon and Noel Coward – with a nod to Mel Brooks and George Carlin.  I worked diligently to create an intelligent, tightly written, fast-paced comedy with a heart – honoring conventional playwriting structure, comedic timing and funny as well as irreverent devices so that my audiences – your audiences – can laugh. – Lenore M. Skomal

In this hilariously relatable play, self-made billionaire Richard and his best friend Dick were both married to the same woman: strong willed Mavis. When she drops in uninvited on Christmas Eve — the day of Richard’s daughter’s wedding — all hell breaks loose. This bromantic comedy of love and breakups is irreverent, ridiculous and tender, reminding audiences why marriage and divorce make for strange bedfellows.

The cast includes: Emmie Ledesma as Victoria Killingworth, Eric Tuller as Garrett Wright, Ginny Kaufmann as Mavis Killingworth, Jay Steinberg as Prim, Mike Boorse as Richard Killingworth, Norman Burnosky III as Marcel Nistlerood, and Stephen Negro as Dick Wright.

Norman Burnosky directs this Philadelphia Premiere.

About the Playwright

Lenore is an award-winning writer with three decades of professional experience, ranging from broadcast to print. The author of 17 books, including three multiple award-winning bestsellers, she’s also the founder of Lenore M. Skomal Productions, LLC, which produces The Exes and New York City’s Broadway Bound Theatre Festival. A proud member of the Dramatists Guild, Commercial Theatre Institute, Theater Resources Unlimited, Off Broadway Alliance, Theater Communications Group, the National Newspaper Columnists Association, Society of Professional Journalists (SPJ), and the American Society of Journalists and Authors (ASJA), Lenore is dedicated to empowering other artists.

 

If You Go

Ticket prices are: $25 per adult; $15 for Students under 25 with valid ID; group rate (15 or more) $21 each. Tickets can be purchased online at www.OldAcademyPlayers.org. Reservations and more information can be obtained by calling the Box Office at 215-843-1109.

Old Academy Players is located at 3544 Indian Queen Lane, Philadelphia, PA 19129.  Parking for all performances is free.

About The Old Academy Players

The Old Academy Players has provided continuous community theater entertainment since 1923 and is a non-profit community theater in East Falls neighborhood of Philadelphia. Constructed in 1819, the Old Academy building has been the OAP home since 1932. Old Academy Players is a member of the Greater Philadelphia Cultural Alliance.  Most notable alumni include Tony Award-nominated actor Robert Prosky and Hollywood icon, Grace Kelly.  Support is provided by the “Philadelphia Cultural Fund”.

InterAct Theatre Company presents the World premiere of ‘Quixotic Professor Qiu’

QUIXOTIC PROFESSOR QIU

by Damon Chua

Inspired by real-life cases of Chinese American scientists being targeted for allegedly carrying out economic espionage, this satirical play follows a fictitious math professor, who finds himself scrutinized by the FBI and his own university colleagues, while simultaneously navigating a delicate relationship with a childhood friend in China. As the screws tighten around the unwitting Professor Qiu, he is forced to choose between his birth country and adopted land, between loyalty and self-preservation.

If You Go:

Performances Jan. 31-Feb. 23 at The Proscenium Theatre at The Drake.  For tickets and showtimes, visit AudienceView Professional

Opera Philadelphia returns to the Academy of Music Jan. 31-Feb. 2

Opera Philadelphia returns to the historic Academy of Music in January with the company premiere of The Anonymous Lover, a 1780 opera by Joseph Bologne, Chevalier de Saint-Georges (1745-1799), who is widely regarded as the first Black classical composer known to history.

Opera Philadelphia returns to the historic Academy of Music in January with the company premiere of “The Anonymous Lover.”

Born in 1745 in the French Caribbean colony of Guadeloupe, Bologne was the son of Anne Nanon, a Black enslaved woman, and George de Bologne de Saint Georges, the French nobleman who owned her. Educated in France, Bologne found his talents in fencing, riding, and above all, music. During the pre-revolutionary period in France, he was considered one of the most important composers of his time — even performing for and teaching the Queen of France herself, Marie Antionette. His life was the subject of the 2023 feature film, Chevalier.

