Book Review: The Bones of the Apostle

By Karen McCarraher

“The Bones of the Apostle” by John Amos is a historical novel featuring two aging British private detectives—Flinders Petrie and Thomas Pettigrew. They have built a thriving business and have received many accolades for their fine work in the past.  However, they yearned for just one more “big adventure”.

Months go by and then one day they are visited by the Patriarch of the Eastern Church. At the time of Christ’s ascension into heaven, the apostles scattered throughout the world.  Peter went north to Rome.  Thomas went east to Mesopotamia and established the Eastern Church.  The Church flourished until the seventh century when the Ottomans overran the land and the Muslim Church was established.  However, the Eastern Church continued its practices in secret.  The bones of the Apostle Thomas were returned from India, where he died, to a basilica in Italy.  Later they were sent to the Church of the East where they were cared for and honored for centuries.  Recently, the bones were stolen.  The bones were contained in a silver casket which was guarded day and night.  One morning, the guards were found dead and the casket was missing.  The Holy Scriptures were desecrated, and the altar was on its side but there were no other clues.  The Patriarch begged Flinders and Pettigrew to take the case.

 

So Finders and Pettigrew took the train to Oxford.  When they arrived, they went to the library to meet a contact from the British Secret Service.  They were greeted by Father Divinius, a secret agent masked as a priest.  Divinius took them to the bowels of the library where many artifacts were stored.  They met with other agents and told them that they thought this was the work of “the Veiled One”, a very bad character the detectives had had encounters with in the past.  The British Intelligence Service managed to trace “the Veiled One” to Baghdad so it was decided that Flinders and Pettigrew would go there.  However, Divinius insisted that another agent accompany them, Grazelda Jones, who was also a witch.  

 

They set off across the Red Sea and the by land to Bagdad.  When they arrived, the place was in chaos.  The Mongols were overrunning the city.  Danger was everywhere.  The group discovered that “the Veiled One” had set up his location in a bombed out, walled structure that had many rooms.  The three found a small breach in the wall and made their way in.  After a long search, they found “the Veiled One”.  Flinders engaged him in a battle of swords; however, “the Veiled One” was wearing chain mail and Flinders was unable to wound him.  Grazelda found them and shot at “the Veiled One” numerous times.  The chainmail protected him somewhat but she was able to wound him slightly.  She grabbed the casket of bones and the three took off down a long hallway.  They managed to get to the river and made their way to the British Consulate.  They had to escape the country by driving for four days across the Syrian Desert before they came to a seaport and could return to England.

 

This book was fun to read.  It was filled with action and adventure.  The historic descriptions of the fall of the Ottoman Empire were well researched.  The last few chapters of the book contained an additional story that was heartwarming.  All in all, it was a good read.

About the Author John Amos

John Amos holds a Ph.D. from the University of California at Berkeley and a JD from the Monterey College of Law.  He has taught at the university level for over twenty-five years and has numerous academic publications.  His fiction works include several novels.  He has lived and studied in the Middle East—Egypt, Lebanon, Libya and Turkiye.  He currently practices law in California.

 

Published by: 

River Grove Books

Austin, Texas

Available online

Act II Playhouse Presents Comedy, ‘Grace and Glorie’

Act II Playhouse announces its latest production, “Grace and Glorie, a heartwarming comedy/drama by Tom Ziegler. The production stars Penelope Reed, a favorite of audiences at Act II Playhouse. 

Penelope Reed as Eleanor Roosevelt on the Act II stage in 2022.

Grace Stiles is a 90-year-old spitfire who has checked herself out of the hospital to return to her home nestled in the Blue Ridge Mountains. Gloria Whitmore is her volunteer hospice worker and a recent transplant from New York City. On the surface, this mismatched pair have nothing in common. Soon, however, they will find new perspectives on all of life’s challenges in this odd-couple comedy/drama that is sure to inspire laughter, tears, and hope. 

