InterAct Theatre Company Presents ‘ Rift, Or White Lies’

Is it possible to love someone whose beliefs you hate?

InterAct Theatre Company presents the National New Play Network Rolling World Premiere of RIFT, OR WHITE LIES, a gripping new drama by award-winning playwright Gabriel Jason Dean, running from April 4 – 27, 2025. Directed by Seth Rozin, this provocative play explores the deep and painful fractures within a family, the weight of shared trauma, and the search for reconciliation in an era of extreme ideological division.

Starring Barrymore Award-winning actors Matteo Scammell and Jered McLenigan, RIFT, OR WHITE LIES follows two estranged brothers—one a progressive novelist, the other a convicted murderer and high-ranking member of a white supremacist prison gang—who must confront their turbulent past and their irreconcilable differences. Each night, Scammell and McLenigan will alternate roles, offering audiences a chance to experience the play from two unique perspectives. Patrons who see one performance will have the opportunity to return for a special $12 ticket to witness the reversed casting.

We are thrilled to bring this powerful and urgent story to the stage. In a time when ideological divides seem wider than ever, RIFT, OR WHITE LIES asks: Can love bridge the chasm between us? Can we truly see one another beyond our beliefs? This production invites audiences to grapple with these complex questions through a deeply human lens. – Director Seth Rozin

If You Go

Performances of RIFT, OR WHITE LIES will take place at the Proscenium Theatre at The Drake, 302 S. Hicks Street, from April 4 – 27, 2025 (press opening April 10). Tickets are available at www.interacttheatre.org/rift-or-white-lies. Special $12 tickets are available for patrons who return to see the reversed casting. RIFT, OR WHITE LIES is also part of Philly Theatre Week, and a limited number of Pay What You Can tickets are available for performances April 4 – 13.

As a company dedicated to civic discourse, InterAct hosts discussions for audience members almost every day of the week after non-preview performances. Wednesdays, Thursdays, and Sundays are facilitated by Artistic Director Seth Rozin. Saturdays  are artist talkbacks with literary manager, Chaz T. Martin, and special guests including South Philly native, Frank Meeink (Author of “Autobiography of a Recovering Skinhead”).

‘Discovering Blackness’ at Media Theatre

Media Theatre introduces a new Story Series, Discovering Blackness 

The year is 2032, and Prince Washington Institute has announced its launch of a groundbreaking yet controversial campus-wide ‘raceless’ social experiment. Seeking a sense of belonging, Astrophysics major Destiny Maria Jones discovers the Black Student Union, which is on the brink of extinction. Energized by the group’s resilience and resistance, Destiny joins the fight to navigate and challenge the institution’s experiment. Drawing connections between her studies and activism, Destiny redefines her relationship to herself, PWI, and her place in the universe.

Tickets available for purchase online at www.mediatheatre.org or by calling the box office at (610) 891-0100.

Venue Details:
The Media Theatre
104 E. State Street
Media, PA 19063

Delaware County Symphony Presents a Chamber Concert for All Ages

The annual Chamber Concert for All Ages will be presented on April 6 and features the Chamber Series Winner of the Youth Concerto Competition and includes lighthearted pieces from P.D.Q. Bach, the DCS Percussion Ensemble, and more.

Along with the playful tunes, Schleptet in E flat major and Suite No.1 for Cello All By Its Lonesome by P.D.Q. Bach; as well as Chopsticks, and Hora Staccato with percussion, guest conductor, Dr. Roberta Winemiller, will again lead the Delaware County Symphony Chamber Ensemble with performances that include a Surprise and a Farewell from Haydn.

 

Also performing is Kenny Mellon, the Chamber Series Winner from the DCS Youth Concerto Competition playing the Clarinet Sonata from Francis Poulenc. The concert will conclude with help from the audience for a performance of Ravel’s Bolero, inspired by humorist, songwriter, and children’s author, Sandra Boynton. Please join us for the final chamber concert of the season which is sure to delight concert goers of all ages!

The Chamber Concert for All Ages will be on April 6 at 3 p.m. in Neumann University’s Meagher Theatre.

 

Performances at Neumann University – Bruder Life Center, Meagher Theatre in Aston, Pa

Tickets for the concerts may be purchased at dcsmusic.org/tickets

Arden Children’s Theatre presents ‘The Hobbit’

Adventure awaits as Arden Children’s Theatre invites families to embark on an unforgettable journey filled with courage, friendship, and excitement in Greg Banks’ lively stage adaptation of The Hobbit beginning April 2. Directed by Rebecca Wright, the imaginative production brings Middle-earth to life in a magical, action-packed retelling of J.R.R. Tolkien’s beloved classic, designed for audiences ages seven and up. Through clever storytelling and dynamic staging, audiences are drawn into the journey of Bilbo Baggins, a humble hobbit who steps out of his comfort zone and embarks on an epic quest that tests his bravery, wit, and heart.