Bologne’s only surviving opera, The Anonymous Lover, is a romantic comedy ahead of its time. When a young widow named Léontine begins to receive a series of passionate letters from a secret admirer, she wrestles with whether she can love again, especially when it becomes apparent her friend Valcour may be the un-signed author. Will love win?

This company premiere stars soprano Symone Harcum in her Opera Philadelphia debut as Léontine, a role she performed to audience and critical acclaim with Minnesota Opera in 2022. She is joined by tenor Travon D. Walker in his company debut as Valcour. Rounding out the comedic cast are baritone Johnathan McCullough, acclaimed director and star of Opera Philadelphia’s 2021 film of David T. Little’s Soldier Songs, as Ophémon; soprano Ashley Marie Robillard as Jeanette; tenor Joshua Blue (2023’s La bohème) as Colin; and mezzo-soprano Sun-Ly Pierce (2022’s Otello) as Dorothée.

Co-produced by Boston Lyric Opera, the production includes a new adaptation by Obie Award-winning Boston playwright Kirsten Greenidge that mixes new English dialogue with the original French singing in a joyful performance told in two acts over 90 minutes with no intermission.

If You Go:

  • The Anonymous Lover
    Music by Joseph Bologne, Chevalier de Saint-Georges
    Libretto by François-Georges Fouques Deshayes, Desfontaines, based on the play L’Amant Anonyme by Stéphanie Félicité, Madame de Genlis, adapted by Kirsten Greenidge
    Company Premiere Jan. 31 & Feb. 2, 2025 at the Academy of Music
    Performed in French with English dialogue and supertitles
    Runtime is approximately 90 minutes with no intermission

Limited tickets remain available for $11, or a higher price of your choosing as part of the company’s Pick Your Price ticket program, for two performances, on Friday, Jan. 31, at 8 p.m. and Sunday, Feb. 2, at 2 p.m.

Solve the mystery of ‘Slay and the City’

Everyone’s favorite gal pals from Manhattan are getting together for drinks (cosmos, obviously) and to talk about, what else, sex. And the city. But when the ladies discover that they have one particular gentleman in common, things take a very dark and hilarious turn. It will be up to you to solve “Slay and the City” in this original immersive experience presented by Without a Cue Production, written by Traci Connaughton and held at Red Rum Theater (601 Walnut Street) from Jan. 11 to Feb. 24.

Manhattan’s favorite gal pals are ready to spill the tea – and all the tell-all clues. Come ready to be part of the action as you try to solve the mystery. The action will happen all around you – so listen closely in between the steamy gossip and the clinking of those cosmo glasses as you try to figure out whodunit to win a prize. There will be a chance to interact with the audience, make new gal pals and even take your own mugshot.

Theme drinks by Pops McCann – including signature cosmos, flirtinis and more – are part of the cash bar available during each performance. Come dressed as your favorite gal pal for extra bonus clues and surprises.

If You Go:

  • Slay and the City: A Killer Cosmo
    by Without a Cue Productions
    at Red Rum Theater, 601 Walnut Street, Philadelphia
  • Jan. 11 – Feb. 24, 2025
  • Jan. 11-12 Preview
  • Jan. 18 Opening Night
    Saturday shows at 5 pm and 8 pm
    Sunday shows at 3 pm
    Doors open 30 minutes ahead
    Tickets $35 plus tax and box office fee; VIP $75 (includes complimentary cocktail, packet of clues and gift.)
    Run time: Two hours

‘Boleros for the Disenchanted’ at Players Club of Swarthmore.

 

When Flora’s fiancé breaks her heart, she vows never to fall for an unfaithful man again. Then she meets Eusebio, who sweeps her off her feet and off to America. José Rivera’s hilarious play has a witty twist in every scene, but deepens to a moving conclusion.