Penelope Reed, a favorite performer of Act II audiences, returns to the Playhouse in the role of Grace Stiles. Reed is best known to Playhouse patrons as Eleanor Roosevelt in “Eleanor” (2022) and she has also appeared in “Steel Magnolias,” “Boca,” and “Gaslight” (all 2023). 

Joining Reed in the production is Genevieve Perrier who returns to Act II after “Any Given Monday” (2010). 

We are thrilled to have these two powerhouse performers together in ‘Grace and Glorie’. This production is perfect for the Playhouse: an intimate story of two people that is sure to come to life in our cozy space. This play is guaranteed to surprise and delight audiences and have them laughing and crying in equal measure. – Act II Artistic Director, Tony Braithwaite.

This is not the first time that “Grace and Glorie” has been produced at Act II – it was one of the very first shows performed at the Playhouse in 2001.

If You Go:

Previews for “Grace and Glorie” begin Tuesday, Jan. 28, 2025 and the production opens Friday, Jan. 31, 2025. The production runs through Feb. 23, 2025

Ticket prices start at $32 and are available online at act2.org, by calling the Act II Box Office at 215-654-0200, or in-person at the Box Office at 56 E. Butler Ave., Ambler, PA. The Box Office is open Mon-Sat, 2 p.m. – 6 p.m. Student tickets are $15 and group discounts are available.

 

 

Arden Theatre Extends ‘Holy Grail of Memphis’

 Arden Theatre Company is bringing audiences together in 2025 with the highly anticipated world premiere of Holy Grail of Memphis. The comedy, written by Philadelphia-based, award-winning playwright Michael Hollinger, takes audiences on a profound journey of transformation and restoration.

Newton Stover II unearths long-lost blues recordings and fights to restore his grandfather’s music studio and fractured family legacy in a tale of redemption, resilience, and the power of the blues. Directed by Terrence J. Nolen, producing artistic director for the Arden, Holy Grail of Memphis unfolds on the Arden’s intimate 175-seat Arcadia Stage with performances through March 9. 

Bringing Holy Grail of Memphis to life on the stage are six incredibly talented actors, including Matteo Scammell, Erin Malimban, Newton Buchanan, Kishia Nixon, Mary Martello and Fred Michael Beam. 

 

Holy Grail of Memphis takes place in present-day Memphis, Tennessee, and the stage design immerses audiences in the atmosphere of a mid-century recording studio, complete with vintage equipment, microphones, mixers, and amplifiers. Amongst the meticulously crafted stage setting, theatergoers are introduced to Newton “Newt” Stover II (Matteo Scammell), a man striving to rebuild his life and preserve his family’s legacy after uncovering the long-lost recordings of legendary blues guitarist and singer Alfred “Deaf Duck” Mason (Fred Michael Beam). Mason, who was Deaf, performed throughout the Mississippi Delta for decades, inspiring countless other great Black bluesmen and women, including Mississippi John Hurt, Blind Lemon Jefferson, and Memphis Minnie. The play highlights the rich history behind the origins of the Blues and pays homage to legendary Black blues musicians who paved the way for other future artists of color. With the help of his tech-savvy intern, Lee Hara (Erin Malimban), and Derek Benoit (Newton Buchanan), a scholar, musician, and Newt’s former bandmate, Newton plans to release Mason’s recordings to the public and restore his grandfather’s studio to its former glory. However, the arrival of an unexpected visitor could throw his plans into disarray.

