For those who want to write autobiographically about being redeemed and transformed by the Lord, and for all other readers of this column

By Steven Brodsky

… I’m sharing this video embed:

May Big Daddy Weave’s song “My Story” be a blessing to you.

I came across an interesting article a few minutes ago. You’ll find that article at: How do I share my Christian testimony? | GotQuestions.org.

Posted 6-26-26

Downstream in time 

By Steven Brodsky

… by more than one hundred years, are we from when Paul Laurence Dunbar penned his poem “By the Stream.”

In commemoration of Paul Laurence Dunbar’s upcoming birthday this Saturday, June 27th, let’s immerse ourselves in that eight-line poem: By the Stream by Paul Laurence Dunbar – Poems | Academy of American Poets.

Paul Laurence Dunbar was born in 1872.

Perhaps Dunbar’s “By the Stream” was inspired by a stream such as this one:

Streams flow, as does writing at times. Thankfully!

About Paul Laurence Dunbar: https://poets.org/poet/paul-laurence-dunbar.

Posted 6-24-26

‘A better tear’

By Steven Brodsky

… was shed by Guy Clark.

That tear paid tribute to Guy Clark’s father, as does Guy Clark’s autobiographical song “The Randall Knife”:

Father’s Day 2026 and “The Randall Knife” can inspire father-themed writing by readers of the Entertainment, Culture and More column. Father’s Day will arrive on June 21st.

Posted 6-16-26

Whether or not to cast literary pearls before swine

By Steven Brodsky

… Writers grapple with this issue.

Swine can be as cute (or cuter) than the piglets pictured above; often they aren’t.

Casting of “pearls before swine,” in a different context, is addressed in Matthew 7:6.

Posted 6-10-26

The light of June 2026

By Steven Brodsky

… will be a “great gift” for some writers!

June Light by Richard Wilbur – Poems | Academy of American Poets

Posted 6-1-26

Fame is the theme

By Steven Brodsky

… of the linked poem and the embedded song:

Fame is a bee. (1788) | The Poetry Foundation

Of course, the matter of fame is significant in the lives of creative artists and most others.

Posted 5-5-26

A less traveled road

By Steven Brodsky

… can make “all the difference,” as can this well-known poem by Robert Frost: The Road Not Taken | The Poetry Foundation.

Sharing that observation in commemoration of Robert Frost’s upcoming birthday.

Robert Frost was born on March 26, 1874.

Robert Frost’s poetry has made a significant difference in the lives of many readers; some of them have found that his poetry “made all the difference.”

Posted 3-23-26

If geographically situated to be able to ‘listen’ to the sounds of winter

By Steven Brodsky

… attentively “listening” to those sounds can be valuable.

Walt Whitman was a great listener of the sounds of winter: Sounds of the Winter by Walt Whitman – Poems | Academy of American Poets.

The linked poem will encourage some readers/writers to listen to the sounds of winter.

Posted 1-31-26

Writers who will be ‘stopping by woods on a snowy evening’

By Steven Brodsky

Stopping by Woods on a Snowy Evening | The Poetry Foundation             

… may wish that they could stay in those woods longer, and some of them will regret not bringing a pen and pencil to write while inspiration will still be warm.

Ink in a pen and inspiration can freeze on a snowy evening.

I’d better move on!

There are “promises to keep” and “miles to go before I sleep.”

Posted 1-18-26

The Jersey Shore

By Steven Brodsky

… is the setting for this poem by Walt Whitman: Patroling Barnegat by Walt Whitman | Poetry Foundation.

The Jersey Shore was accessible to Walt Whitman; he resided in Camden, New Jersey.

Accessible to us is the speaker of the poem’s unencumbered narrative centered on a stormy beach scene.

The narrative seems to reflect the poet’s having been in a heightened state of awareness at a beach during a storm. Mindfulness meditators might recognize that state as “choiceless awareness.”

The poem was originally published in 1880. Thankfully, we’re able to enjoy “Patroling Barnegat” in 2026.

Referencing and reading about the Jersey Shore brings Southside Johnny (John Lyon) to mind.

My best wishes go out to Southside Johnny on his retirement.

Posted 1-9-26

Profound communion with an animal

By Steven Brodsky

… can compel rewrites, indeed: https://www.poetryfoundation.org/poetrymagazine/browse?volume=169&issue=5&page=4.