Top Left: Damarilis Phillips and Carlos Jiga, Bottom Right: Desiree Lara and Randino in “Boleros for the Disenchanted” at PCS.

At the heart of Boleros for the Disenchanted lies a bittersweet yet ultimately uplifting exploration of love, resilience, and the passage of time. It’s a story that reflects the everyday reality of marriage — the quiet struggles, the sacrifices, and the moments of grace — all framed within the larger cycle of generations.

Marriage, like the generational cycle, is a balance of holding on and letting go, of keeping certain traditions while daring to evolve. We see the characters wrestle with the undignified struggles that come with time, but also the unshakable belief that love, in all its imperfections, is worth holding on to.

Each new generation carries the lessons of the past while adding their own mark to the world, just as couples must learn to evolve together, sometimes slowly, sometimes painfully, but always striving forward. Life and love evolve, step by step, with moments of sorrow balanced by unexpected joy. And in this dance, even in the face of challenges, we find something deeply uplifting: the courage to keep loving, to keep trying, and to keep moving forward, together. – Director Natalie Payán

  • Desiree Lara as Doña Milla (A1) & Flora (A2)

  • Randino as Don Fermín (A1) & Eusebio (A2)

  • Dee Phillips as Flora (A1) & Eve (A2) (PCS Debut)

  • Luis Aguilar as Manuelo (A1) & Priest (A2) (PCS Debut)

  • Jalina Wayser as Petra (A1) & Monica (A2) (PCS Debut)

  • Carlos Jiga as Eusebio (A1) & Oskar (A2)

Performance Information

Directed by: Natalie Payán
Performances Jan 10-25
Run time 2 hours and 30 minutes on the Second Stage (accessible by stairs only)
For mature audiences
  • Dates: Jan. 10-25, 2025

  • Time: 7:30 PM (all performances)

  • Location: Raymond W. Smith Second Stage, Players Club of Swarthmore, 614 Fairview Rd, Swarthmore, PA 19081

Tickets

Seating is limited, so early booking is encouraged! Tickets are available at pcstheater.org.

PCS Theater, 614 Fairview Rd, Swarthmore, PA 19081
Box Office: 610-328-4271 | Email: tickets@pcstheater.org

To reserve your seats, visit www.pcstheater.org or contact the box office at 610-328-4271.

Walnut Street’s New Year Begins with ‘Driving Miss Daisy’

Walnut Street Theatre (WST) is proud to present the heartwarming and thought-provoking classic story “Driving Miss Daisy” as part of their 216th season. The show begins previews on Jan. 7, opens Jan. 15, and runs through Feb. 2.

Walnut Street Theatre’s “Driving Miss Daisy” features Johnnie Hobbs Jr and Wendy Scharfman. Photo by Ashley Smith, Wide Eyed Studios.

Winner of the Pulitzer Prize, “Driving Miss Daisy” is about the transformative power of friendship. Miss Daisy is an elderly Jewish widow who is struggling to come to terms with her diminishing independence. After a car crash, her son convinces her to take on a chauffeur and hires an African American driver named Hoke. Set in Atlanta from the late 1940s to early 1970s, the relationship between Miss Daisy and Hoke changes from one of employer and employee to a deep friendship, as they encounter issues of growing old, race and class in an America fighting for equal civil rights.
Written by Alfred Uhry, the show won the 1988 Pulitzer Prize for Drama and was the first in Uhry’s Atlanta Trilogy. It premiered off-Broadway in 1987 and was later staged on Broadway in 2010. The play inspired a screen adaptation starring Jessica Tandy and Morgan Freeman, which went on to win the Academy Award for Best Picture.
Directing this production is Walnut Street Theatre Producing Artistic Director Bernard Havard. He has spent his life in theatre as an actor, stage manager, director, managing director and producer. Under his leadership, the Walnut became a not-for-profit, self-producing theatre, and has gained international recognition as one of America’s premier regional theatres.
The show also features an outstanding cast of Walnut favorites. Wendy Scharfman portrays the titular Miss Daisy, a fiercely independent and sharp-witted Jewish widow grappling with aging and her own prejudices. Johnnie Hobbs Jr. takes on the role of Hoke, a patient and wise African American chauffeur who brings warmth and resilience to his evolving friendship with Miss Daisy. Rounding out this talented cast is Scott Greer s Boolie, Daisy’s pragmatic and good-hearted son, who juggles his mother’s stubbornness with his desire to do what’s best for her and often serving as the bridge between Daisy and Hoke.
If You Go:
Previews begin Jan. 7, 2025 and the show runs through Feb. 2, 2025.
Open captioning will be available for the Sunday, Jan. 19, 7 pm performance.
For tickets and information, visit WalnutStreetTheatre.org or Ticketmaster.com or call 215-574-3550.