The Hobbit unfolds on the Arden’s intimate 175-seat Arcadia Stage (40 N. 2nd Street, Philadelphia, PA), where thrust seating arrangement immerses audiences into Bilbo’s journey. Previews begin April 2, opening night April 15 with performances through May 25. 

The Hobbit’s dynamic cast features five talented actors—Eliana Fabiyi, Kelly McCaughan, Nathan Alford-Tate, Ciera Gardne and Sean Lally — who, together, play more than 20 characters throughout the 90-minute production. 

This playful and whimsical adaptation of The Hobbit is perfect for young adventurers, highlighting the themes of friendship, courage, and loyalty that made Tolkien’s novel a classic of children’s literature – Rebecca Wright. 

With a minimalistic set that captures the woodsy, forested landscapes of Middle-earth, audiences are transported into a magical, colorful world populated by fantastical creatures, including trolls, goblins, eagles, and elves—staying true to the vivid descriptions in Tolkien’s original book. The play follows Bilbo, who would much rather be nestled in his cozy Hobbit Hole with a cup of tea and a plate of bacon and eggs. Instead, he’s swept into an unexpected adventure, journeying through freezing mountains and eerie forests, where he encounters both fearsome foes and loyal friends. Though hesitant at first, Bilbo discovers that his true strength lies not in physical power but in his cleverness, bravery, and heart—transforming him from a timid hobbit into an unexpected hero. With a cast of longtime Arden collaborators and fresh new voices, the production blends story and spectacle, bringing the audience along Bilbo’s extraordinary journey.

The stellar cast features Eliana Fabiyi (Bilbo), a Philadelphia-based actor, writer, and sound designer who has previously appeared at the Arden in Treasure Island (Jim Hawkins/Emily), The Bluest Eye (Maureen Peal), Peter Pan (Jane/Tootles), and A Midsummer’s Night Dream (Fairy/Musician). Fabiyi’s regional work includes roles at People’s Light, Orbiter 3, and Ninth Planet. 

 

If You Go:

The Hobbit begins April 2, opens on April 14, and runs through May 25.

Single ticket prices vary by performance and start at $35. Tickets are available online at ardentheatre.org, by phone at 215.922.1122, or at the box office at Arden Theatre Company (40 N. 2nd Street). 

Special events/performances: 

  • Student Matinees | Available Tuesdays through Fridays at 10:30 a.m.
  • Smart Caption Glasses | Starting Saturday, April 18, 2025
  • American Sign Language (ASL) Shadow Interpretation | Friday, May 16, 2025 at 10:30 a.m. & Saturday, May 17, 2025 at 4 p.m.

The  Wilma Theater Presents the Regional Premiere of ‘Archduke’

Beginning April 15, the Philadelphia-based theater company The  Wilma Theater (265 South Broad Street, Philadelphia, PA 19107), recipient of the 2024 Tony Award for  Best Regional Theatre, presents the regional premiere of Archduke by award-winning playwright Rajiv  Joseph. The Wilma’s visionary Founding Artistic Director Blanka Zizka returns to direct the dark comedy  that imagines how three poor, sickly boys searching for meaning were manipulated into hate by a  bombastic ideologue and inspired to assassinate Archduke Franz Ferdinand. The event is historically  viewed as the catalyst of World War I. The cast features Wilma HotHouse Acting Company members  Melanye Finister, Sarah Gliko, Suli Holum, Brandon J. Pierce, and Steven Rishard. The regional  premiere of Archduke runs from April 15 to May 4, with 21 performances presented in the Wilma’s 300- seat theater.  

Joseph is a Brooklyn-based Pulitzer Prize Finalist and two-time Obie Award-winning playwright whose  work has been hailed as “daring, magnificent, and virtuosic” by the Los Angeles Times. He quickly  became one of the leading American playwrights thanks to his critically acclaimed and award-winning  works, including Bengal Tiger at the Baghdad Zoo, Gruesome Playground Injuries, and Describe The  Night. In 2017, his play Archduke received its world premiere at the Mark Taper Forum in Los Angeles,  which was praised by the Los Angeles Times as “an ambitious mix of history, comedy, and tragedy.”  Since its world premiere, Joseph wrote a brand-new ending to Archduke provoked by Zizka that will  appear in its upcoming presentation at the Wilma. 

