Conversations And Articles About Music

Ian Anderson turned 79 years old today

By Steven Brodsky

… Ian Anderson was born on August 10, 1947.

Happy birthday wishes go out to Ian Anderson!

Posted 8-10-26

When letter writing was common

By Steven Brodsky

… and text messaging and email were innovations of the future, it wasn’t an uncommon practice to seal letters with kisses.

This recording of “Sealed With A Kiss” is embedded here for column readers who have ever received or sent a letter that was sealed with a kiss, and for any reader who is or will be apart from a romantic partner because of a summer vacation in 2026, and for all other readers:

Posted 6-11-26

How meeting Livingston Taylor at a concert affected the career of John Flynn

By Steven Brodsky

John Flynn has been interviewed several times for this column. In a 2011 radio interview, John and I spoke about Livingston. We did so again last year in this interview for this column.

John, where and when did you first meet Livingston Taylor and how old were you at the time?

Gene Shay introduced me to Livingston back in the ’80s. It was prior to one of his appearances at the old Bijou Café in Philadelphia. I was in my early twenties and just starting out. I was a big fan of Livingston’s and I had just appeared on Gene’s radio show on WMMR. I heard Gene mention that he was going to host Livingston’s show, so I asked for an intro. Gene was just too nice to say no.

What was going on in your life?

I was playing some bar gigs, writing songs and mailing demos to Nashville. This was a few years before I got signed to my first publishing deal down there.

Describe what took place. What did Livingston tell you?

To begin with, Livingston was incredibly gracious. As a performer, I really see that now in hindsight, because usually the last thing I want to do before a show is to meet new people and have them sing their songs to me. Actually, I don’t think I’ve met anyone before or since who would have extended themselves in this way to a stranger. But that’s exactly what happened. Gene apparently bragged about me enough to get Livingston to hand me his guitar and sit down directly in front of me. He asked me to play him a song and listened with an almost unnerving, totally focused attention. When I was done he asked if I had any more. I did a second song and he asked for another. I was only too happy to oblige, figuring that if he’d listen to three songs he must be hearing something he liked. When I finished singing, Livingston kind of scrunched up his face and got real thoughtful. There was a long pause. Then he said, “John, there are so many wonderful ways to spend your time in this life. Take a walk, read a good book, spend some time with someone you love. Please do ANY of these things rather than write any more mediocre songs.” The rest was a little bit of a blur. He talked about Cole Porter and Yip Harburg, writers I didn’t really know much about at that point. He really challenged me to study the greats. He spent like ten minutes talking about song structure, and he played me these long-forgotten but really beautiful introductions to popular old standards. – Unknown (at least to me) musical salutations from bygone eras, that had been intended by their composers to set the mood and put the listener in the proper frame of mind to receive the coming song. He even explained that he would be doing relatively few of his own songs in his show that evening because great songs are rare, and a song should be great if you’re gonna sing it. That was the bottom line. If you weren’t going to try to write a great song, then why write one at all?

How did you respond to this at the time?

I guess I was disappointed. But disappointment wasn’t all I took away from the encounter, because Livingston could have easily tossed me a few compliments. He was probably never gonna have to see me again so that would have been the easy thing to do. But I sensed that he respected songs and songwriters too much for that. He chose the harder path and told the truth. He threw down the gauntlet. And, in my way, I accepted the challenge that night. I determined to work much harder at my craft. To really try to write great songs. I’m not saying that’s what I’ve always accomplished. But he got me to aim there. I’ve always been grateful for that.

How did the encounter impact your life?

I’m here forty years later answering questions about music.

Author’s note to readers: Livingston Taylor is a professor at Berklee College of Music.

John Flynn’s website address is: http://johnflynn.net/.

Posted 3-29-19, Reposted 8-6-24

Thinking about Solomon Burke

By Steven Brodsky

… after recalling this morning that the City of Philadelphia had honored Solomon Burke by having declared that July 19, 2002 would be “Solomon Burke Day.”

Solomon Burke (March 21, 1940 – October 10, 2010) was born in Philadelphia.

Posted 7-19-24

He was the ‘Jackie Robinson of television’; on his ‘show rode the hopes and fears and dreams of millions of people’; his show debuted nationally on November 5, 1956

By Steven Brodsky

… He was Nat King Cole, the first African American to host a television show on nationwide television. That show was The Nat King Cole Show. Today is the 66th anniversary of the national debut of the Nat King Show on NBC TV.

Nat King Cole ranks among the most acclaimed jazz and pop musicians of all time. Born as Nathaniel Adams Coles in Montgomery Alabama in 1919, he would go on to achieve recording and concert performance success that was nearly unmatched by others of his generation. “Mona Lisa,” “Unforgettable,” “The Christmas Song,” are among the nearly 700 songs that he recorded. Well over 100 of Nat King Cole’s records charted. He was a prominent presence on national television shows (he appeared on the Ed Sullivan Show on six occasions).

The Nat King Cole Show was popular and attracted some of the most sought-after entertainers, but it could not secure a national sponsor (other than a few sponsors for brief periods of time before the show expanded from 15 minutes to a half hour). There were 30 sponsors with cooperative arrangements supporting the show across the country on local stations, but nationwide—not one.

In an essay in the February 1, 1958 issue of Ebony titled “WHY I QUIT MY TV SHOW” by Nat King Cole (as told to Lerone Bennett Jr.), Nat King Cole said, “For 13 months, I was the Jackie Robinson of television… On my show rode the hopes and fears and dreams of millions of people.”

Posted 11-5-22

 

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