For ourselves and others, we want to capture such communion to whatever extent is possible in writing, don’t we?

Posted 1-3-26

Resolute writers will ‘again’ be responding to ‘triple winds’ with defiance in January 2026.

By Steven Brodsky

… Take notice of the first word of “January,” by William Carlos Williams, and the entire 11-line poem: https://poets.org/poem/january-3.

I know writers who find it especially gratifying to write effectively every month despite (and sometimes because of) prevailing winds!

Posted 12-28-25

The speaker of Christina Rossetti’s poem ‘A Christmas Carol’ asks what she (the poem’s speaker) can give to Jesus

By Steven Brodsky

… The writing of this poem was an expression of Christina Rossetti’s having given her heart to Jesus.

And this Victorian Era poem is a gift to us.

Enjoy: A Christmas Carol | The Poetry Foundation.

Posted 12-25-25

At year’s end: three things that can serve writers well

By Steven Brodsky

… Listed here:

1. Capture impressionable experiences on paper or screen while those experiences are still fresh.
2. Mine conversations for potential writing prompts.
3. Balance time participating in end-of-year social activities with time observing others engaging in those activities. (This can be problematic for writers who don’t want to risk being perceived as wallflowers.)

And a bonus: read writing that may prime your creativity pump by others.

Richard Wilbur’s poem “Year’s End”: https://www.poetryfoundation.org/poems/43052/years-end-56d221b9e6bd8.

Posted 12-20-25

A song character imprisoned on Christmas

By Steven Brodsky

… pens a letter in John Prine’s song “Christmas In Prison”:

If that song character experiences God-enabled breaking of shackles of sin (perhaps he already has experienced this), you may be able to envision what a letter about that might describe.

You probably can, if you have had that experience.

John 8:36: “If the Son therefore shall make you free, ye shall be free indeed.”

(Did you know that Paul wrote four epistles while imprisoned? Ephesians, Philippians, Colossians, and Philemon are Paul’s prison epistles.)

https://unshackled.org/on-demand/browse-all-programs/

Posted 12-13-25

On the ninth anniversary of the 2016 Nobel Prize ceremony wherein Bob Dylan (who wasn’t present at the ceremony) was honored as the 2016 Nobel Prize in Literature recipient

By Steven Brodsky

… That ceremony took place on December 10, 2016.

It is especially opportune enjoy:

 

 

Posted 12-10-25

A delivery of writing prompts

By Steven Brodsky

… can arrive in the form of Christmas cards (those with and those without handwritten messages).

Potentially valuable writing prompts go unnoticed when holiday cards are mindlessly discarded with used gift wrapping paper, boxes, etc.

Writers/readers: will you apprehend those prompts or will they and the cards that contain them get away?

I’m pleased to deliver this link to Ted Kooser’s poem “Christmas Mail” to this page before December 25, 2025: https://www.poetryfoundation.org/poems/55886/christmas-mail.

Ted Kooser served as the U.S. Poet Laureate from 2004-2006. He was awarded the Pulitzer Prize for poetry in 2005.

Posted 12-6-25

Writers encountering snow

By Steven Brodsky

… may find the encounter to be serendipitous.

It seems quite possible that a particular encounter with snow served as a writing prompt for the well-known poet Frost. (Yes, it was fun to write snow and Frost in the preceding sentence.)

Dust of Snow | The Poetry Foundation

Posted 12-2-25

Epistolary writing 

By Steven Brodsky

Dear readers/writers,

Have you considered epistolary writing as a form for your own work?

I’m thankful that Leonard Cohen had.

Had he not, we’d not have “Famous Blue Raincoat” (one of my favorite Leonard Cohen songs) as an example of very fine epistolary writing.

The song prompts me to fill screen and paper with epistolary writing of my own.

Perhaps it will similarly encourage you.

Sincerely,

S.Brodsky

Posted 11-21-25

 

 

‘The People’s Gallery,’ an upcoming exhibition at the Delaware Art Museum, to provide ‘an inclusive opportunity for artists of all backgrounds and experience levels to share their work.’

By Steven Brodsky

… The People’s Gallery exhibition will open on August 7, 2026 and will be on view through September 6, 2026.

The Delaware Art Museum will retain a 30% commission on sales.

Visit Call for Artists: The People’s Gallery – Delaware Art Museum for submissions-related information.