In Archduke, three destitute boys suffering from tuberculosis in Belgrade – Gavrilo Princip (Holum),  Trifko Grabež (Gliko), and Nedeljko Čabrinović (Pierce) – are recruited by a mysterious organization with  promises of glory, purpose, and a sandwich. Their depraved Captain (Rishard) sends the boys on a  mission he claims will restore order and justice to their struggling nation, avenging the unfairness of  their terminal illness. Their assignment? Assassinate the heir to the Austro-Hungarian empire, Archduke  Franz Ferdinand, and his wife, Sophie. Joseph’s play asks: What happens when a person feels they have  nothing left to lose? What methods are acceptable in the fight against oppression?  

Rajiv Joseph masterfully reinterprets a crucial historical event, creating an absurdist dark comedy that  is both funny and poignant. Set just two days before Archduke Ferdinand’s assassination in  Sarajevo on June 28, 1914, the play unveils the Serbian nationalist ideologies of the era—cries to reclaim  national pride and former glories, expansionist aspirations, a culture of masculinity and entitlement, grievances, cruelty, and misogyny. The similarities in the rhetoric from that time to today’s U.S. Christian  nationalism strike me as particularly provocative. – Blanka Zizka

The cast of Archduke comprises notable local stage actors and resident members of the Wilma’s  acclaimed, award-winning HotHouse Acting Company, which Zizka founded in 2011. The company  members meet weekly to train, read plays, and develop their artistry. Leading the cast of Archduke as  the play’s recruits are Sarah Gliko as Nedeljko Čabrinović, Suli Holum as Gravrilo Princip, and Brandon J.  Pierce as Trifko Grabež. Joining them are Steven Rishard, playing their debauched captain Apis, and  Melanye Finister, playing his obstinate associate Sladjana.  

Blanka Zizka served as the Founding Artistic Director of the Wilma Theater from 1981 to 2020. For  years, Zizka developed practices and programs for local theater artists to create working conditions  supporting creativity through continuity and experimentation. She has directed over 70 plays and  musicals at the Wilma, including the U.S. premiere of Tom Stoppard’s The Hard Problem, world premiere  of Paula Vogel’s Don Juan Comes Home from Iraq, Tony Kushner’s Angels in America, Sarah Ruhl’s In the  Next Room, and Macbeth, which included an original score by Czech composer and percussionist Pavel  Fajt. In  2020, Zizka became the theater’s Artistic Director Emeritus and passed the torch to the shared  leadership team, which currently comprises Co-Artistic Directors Morgan Green, Lindsay Smiling, and  Yury Urnov, and Managing Director Leigh Goldenberg

 

On-Demand Streaming Presentation 

Following the play’s in-person run, the Wilma offers an on-demand streaming presentation of  Archduke, available from May 8 to June 1. Single Digital Tickets will be available for sale toward the end  of the show’s in-person run and limited to audiences in Philadelphia. Tickets start at $35 and can be  purchased at www.wilmatheater.org or by calling the Wilma’s box office at 215-546-7824. 

 

If You Go

Archduke has an estimated 100-minute runtime with no intermission. The production is recommended  for audiences 15 years or older.

Preview performances for Archduke are from Tuesday, April 15, to Thursday, April 17. The production  opens with an invite-only performance on Friday, April 18, at 7 p.m. and runs through Sunday, May  4.

The Wilma also welcomes African  American audiences to attend the Black Affinity Night on Friday, April 25, which offers “Pay-What-You Wilma” ticket prices. 

The Wilma hosts a variety of ancillary events to further engage with audiences around its productions.  Families can attend the Childcare Matinee on Saturday, April 26, at 2 p.m., during which paid childcare  will be available in partnership with Music Theatre Philly (MTP). While patrons attend the matinee, MTP  leads children through a musical theatre workshop that includes theatre games, an arts and crafts  project, and a presentation of a whole production number.

Theatergoers can attend the Sunday, April 27 matinee for “The Let Out,” an insightful and lively post show conversation with production members held immediately after the performance. On Monday,  April 28, at 7 p.m., attendees can participate in an Open Mic Night, where a host and cast members  discuss the themes of Archduke. The April 24 and May 1 performances include a post-show Café Chat in  the lobby with the cast and crew led by members of the artistic team. 

Patrons can purchase single tickets at www.wilmatheater.org or by  calling the Wilma’s box office at 215-546-7824.  