Creative Stage Collective Presents Musical Sketch Comedy Revue

Creative Stage Collective presents the Creative Stage Spectacular 2025: A Hilarious Musical Sketch Comedy Revue on Saturday, Feb. 8, 2025 at 7:30pm at Peter Jay Sharp Theatre at Symphony Space, 2537 Broadway, New York.

Creative Stage Collective presents the Creative Stage Spectacular 2025: A Hilarious Musical Sketch Comedy Revue on Saturday, Feb. 8, 2025 at 7:30pm at Peter Jay Sharp Theatre at Symphony Space, 2537 Broadway, New York.

The Creative Stage Spectacular is an evening of imagination, laughter, and music! The performance features actors from Netflix series, network TV, and feature film; professional dancers; jazz musicians; and international opera stars – all performing alongside the multigenerational Creative Stage Collective troupe. Imaginative comic sketches, and parody songs inspired by music from composers, ranging from Mozart to Stevie Wonder make this unique performance a delight for audiences of all ages! The revue is created entirely by members of Creative Stage Collective, based on ideas from the Collective’s youth artists. Expected run time is 90 minutes.

Symphony Space is a multi-disciplinary performing arts center where bold programming, presented in a uniquely warm and welcoming environment, forges indelible relationships between artists and audiences.

Tickets are $27-$75 and are available from the Symphony Space Box Office, by phone at (212) 864-5400, and online at www.symphonyspace.org/events/vp-creative-stage-spectacular-2025.

Arden Extends ‘Peter Pan’ To Feb. 1

Arden Children’s Theatre wildly imaginative adaptation of the timeless classic Peter Pan now runs through Feb. 1. Directed by Obie and Barrymore Award winner Whit MacLaughlin, Douglas Irvine’s imaginative adaptation of J.M. Barrie’s Peter Pan brings the timeless story to life in a vibrant production for audiences ages six and up.

With captivating staging and dynamic performances, the production invites young audiences to journey to Neverland, where they’ll encounter beloved and notorious characters, including Wendy Darling, Tinker Bell, and Captain Hook. Peter Pan unfolds on the Arden’s 360-person F. Otto Haas Stage (40 N. 2nd Street, Philadelphia, PA) with previews beginning Nov. 27, opening night Dec. 7, with performances through Jan. 19. 

A longtime collaborator with the Arden, MacLaughlin has directed more than 20 productions, including world-class Arden Children’s Theatre’s Charlotte’s Web, A Year with Frog and Toad, and last season’s The BFG (Big Friendly Giant), which was nominated for six Barrymore Awards including Outstanding Overall Production of a Play. MacLaughlin recently directed Charlotte’s Web overseas with the National Theatre of Turkey for audiences in cities, including Ankara, Istanbul, and Izmir. 

Peter Pan features six Philadelphia-based actors: Jo Vito Ramirez (they/them), Campbell O’Hare (she/her), Lee Minora (she/her), Jessica Money (she/her), Adam Howard (he/him), and J. Hernandez (he/him), the cast combines to play more than a dozen characters throughout the two-hour production. 