From a Delaware Art Museum news release that was issued this morning:

WILMINGTON, DE (Thursday, June 25, 2026) — The Delaware Art Museum is proud to announce The People’s Gallery, a community-driven exhibition that will showcase up to 600 Delaware artists in a landmark celebration of creativity, artistic labor, and civic engagement during the nation’s 250th anniversary. While the exhibition scale and timeline present unique logistical challenges, Museum staff are eager to transform hundreds of individual works into a cohesive experience.

Opening August 7 and on view through September 6, 2026, The People’s Gallery invites Delaware residents and DelArt Members to contribute one artwork each to a non-juried exhibition that places artistic agency and public participation at its center. All accepted works will be exhibited in the Museum’s Fusco Gallery and offered for sale through the museum store–Market at DelArt.

The People’s Gallery grew out of DelArt’s broader recognition of artists and creative workers as part of its Delaware250 programming. Throughout a six-month series of exhibitions and public programs, the Museum has explored the essential role artists play in helping communities interpret the past, understand the present, and imagine the future.

“The People’s Gallery serves as the culminating chapter of that initiative,” said Margaret Winslow, DelArt Head Curator and Curator of Contemporary Art. “By placing decision-making directly in the hands of artists and inviting the public to build personal connections with the works that resonate with them, the exhibition celebrates both artistic agency and public engagement.”

Unlike traditional juried exhibitions, The People’s Gallery offers an inclusive opportunity for artists of all backgrounds and experience levels to share their work. Up to 600 artworks will be accepted on a first-come, first-served basis. Submissions open for DelArt Members on July 6, and for all Delaware Residents on July 8.

In commemorating America’s 250th anniversary, the exhibition will contribute to a living artistic record of Delaware today. Information about participating artists and artworks, along with installation photography, will be preserved in the Museum’s archives, creating a lasting snapshot of the state’s creative community during this historic milestone.

“The most exciting aspect is the opportunity for Delaware residents and DelArt members to see their work displayed on the Museum’s walls,” said Heather Morrissey, DelArt Director of Operations. “The People’s Gallery expands the traditional relationship between museums and audiences, inviting the community to become active participants in the exhibition itself.”

The People’s Gallery reflects DelArt’s commitment to fostering meaningful connections between art, artists, and communities. By creating opportunities for artists to share their work and for audiences to engage with and support creative practice, the exhibition advances the Museum’s mission to inspire, educate, and build community through the arts. As Delaware commemorates the nation’s 250th anniversary, The People’s Gallery serves as both a celebration of the state’s vibrant artistic community and an investment in its creative future—amplifying diverse voices, strengthening civic engagement, and affirming the essential role artists play in shaping our shared cultural landscape.

Posted 6-25-26

The National Gallery of Art has announced its selection of 50 finalists in its social media open call for reinterpretations of works of art in the National Gallery’s collection through original short-form videos

By Steven Brodsky

… Congratulations to the finalists!

Open Call | National Gallery of Art

From a National Gallery of Art news brief issued today, June 15, 2026:

As part of its commemoration of America’s 250th anniversary, the National Gallery earlier this year called on digital creators throughout the country to reinterpret works of art in the museum’s collection. After receiving over 1,600 proposals, the museum has selected 50 top creators. The National Gallery will post their creative reimaginations on its social media throughout 2026.

Posted 6-15-26

Attention wildlife artists: the Pennsylvania Game Commission is now accepting entries from Pennsylvania residents for its 2027 Working Together for Wildlife Art Contest; the featured category of the 2027 Working Together for Wildlife Art Contest is Pennsylvania shorebirds

By Steven Brodsky

The Pennsylvania Game Commission issued the following news release today, April 14, 2026:

WILDLIFE ART CONTEST UNDERWAY

It’s time to break out the paint brushes and easel.

The Pennsylvania Game Commission is accepting works for its 2027 Working Together for Wildlife Art Contest, with entries due by July 31, 2026.

The 2027 featured category is Pennsylvania shorebirds. Qualifying submissions must include at least one of the following species: American golden-plover, black-bellied plover, buff-breasted sandpiper, dunlin, greater yellowlegs, killdeer, lesser yellowlegs, long-billed dowitcher, pectoral sandpiper, piping plover (Great Lakes population), red knot, ruddy turnstone, sanderling, semipalmated sandpiper, short-billed dowitcher spotted sandpiper, upland sandpiper, whimbrel, white-rumped sandpiper, and willet.