At its heart, the play is about listening: how we listen, and what we choose to hear. This relates to music, of course, but also to all human interactions, within and across cultural divides. As the characters begin to come into focus, they wind up embodying many cultural divides: between generations, genders, ethnicities, abilities, and geographies. Every combination of these characters produces both friction and the opportunity to listen better and more empathetically. This, I hope, will be part of the takeaway for audiences as they leave the theatre and return to their lives. – Michael Hollinger

A longtime collaborator with the Arden for more than 30 years, Holy Grail of Memphis will be Hollinger’s tenth world premiere at the Arden. His partnership with the Arden began in 1994 with his first world premiere, An Empty Plate in the Café Du Grand Boeuf, and has since added an impressive roster of additional world premieres, including Incorruptible, Tiny Island, Red Herring, Tooth and Claw, Opus, Ghost-Writer, Under the Skin, and the musical TouchTones. Of the nine world premieres, Hollinger has earned three Barrymore Awards for Outstanding New Play and the F. Otto Haas Award for an Emerging Theatre Artist. Hollinger’s work as a playwright, lyricist, composer, and adaptor has been widely produced across the United States and internationally, with many of his productions translated into multiple languages. 

If You Go:

Holy Grail of Memphis  runs through March 9.

 Single ticket prices vary by performance and start at $37. Tickets are available online at ardentheatre.org, by phone at 215.922.1122, or at the box office at Arden Theatre Company (40 N. 2nd Street). 

Special events and performances 

Post-Show Talkbacks| Wednesday, Feb. 5, 2024 at 7 p.m. & Sunday, Feb.16 at 2 p.m. Join a member of Arden’s artist team for post-show talkbacks. 

Young Friends Night! | Thursday, Feb. 13, 2025 at 7 p.m. 

Use code: YFARDEN for $30 tickets ( Young Friends Night is designed for audience members 40 and under and includes a pre-show talkback and networking event). Click here to purchase tickets. 

Teen Night | Saturday, Feb. 1, 2025 at 7 p.m. 

$15 tickets and a post-show talkback for Teens 13 – 18 years old. Click here to purchase tickets. 

Student Matinees |Tuesday, Feb. 18, 2025 at 10:30 a.m. 

Want to bring a school group? Submit a group inquiry here. 

Smart Caption Glasses | Starting Tuesday, Jan. 28, 2025 

Wearable, customizable Closed Captioning Glasses are available to reserve for performances

Audio Description Available | Friday, Feb. 14, 2025 at 7 p.m. & Saturday, Feb. 15, 2025 at 2 p.m.

Live verbal descriptions of actions and visual effects are available for blind and low-vision patrons.  

Open Captioning Available | Friday, Feb. 14, 2025 at 7 p.m. & Saturday, Feb. 15, 2025 at 2 p.m. 

Live, on-stage text display of all words and sounds for Deaf and hard-of-hearing patrons.   

American Sign Language (ASL) Interpretation Available | Friday, Feb. 21, 2025 at 7 p.m. & Saturday, Feb. 22, 2025 at 2 p.m. 

Live, on-stage ASL interpretation of the dialogue, provided by Hands UP Productions 

Winter Tours at Rockwood Mansion

The Rockwood Mansion in Wilmington, Delaware was built by Joseph Shipley, a Quaker merchant banker between 1851 and 1854. Its Gothic Revival architecture and enchanting landscape were designed to reflect the beauty of an English country estate.

The museum reflects the way the Bringhurst family, descendants of Shipley, lived during the turn of the 20th century.

  • Rockwood Characters and Collectors: Bespoke Collection Tour

    Join Rockwood’s Collections Experts through a highlights tour of the museum’s fine and decorative art and architecture collections. Each generation that lived at Rockwood, from the 1850’s to the 1970s, added important arts and antiques to the house spanning the 17th-20th centuries and originating from Europe, the Americas, Africa, the Middle East and Asia. The tour begins in the conservatory, the best object in the collection, with complimentary beer or wine. Museum staff will tailor your tour experience based on group interests: Paintings? Ceramics? Textiles? Architecture? The ultimate arts tour. (10 max)
    Dates: Saturday, Jan. 25 or Feb. 22, 2025
    Time: 4-6 pm
    Fee: $20; $15 NCC Resident
  • Rockwood is at 4651 Washington Street Extension, Wilmington, DE 19802
  • Info link:  Activity search | New Castle County Recreation – Online Registration (activecommunities.com)

Opinion – New Year Finds Cantors Singing the Blues

After ringing in the new year, volunteer cantors at a local Catholic Church were told their services were no longer needed. After years of cantoring, we were told about faults with our singing without any remedies that might correct them. The leaders of the church have decided that they want professional musicians, cantors, lectors, etc. replacing those who are volunteers.