Set against a cityscape backdrop, the adaptation of Peter Pan immerses audiences in a dreamlike world where the classic tale of adventure and wonder unfolds with modern touches and dynamic visual storytelling. The reimagined production opens with Wendy (Campbell O’Hare), now grown up and sharing her memories of meeting Peter Pan with her daughter, Jane (Jessica Money). As Wendy begins the tale, she takes the audience back to her childhood, reliving the moment she and her brother Michael  (Adam Howard) left their London nursery to embark on an adventure with Peter Pan. Together, they soar to the fantastical island of Neverland, where pirates, fairies, and adventure await. 

If You Go: 

Peter Pan runs through Feb. 1. Single ticket prices vary by performance and start at $35. Tickets are available online at ardentheatre.org, by phone at 215.922.1122, or at the box office at Arden Theatre Company (40 N. 2nd  Street).

 

Update on Long-time Hedgerow Actress Susan Wefel

 

Susan will be teaching an Acting Fundamentals for Adults class in January 2025. This class will follow the Hedgerow Theatre training of “humility, industry and an aptitude for learning.” This class offers collaboration, confidence building, improvisation, and some scene study for a showcase of scenes of classics by various playwriters: Neil Simon, A.R. Gurney, David Ives, and Thornton Wilder. Click on the link for details.

There are no new updates on Susan Wefel’s possible eviction from Hedgerow House. Susan was recently seen on stage in “The Homecoming” at Colonial Playhouse in December 2024.

In the fall, an article was published in the Philadelphia area about the situation with Susan Wefel and Hedgerow Theatre. It’s available at this link:

Home No More: Hedgerow’s last company member must leave Hedgerow House – phindie

On Oct. 9, Susan, with a lot of support from generations of Hedgerow theatre alumni and friends, attended a court-ordered eviction hearing. The judge ruled that, because there was no lease agreement, the case was brought to the wrong court. So, for now, Susan remains in residence at Hedgerow House.

Also on this page, you’ll find the previous Delco Culture Vultures features that the Phindie article references. Lastly, if you want to help Susan, at the very bottom of this page, you’ll find the link to the Go Fund Me for Susan which is still active.

Opinion: The Art of Kindness

By Betty Lou Roselle

I was first introduced to Hedgerow Theatre in the 80s. I had just gone through a divorce, and I would use my sense of humor to help get through it. A shy sweet girl named Kathy said, “Betty Lou, you should look into classes at Hedgerow,” where she was currently studying. It was just minutes from my home and the rest is history.

Susan Wefel and Carl Smith in ‘Corpse.’

It was wonderful back in those days. You had a core of resident actors who lived in the house at the top of Rose Valley Road. They were involved in all aspects of theater, building sets, making costumes, learning lighting, etc. Those of us who were novice actors just taking classes could look to them for examples of where we would hopefully be some day. One of those residents is Susan Wefel. She has a wonderful vulnerability that serves her chosen career well and makes her liked by all who know her.

She teases that I was the salt (blond) and she was the pepper (brunette). Janet Kelsey, my favorite teacher and mentor seemed to take turns casting us. As the years went by, I continued acting as my hobby but was lucky enough to enjoy creating ads for the newspaper which is how I make my living.

The resident members came and went but Susie remained. A lovely writer I worked with named John Dubois would ask me to set up interviews with Wefel whenever he was doing a piece about the theatre. He told me, “She knows everything about that theater.”

Susan Wefel as Grandma in “The Addams Family.” Musical” at the Media Theatre in 2014.

Unfortunately, about three years ago Susie was told that she would have to leave in 2024. I am not criticizing the theatre. I still write reviews of shows in the area and can see how hard it is for theatres to stay afloat. Plus being in the publishing business, I have seen many friends let go from their jobs. I thank God for my bosses, owners of the Delaware County Magazine and Main Line Chronicles, they work hard to keep us going.