Unlike previous years, this year’s contest is restricted to paintings. One or more shorebirds can be featured in an original, full-color, horizontal or vertical painting with a horizontal or vertical image of 14×20 inches or 20×14 inches, leaving no important subject matter within one inch of outside border, due to cropping. The painting must have a 2-inch white border or mat, unframed but signed. The total project size should not exceed 18×24 inches or 24×18 inches. To protect anonymity during judging the signed name will be covered.

All submissions for the 2027 contest must be submitted online at https://www.pgcapps.pa.gov/WorkingTogetherforWildlifeForm by 4 p.m. on July 31. Artists may submit more than one work, but for each submission, there is a nonrefundable $50 entry fee. Artists 18 and younger can enter for free.

All entries will be reviewed and evaluated by a committee of qualified Game Commission personnel.

The artist whose painting is selected for the 2027 Working Together for Wildlife fine art print series will receive $5,000, plus 25 artist proof prints. The winning artist must pencil-sign up to 200 limited edition fine art prints produced from the original painting, with signing conducted at the Game Commission’s Harrisburg headquarters, and the artist receiving the cash award after the prints are signed.

In addition, cash awards will be presented to other top-finishing artists. The artist submitting the second-place painting will receive $1,500; third place, $1,000; fourth place, $800; and fifth place, $500. In the event of a tie, the awards for the two places will be combined and split evenly.

Participating artists will have the chance to view entries after final selections are made.

Official rules about the contest are available on the Contests page of the Game Commission’s website. Each artist must be a Pennsylvania resident. For further information, contact the Game Commission 1-833-742-9453 (1-833-PGC-WILD).

Founded in 1980, the Working Together for Wildlife program has raised over $2 million for wildlife management and research across the Commonwealth.

“Revenues received from the sale of signed and numbered prints help finance wildlife research and management programs in Pennsylvania, meaning participating artists not only have a chance to take home winnings, but to help fund wildlife conservation through their work,” said Lauren Ferreri, who leads the Game Commission’s Bureau of Information and Education. “By inspiring artists, engaging the public and allowing both to help benefit wildlife, the Working Together for Wildlife program continues to promote the Game Commission’s role in wildlife conservation and serves as an important reminder that we all can make a difference.”

Posted 4-14-26

A Conversation With Victoria Browning Wyeth

By Steven Brodsky

Victoria  Browning Wyeth is the granddaughter of Andrew Wyeth and the niece of Jamie Wyeth. She is the great-granddaughter of N.C. Wyeth. Victoria is widely known for her dynamic gallery talks and lectures on the life and art of Andrew Wyeth. Victoria is a gifted photographer; her photos have been exhibited at a number of museums.

What are some of your fondest memories of your grandmother?

One of my fondest memories of my grandmother were our nicknames for each other. I always called my grandmother by two names: “Betsy” or “Mamma Sheep Turd.” I realize the second name might raise a few eyebrows so let me explain. I grew up in New York City, but would spend every summer in Cushing Maine with my grandparents. As a young girl, and as a grown woman, I have always detested sand, dirt and bugs. When I was about nine or so, my grandparents purchased Allen Island (near Port Clyde, Maine), and, in addition, a very large flock of sheep to help with the lawn “maintenance.  Along with the sheep came sheep turds…. EVERYWHERE. So, she called me “City Slicker” and I called her “Mamma Sheep Turd.” When I was in college and we wrote each other letters, the post office at my college would giggle when they handed me a letter because of the return address. I always smile when I think of the looks people gave us when we used these names for each other.

My second fondest memory was when she taught me to put on makeup and put my hair in a French twist. I can still feel her hands in my hair helping me pin it up. When it came to applying makeup she would always say, “Vic… less is more.” To this day I am not much of a makeup person.

Finally, my most recent favorite memory involved cooking for my grandmother (and my uncle Jamie) on Sunday nights. Betsy was the chef in the family – her meals were simply out of this world yummy. Mashed potatoes, cookies, creamed eggs, popovers, etc. You name it and she could make it. After my grandfather died she scaled back her cooking quite a bit. Around six or seven years ago I started cooking Sunday dinners for my family. I wasn’t the best chef at first; I burned fish more than I would like to admit. One of the things that still brings a smile to my face was watching her gobble up every last morsel. She would look at Jamie and me and say, “mmmmm this is good.”