Tony Braithwaite and Jennifer Childs reunite for ‘Let’s Pretend We’re Married’

Philadelphia theatre legends Tony Braithwaite and Jennifer Childs will reunite on stage for the return of their popular 2013 production Let’s Pretend We’re Married, a delightful cabaret presented by 1812 Productions. Running from April 2 through April 13, 2025, this show offers an entertaining exploration of the wedded bliss (and occasionally, the chaos) that accompanies married life.

With a perfect blend of original and vintage material, Let’s Pretend We’re Married is packed with songs that span the spectrum of love-from the romantic to the risqué. Featuring hits from iconic writers such as Irving Berlin, Captain and Tennille, and more, this production promises an evening of joy, music and unforgettable humor.

The dynamic duo, Braithwaite and Childs, who have wowed 1812 audiences over the years with six cabaret shows, will guide the audience through a playful journey that includes routines by classic married comic duos like George Burns and Gracie Allen, a modern twist on the classic Newlywed Game, and a set from everyone’s favorite cruise ship performers, TB and Jenny. The show culminates with one lucky couple being invited to renew their vows on stage in a joyous, comedic ceremony.

Let’s Pretend We’re Married offers a hilarious and heartwarming take on the ups and downs of marital life, creating a fun and festive environment for all. Whether you’re newlyweds, long-time lovers, or just a fan of great music and comedy, this cabaret is sure to leave you smiling from ear to ear!

Tickets/info: AudienceView Professional

Chanting To The Divine Mother April 5

Reciting ancient mantras elevates the mind and soul, guiding them toward higher states of consciousness. These sacred chants, dedicated to the Divine Mother dwelling within us, evoke a profound connection to her nurturing, loving, and feminine essence. By embracing these vibrations, one can unlock deeper reservoirs of creativity, grace, courage, willpower, passion, and the celebrated qualities of strength found in spiritual teachings and timeless texts.

Date: Saturday, April 5, 2025
Time: 11:00 am – 12:00 pm
Your Guide: Charo Evangelista

Investment: $26

Register here: www.samacenter.com/offerings/chanting-to-the-divine-mother

Sama Center is at 892 Fernhill Rd, West Chester, PA

The Philadelphia Chorus To Present April 5 Concert

The Philadelphia Chorus will present an exciting concert on Saturday, April 5, 2025, at 4PM at the Philadelphia Episcopal Cathedral (19 S. 38th Street, Philadelphia).

The concert, “Remembrance”, will feature Gabriel Fauré’s Requiem.  Fauré, influenced by his practical upbringing and formal music education at the Niedermeyer School, composed a Requiem reflecting his peaceful attitude toward death, drawing on the traditions of sacred music and great masters like Palestrina and Bach.  This beloved composition’s atmosphere is one of depth and restraint; it is intimate, mystical, luminous and transcendent.

The Philadelphia Chorus posed for this photo in the fall of 2024.

This concert will also feature another setting of the Requiem.  Norwegian composer Kim André Arnesen wrote the Requiem for Solace which was commissioned by the Nidaros Cathedral Boys’ Choir and premiered in 2014.  Using part of the original Requiem Mass text along with a poem by Emily Dickinson, it is a work that has been described as “a choral piece that aims to provide comfort to those who are grieving or in pain… Every movement has a beautiful and endearing melody that creates a strong emotional reaction in both the performer and the listener.”

Works by Z. Randall Stroope and others will also be performed.

If You Go:

A Concert Featuring:

Gabriel Fauré – Requiem with guest artist: Brenton Mattox-Scott, bass

Kim André Arnesen – Requiem for Solace

and other selections by Z. Randall Stroope and more

Saturday, April 5, 2025, 4:00 PM

Philadelphia Episcopal Cathedral, 19 S. 38th Street, Philadelphia, PA

Tickets: $30; $25 Seniors & Advance Sales; $15 Students

Information: 215-995-3118 or www.thephiladelphiachorus.org

Help Fund A New Web Series, ‘Plant Based’

“Plant Based” is a new video web series in the works. It was inspired by an idea Jess Stinson had for a stand-up comedy story about the impact a marijuana dispensary has on a conservative town. Tony Moore turned the idea into a 20-minute pilot for a video web series. The pilot was filmed in two locations: in Ms. Stinson’s Wallingford home and at the Blue Moon Theatre in Woodstown, N.J.

Jess Stinson at right, with John Paul Cappielo onstage in “The PlayMakers” at Colonial Playhouse in March 2024.

The creative team is asking for donations to edit the pilot and film future episodes. If you can help, donations can be made here: https://igg.me/at/plantbasedws