Being a volunteer cantor involves quite a commitment and no money but it’s a joy to be able to sing the beautiful hymns while inviting all to join in. I know there are those in the congregation that are quick to find fault with our less than perfect voices but most of the people who attend mass are lovely. I will miss them and my choir members.

We are told that the church is on a mission to increase their congregation. To do that, they want only the best representing them in the areas mentioned above. No one can deny that many have left the church in recent years but I have to say that this is not the solution.

I would suggest that they look at the fact that many churches (not all) have forgotten our commitment to the lives of the most vulnerable among us. As Eric Metaxas said in his ‘letter to the American church,’ “God calls us to defend the unborn, to confront the lies of cultural Marxism, and to battle the globalist tyranny that crushes human freedom. Confident that this is His fight, the Church must overcome fear and enter the fray, armed with the spiritual weapons of prayer, self-sacrifice, and love.”

I have been attending church my whole life. I have never chosen a church because of its cantors. It is the pastor or deacon who delivers a homily that touches you with a love and caring that clearly comes from God.

As one of my New Year’s resolutions, I will visit other parishes to see if they’ve found the secret to filling those pews.

InterAct Theatre Company presents the World premiere of ‘Quixotic Professor Qiu’

QUIXOTIC PROFESSOR QIU

by Damon Chua

Inspired by real-life cases of Chinese American scientists being targeted for allegedly carrying out economic espionage, this satirical play follows a fictitious math professor, who finds himself scrutinized by the FBI and his own university colleagues, while simultaneously navigating a delicate relationship with a childhood friend in China. As the screws tighten around the unwitting Professor Qiu, he is forced to choose between his birth country and adopted land, between loyalty and self-preservation.

If You Go:

Performances Jan. 31-Feb. 23 at The Proscenium Theatre at The Drake.  For tickets and showtimes, visit AudienceView Professional

Solve the mystery of ‘Slay and the City’

Everyone’s favorite gal pals from Manhattan are getting together for drinks (cosmos, obviously) and to talk about, what else, sex. And the city. But when the ladies discover that they have one particular gentleman in common, things take a very dark and hilarious turn. It will be up to you to solve “Slay and the City” in this original immersive experience presented by Without a Cue Production, written by Traci Connaughton and held at Red Rum Theater (601 Walnut Street) from Jan. 11 to Feb. 24.

Manhattan’s favorite gal pals are ready to spill the tea – and all the tell-all clues. Come ready to be part of the action as you try to solve the mystery. The action will happen all around you – so listen closely in between the steamy gossip and the clinking of those cosmo glasses as you try to figure out whodunit to win a prize. There will be a chance to interact with the audience, make new gal pals and even take your own mugshot.

Theme drinks by Pops McCann – including signature cosmos, flirtinis and more – are part of the cash bar available during each performance. Come dressed as your favorite gal pal for extra bonus clues and surprises.

If You Go:

  • Slay and the City: A Killer Cosmo
    by Without a Cue Productions
    at Red Rum Theater, 601 Walnut Street, Philadelphia
  • Jan. 11 – Feb. 24, 2025
  • Jan. 11-12 Preview
  • Jan. 18 Opening Night
    Saturday shows at 5 pm and 8 pm
    Sunday shows at 3 pm
    Doors open 30 minutes ahead
    Tickets $35 plus tax and box office fee; VIP $75 (includes complimentary cocktail, packet of clues and gift.)
    Run time: Two hours