Betsy handled much of the business affairs of her husband Andrew. What prepared her for this?

She always had such a powerful business sense. I’m not quite sure where this came from, but she handled Andy’s business affairs with such grace and intelligence. She was quite the inspiration.

Please describe how Betsy furthered the career of Andrew?

My grandmother helped further his career by supporting him in numerous ways. The most important was through her love: she loved him with all of her heart. She would always tell him what she thought of his newest painting – if he needed to simplify something, if the color was too intense, etc. She was also very instrumental in titling many of his paintings.

What was the extent of Betsy’s involvement in titling the paintings of her husband?

She had a huge role in the titles. Take the painting Wind from the Sea. When my grandparents were discussing the piece Betsy said, “It looks like a wind is coming in from the sea.” Andy replied, “That’s it!! Wind from the Sea.” Her vocabulary was most impressive. For example, she would do the New York Times crossword puzzles in ink. This gave her an incredible bank of words to choose from when she helped to title the work.

Her ability to title wasn’t limited to paintings: when I was in graduate school and writing long research papers, I would call her and tell her my paper topic. She would then call me back with a title. For example, I wrote a paper on shell shock in British troops during World War I. She came up with the title “Over the Top.”

Were you able to observe Andrew while he was painting? If you were, did he discuss what he was working on?

Andy HATED having people watch him paint. He felt that having you watch him paint was an invasion. The only times I watched him paint were: (1) outside my window in the summer. He would work on watercolors or drawings outside my parent’s house in Cushing, Maine. He didn’t know I was looking, but I was. I couldn’t help myself. This is when I was a young girl (under 13). (2) When I would accidentally walk into the house when he was working on something. I would apologize and he would smile and say, “Hi darlin’. I’m just finishing up.” (3) When I posed. This was my favorite because we got to discuss everything. I would barrage him with all sorts of questions about his work, his life, his friends, etc. The last time I posed (back in 2005) I was giving lectures at the Brandywine River Museum. It was so cool because I would incorporate what we talked about into my gallery talk that day. 

How sensitive was Andrew to what critics wrote about him?

He couldn’t have cared less what the critics thought.

Which paintings of his do you believe he remained most attached to? 

He was almost always most attached to the painting that he was working on.

To your knowledge, were there times in Andrew’s life when he was without artistic inspiration? If there were, how did he reacquire inspiration?

To the best of my knowledge this never happened. Even when he was in the hospital (for a hip replacement) he drew his hospital room and the view out the window. He was inspired by everything and everyone.

 Of the photos that you took of Andrew Wyeth, is there one that especially evokes cherished memories? Can you share those memories with us?

The one I took of him painting outside my window in Cushing, Maine. He was painting me and we would start working very early in the morning – 6:45 a.m. I overslept one morning and rushed downstairs. As I looked out of the living room window, I found him sitting out there with his watercolor pad on his lap, tissues everywhere (to blot the paper) and his watercolor box by his side. Whenever I get sad and miss him, this is what I think of and it always makes me smile. 

You’ve given many pro bono talks. Which of those talks have been most gratifying to you? Please tell us why.

My favorite talks, pro bono and paid, have been the ones I have done at the state and local prisons. I feel that those who are incarcerated should be exposed to art as much as possible. Since they can’t go to a museum, I bring a museum to them. For example, this past January I lectured on the work of my grandfather to the gentlemen at the Maine State Prison in Maine. I went on January 16th – which is a very special day for me – the anniversary of my grandfather’s death. It was a beautiful snowy day and I packed my car up with a bunch of my uncle’s and grandfather’s watercolors and drawings and headed to the prison. I thought it would be fun to create a pop-up gallery in the prison and even more interesting to bring one of my grandfather’s models with me. It was a very special day for all of us. I will never forget looking at the reactions on the guys faces as they looked at the art.

The Brandywine River Museum of Art is currently closed to the public (as are other museums) because of the COVID-19 crisis. Is there a painting in the Museum’s collection by Andrew Wyeth that, at this moment, you are especially looking forward to seeing when the doors reopen?

I love seeing my grandmother’s portrait – Maga’s Daughter. I’m very excited to go visit her and say hi.