But what I would love to see especially from a company that is part of the Arts, is the art of kindness. Show Susan the respect she deserves. Members of the Board may not realize that she followed her teacher from Boston University to this little theatre right out of college. This has been her home all those years and she has stuck by the theatre in good times and bad.

 

 

“Who’s Afraid of Virginia Woolf” at Hedgerow Theatre, 1992, with (l-r) John Barrett, Aetna Gallagher, Ken Opdenaker and Susan Wefel as Martha.  

To all the patrons who loved seeing her on the boards, stop in to see Susan at the Hedgerow House, 146 Rose Valley Road, Wallingford, PA 19086 or send a card to tell her much you enjoyed her work over the years. And to those of us who had the honor of working with her, drop by to give her a hug and let her know how appreciated she is.

 

Readers share their thoughts about Susan Wefel’s dismissal from Hedgerow Theatre along with memories of seeing her perform.

The New York Landmarks Conservancy has an annual fundraising gala where they honor “Living Landmarks.” If Philadelphia had such a thing, Susan Wefel would certainly be high on the list as a “Living Landmark.” She has been the heart and soul of Hedgerow for 40 years and to hurl her to the wolves is outrageous. The theatre community has a long tradition of taking care of its own. The great Edwin Forrest recognized this and left his own home in Philadelphia for just such a purpose so that retired actors might have a safe and comfortable place to be. Hedgerow has a public relations gold mine with Susan (she’s the queen of “outreach” for them) … and a tremendous void without her. They need to rethink their optics.
– David Nelson Wren
Susan Wefel as the title character in "Shirley Valentine" at Hedgerow Theatre. Photo by Rick Prieur

Susan Wefel in the one woman show “Shirley Valentine.” Photo by Rick Prieur

Susan Wefel is amazing! I have lost count of the terrific performances we’ve seen with her as the shining star. When we moved to PA just after 9-11, we soon found our way to Hedgerow. For us, Susan Wefel IS Hedgerow. I can’t imagine a finer teacher, performer, or coach for those interested in trying out new adventures. Susan is a gem of an actress, but infinitely more: the heart and soul of what good community theatre is supposed to be.
-Pam Poe

I am utterly disgusted about what Hedgerow is doing to Susan after she gave her all to this theater for literally decades! It needs to be pointed out that she didn’t decide to leave on her own for other ventures, she is literally being banned from performing there ever again. They took her keys to the theater as another slap in the face. And to top it off she is being evicted from the only home she has known since graduating college! How is this allowed to happen to someone who gave her all and only wanted to do what she loved for the rest of her life at her home – Hedgerow.

– Cory Solar

 

“I’ve seen Susie countless times on stage in Hedgerow productions, the first time being when she played the title role in their kids’ theatre production of ‘Puss ‘n’ Boots’, in which my wife, Gwen, also appeared. Gwen and I started dating on that same day, so, oddly enough, I’ve known Susie exactly as long as I’ve been in a relationship with Gwen (36 years and counting!). The first time I auditioned at Hedgerow, shortly after that, I read opposite Susie in a scene from Terence Rattigan’s “The Deep Blue Sea”. I could tell right away that she was a great scene partner, but the theater opted to do Rattigan’s “The Winslow Boy” instead, so unfortunately I never got to play opposite her Hester. It wasn’t until years later that I had any appreciable stage time opposite her, when she and I played Cookie and Ernie in ‘Rumors’. She was marvelous in the role, of course, but my strongest memory of her performance—other than her line about cooking for her dogs—is of her delivery of a pretty innocuous line: ‘Okay.’ She managed to draw the word out so that it more closely resembled ‘Ohhhkaaaay.” People in the cast started to imitate her doing the line, and in turn she started to do an imitation of their imitations, and by the end of the run it had turned into something like “Ohhhhhhhhkaaaaaay!!!” That was twenty-five years ago, and I’ve regretted that I haven’t had the opportunity to do a scene with her since then…but hope springs eternal.”
-John Barker

I met Susie when I first became a resident at Hedgerow many years ago. She was (and is) a gifted and versatile actress; going from kid’s theater troll queens to tennis playing ingenues on any given day.  I particularly loved watching her in the “Out out Damned Spot” scene of the Scottish play.  Aside from being a gifted actress that I learned so much from, she guided so much of resident life, creating the weekly schedule for cleaning, rehearsals and meals, doing the shopping and driving the van that took us on children’s theater tours.  She quite literally kept chaos at bay in the house.  She was the backbone of the resident company.   Susie, Janet Kelsey and Moira Rankin are the only reason Hedgerow survived the fire.