Posted 6-8-20

The Servant Stage Company production of  ‘Joseph and the Amazing Technicolor Dreamcoat’ opened last weekend; more than 2,200 people attended opening weekend performances

By Steven Brodsky

… Word of mouth recommendations for this highly entertaining musical production from opening weekend theatregoers has resulted in much demand for tickets for this weekend’s performances at Lancaster Alliance Church. If you are planning to attend a performance this weekend and haven’t yet ordered your pay-what-you-will tickets, it would be best to order your tickets a.s.a.p. The performance scheduled for this Sunday, June 14th, has already sold out.

Visit Joseph and the Amazing Technicolor Dreamcoat — Servant Stage for a link to order your tickets.

Posted 6-12-26

Servant Stage Company’s upcoming production of the musical ‘Joseph and the Amazing Technicolor Dreamcoat’ to be presented in Lancaster County, Pennsylvania, June 5 – August 16, 2026

By Steven Brodsky

… Details are in this excerpt from a Servant Stage Company news release that was issued on May 6, 2026:

Lancaster, PA – Servant Stage is thrilled to present Joseph and the Amazing Technicolor Dreamcoat, running June 5-August 16 at venues across Lancaster County. This beloved, family-friendly musical by Andrew Lloyd Webber and Tim Rice brings the biblical story of Joseph to life through an unforgettable score filled with pop, rock, calypso, and country influences.

Told entirely through song, Joseph and the Amazing Technicolor Dreamcoat follows the journey of Joseph, a dreamer blessed with extraordinary gifts—and burdened by the jealousy of his brothers. Sold into slavery and taken far from home, Joseph faces immense trials but ultimately rises to a position of great influence in Egypt, discovering purpose, forgiveness, and redemption along the way.

Bursting with color, humor, and heart, this Servant Stage production features a dynamic cast of performers of all ages, dazzling choreography, and the iconic multicolored coat that has captivated audiences for generations. From the energetic “Go, Go, Go Joseph” to the heartfelt “Any Dream Will Do,” the show offers something for every audience member.

Directed by Stephanie Morales, this production highlights both the spectacle and the deeper message of the story. “This production will celebrate joy, theatricality, and humor, while being anchored in humanity,” says Morales. “Joseph shows us that reconciliation is the most powerful dream of all, and through Joseph’s love for his family, we are reminded that even the most colorful dreams are rooted in something beautifully simple: the desire to be known, forgiven, and home.”

In keeping with Servant Stage’s mission to make outstanding live theatre accessible to everyone, all performances of Joseph and the Amazing Technicolor Dreamcoat will be offered on a pay-what-you-will basis. This unique approach allows audiences of all ages and backgrounds to experience exceptional theatre regardless of financial means.

Performances will be held June 5-14 in the auditorium at Lancaster Alliance Church, 210 Pitney Road, Lancaster and August 7-16 in the auditorium at Warwick High School, 301 W Orange St, Lititz, as well as other venues across Lancaster County throughout the summer. Tickets can be reserved online at ServantStage.org or by calling (717) 455-0255. Advance reservations are recommended to ensure seating before shows sell out.

Performance Schedule:

At Lancaster Alliance Church

• Fridays, June 5 & 12 – 7:00 PM
• Saturdays, June 6 & 13  – 11:00 AM & 3:00 PM
• Sundays, June 7 & 14 – 3:00 PM

At Warwick High School

• Fridays, August 7 & 14 – 7:00 PM
• Saturdays, August 8 & 15 – 11:00 AM & 3:00 PM
• Sundays, August 9 & 16 – 3:00 PM

About Servant Stage:
Servant Stage is a non-profit theater serving Lancaster County since 2011. Through its innovative approach to theatre, Servant Stage reaches more than 50,000 audience members each year with Pay-What-You-Will performances. Upcoming performances include Anne of Green Gables (September), and Joy to the World (November-December).

Posted 5-11-26

Shackled and unshackled listeners

By Steven Brodsky

… have been enjoying episodes of UNSHACKLED!, the iconic radio drama show, since 1950.

Episodes of UNSHACKLED! are accessible at: https://unshackled.org/on-demand/browse-all-programs/.

John 8:36: “If the Son therefore shall make you free, ye shall be free indeed.”

Note to readers: This post appeared at: https://delcoculturevultures.com/2025/05/06/conversations-about-faith/.

Posted 6-6-24, Revised and reposted 5-6-25