-Gwen Armstrong Barker

An arson fire destroyed the interior of Hedgerow Theatre in 1985. Susan Wefel was one of the company members that helped the theater survive and open its doors again in 1991.

I had the pleasure of seeing Susan Wefel perform in several of the plays I wrote which were performed at Hedgerow Theatre. It was so much fun to see her bring to life many of the characters I wrote: Grandmother /The Lady of Summer in The Snow Queen; aristocrats and common folk in The Scarlet Pimpernel and many characters in Tales From Poe. I was also the stage manager for many shows that she was cast in – she was always a true professional, performing just for the love of it and doing whatever was needed to keep her beloved Hedgerow Theatre afloat.

-Margie Royal

My first memories of Susie were meeting her offstage during AS YOU LIKE IT while I was assistant stage Manager backstage and I remember how welcoming she was, explaining a bit about Hedgerow Theatre.  Shortly after Susan appeared in ‘THE SCARLET PIMPERNEL while I was doing wigs for a few of the cast.  She was really wonderful. in that and we got to know each other a bit more.

Susan Wefel (front right) in the opening scene of “The Scarlet Pimpernel” at Hedgerow Theatre, 1995.

Next, I was cast in TALES FROM POE.  We had some really good laughs during that time while rehearsing. And I will never forget Arasapha Farms Night. A group of us set out on Halloween Weekend to enjoy all the “scares” of the night at the Farm. Next thing I knew I was leading a Conga line at the entrance of the Haunted House with a CERTAIN PARTY wrapped around my neck and holding on for dear life. I kept saying “Susan, I can’t see with your hands in front of my face!”  Everyone was laughing and we had a really FUN night.  😅😅😅😂 GOOD MEMORIES and such a MAGICAL time at Hedgerow Theatre – always in my ♥️!
I always felt that Susie had an easy manner and poise while on stage or making announcements to the audience. (especially when I became “THE VAMPIRESS” on Halloween Weekends each year.
Susie is a NATURAL in Theatre!
– Marilyn Brown

“This was a wonderful story. She seems like an amazing person!” – K.P

 

“So here I was thirty years old in therapy trying to figure out why I didn’t feel good about anything in my life. I found Hedgerow theater. I was with a friend and asked if he wanted to take classes with me and he didn’t show up – but I did. And then my life began…

Hedgerow was everything to me and one of the main reasons that it worked was Susie. She showed me a lot pretty much everything I know and she was just always there for me just like this wonderful theater that she supported. I spent many a Christmas with her family at the Hedgerow house because that was her home. She didn’t get to go anywhere else for Christmas because she was in “A Christmas Carol”.

She was Shirley Valentine… she was/is the show at Hedgerow… all the time…every time…

I love you Susie and I am so sorry that your legacy is being treated like it meant nothing And shame on you Hedgerow….I don’t know what happened, but you used to be a place of magic and ghosts….and firepits and fresh talent bright eyed coming together…

I hope the big business turn you took is worth it.”

-Jess Bye Stinson

“Whether you have performed alongside her, taken one of her adult classes, or grown up in one of the countless camps and children’s shows she’s been associated with, it is impossible to cross paths with Susan Wefel without leaving the interaction a fuller person than you were before.”

-Robert Gene Pellechio

Want to help Susan?

Ari Baker and Sammy Hurley have started a GoFundMe page for Susan Wefel. It’s available at this link.